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George Strait|Right Or Wrong

Right Or Wrong

George Strait

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The electric pianos that kick off "You Look So Good in Love," the opening song on George Strait's third album Right or Wrong, may suggest that Strait is softening a bit, but that first impression is a bit misleading. As soon as that ballad is over, he launches into the Bob Wills standard that gives this album its title and he's as dexterous and as pure country as ever, and the rest of the album follows the lead of its title song, not the opening cut. To be sure, there are other ballads and slightly slicker material here, but the heart of this record is in the pure country of the Bakersfield love tune "A Little Heaven's Rubbing Off on Me," the light, funny "80 Proof Bottle of Tear Stopper," the Merle Haggard cover "Our Paths May Never Cross" and the barroom weeper "Let's Fall to Pieces Together." The overall tone of Right or Wrong is a little bit lighter than his first two albums -- the Western swing skips, it doesn't ride the beat hard, the honky tonk numbers don't hit at the gut, they hit at the heart -- but that only emphasizes how natural Strait's delivery is, and how he makes it all sound easy, and all sound good. It's another fine album from a singer who was already notching up a lot of them.

© Stephen Thomas Erlewine /TiVo

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Right Or Wrong

George Strait

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1
You Look So Good In Love (Album Version)
00:03:13

Kerry Chater, ComposerLyricist - Rory Michael Bourke, ComposerLyricist - Ray Baker, Producer - GLEN BALLARD, ComposerLyricist - George Strait, MainArtist

℗ 1983 MCA Nashville

2
Right Or Wrong (Album Version)
00:02:05

Ray Baker, Producer - Haven Gillespie, ComposerLyricist - George Strait, MainArtist - Arthur L. Sizemore, ComposerLyricist - Paul Biese, ComposerLyricist

℗ 1983 MCA Nashville

3
A Little Heaven's Rubbing Off On Me (Album Version)
00:02:41

John Scott Sherrill, ComposerLyricist - Gene Dobbins, ComposerLyricist - Ray Baker, Producer - George Strait, MainArtist

℗ 1983 MCA Nashville

4
80 Proof Bottle Of Tear Stopper (Album Version)
00:02:11

Ray Baker, Producer - Darrell Staedtler, ComposerLyricist - George Strait, MainArtist

℗ 1983 MCA Nashville

5
Every Time It Rains (Lord Don't It Pour) (Album Version)
00:03:00

Keith Stegall, ComposerLyricist - Charlie Craig, ComposerLyricist - Ray Baker, Producer - George Strait, MainArtist

℗ 1983 MCA Nashville

6
You're The Cloud I'm On (When I'm High) (Album Version)
00:02:40

Ray Baker, Producer - George Strait, MainArtist - Randall Jay Rogers, ComposerLyricist

℗ 1983 MCA Nashville

7
Let's Fall To Pieces Together (Album Version)
00:02:54

Thomas Rocco Jr., ComposerLyricist - Ray Baker, Producer - Johnny Russell, ComposerLyricist - Dickey Lee, ComposerLyricist - George Strait, MainArtist

℗ 1983 MCA Nashville

8
I'm Satisfied With You (Album Version)
00:02:50

Ray Baker, Producer - FRED ROSE, ComposerLyricist - George Strait, MainArtist

℗ 1983 MCA Nashville

9
Our Paths May Never Cross (Album Version)
00:02:33

Ray Baker, Producer - Merle Haggard, ComposerLyricist - George Strait, MainArtist

℗ 1983 MCA Nashville

10
Fifteen Years Going Up (And One Night Coming Down) (Album Version)
00:02:49

Ray Baker, Producer - George Strait, MainArtist - Peggy Forman, ComposerLyricist

℗ 1983 MCA Nashville

Albumbeschreibung

The electric pianos that kick off "You Look So Good in Love," the opening song on George Strait's third album Right or Wrong, may suggest that Strait is softening a bit, but that first impression is a bit misleading. As soon as that ballad is over, he launches into the Bob Wills standard that gives this album its title and he's as dexterous and as pure country as ever, and the rest of the album follows the lead of its title song, not the opening cut. To be sure, there are other ballads and slightly slicker material here, but the heart of this record is in the pure country of the Bakersfield love tune "A Little Heaven's Rubbing Off on Me," the light, funny "80 Proof Bottle of Tear Stopper," the Merle Haggard cover "Our Paths May Never Cross" and the barroom weeper "Let's Fall to Pieces Together." The overall tone of Right or Wrong is a little bit lighter than his first two albums -- the Western swing skips, it doesn't ride the beat hard, the honky tonk numbers don't hit at the gut, they hit at the heart -- but that only emphasizes how natural Strait's delivery is, and how he makes it all sound easy, and all sound good. It's another fine album from a singer who was already notching up a lot of them.

© Stephen Thomas Erlewine /TiVo

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