Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

The Miracles|Renaissance

Renaissance

The Miracles

Verfügbar in
16-Bit/44.1 kHz Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Text in englischer Sprache verfügbar

Motown assigned a number of producers to work with the Miracles on their first LP after Smokey Robinson's departure. The resulting patching of efforts excels, as each producer brought his best to the table. Newcomer Billy Griffin joins Ron White, Bobby Rogers, and Pete Moore for some delicious vocal blends. The Marvin Gaye-produced "I Love You Secretly" is comparable to his successful Original productions "Baby I'm for Real" and "Bells." Willie Hutch contributed two numbers, the understated "Wigs & Lashes" and the exciting "I Didn't Realize the Show Was Over"; Griffin sings the former in a lower register than the latter. The most overlooked song here has to be the Mel Larson and Jerry Marcellino production "If You're Ever in the Neighborhood"; Griffin's light, aching tenor and the Miracles' heart-tugging harmonies make for some smooth listening. Sadly, the single releases didn't help propel Renaissance up the charts. "What Is a Heart Good For," written by Leon Ware and Arthur T-Boy Ross (Diana Ross' brother) stiffed, and the sales of "Don't Let It End (Til You Let It Begin)" were disappointing. Both, however, are excellent; Ron White co-leads on the latter and displays a subtle, quality tenor. Pam Sawyer and Leon Ware's "I Don't Need No Reason" was later recorded by Junior Walker & the All-Stars, of all people. Smokey Robinson is credited as executive producer, whatever that means. Maybe he picked the material; if so, he did a helluva job.

© Andrew Hamilton /TiVo

Weitere Informationen

Renaissance

The Miracles

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements

Ab 12,49€/Monat

1
What Is A Heart Good For
00:03:02

Warren Moore, Producer, Assistant Producer - Leon Ware, ComposerLyricist - Freddie Perren, Producer, Recording Arranger, AssociatedPerformer - Wade Marcus, String Arranger, AssociatedPerformer - ARTHUR ROSS, ComposerLyricist - The Miracles, MainArtist

℗ 1973 Motown Records, a Division of UMG Recordings, Inc.

2
If You’re Ever In The Neighborhood
00:02:51

SMOKEY ROBINSON, Producer, Executive Producer - James Anthony Carmichael, Recording Arranger, AssociatedPerformer - JERRY MARCELLINO, Producer, Co-Producer, ComposerLyricist - Mel Larson, Producer, Co-Producer, ComposerLyricist - The Miracles, MainArtist - Don Fenceton, ComposerLyricist

℗ 1973 Motown Records, a Division of UMG Recordings, Inc.

3
I Wanna Be With You
00:04:34

Paul Riser, Recording Arranger, AssociatedPerformer - SMOKEY ROBINSON, Producer, Executive Producer - Willie Hutch, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - The Miracles, MainArtist

℗ 1973 Motown Records, a Division of UMG Recordings, Inc.

4
Wigs And Lashes
00:03:25

Fonce Mizell, Producer, Recording Arranger, AssociatedPerformer - SMOKEY ROBINSON, Producer, Executive Producer - Freddie Perren, Producer - The Miracles, MainArtist - Laurence Mizell, ComposerLyricist

℗ 1973 Motown Records, a Division of UMG Recordings, Inc.

5
Don't Let It End (Til You Let It Begin)
00:03:07

Christine Yarian, ComposerLyricist - Fonce Mizell, Producer - Freddie Perren, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - The Miracles, MainArtist

℗ 1973 Motown Records, a Division of UMG Recordings, Inc.

6
I Love You Secretly
00:04:23

Anna Gordy Gaye, ComposerLyricist - Elgie Stover, ComposerLyricist - Marvin Gaye, Producer, MainArtist, ComposerLyricist - The Miracles, MainArtist - Blumberg, Recording Arranger, AssociatedPerformer

℗ 1973 UMG Recordings, Inc.

7
I Don't Need No Reason
00:02:09

Leonard Caston, Producer - Pamela Sawyer, ComposerLyricist - Jerry Long, Recording Arranger, AssociatedPerformer - SMOKEY ROBINSON, Producer, Executive Producer - Leon Ware, ComposerLyricist - James Anthony Carmichael, Recording Arranger, AssociatedPerformer - Frank Wilson, Producer - The Miracles, MainArtist

℗ 1973 Motown Records, a Division of UMG Recordings, Inc.

8
Nowhere To Go
00:04:21

Jerry Long, Recording Arranger, AssociatedPerformer - H.B. BARNUM, Recording Arranger, AssociatedPerformer - Clay McMurray, Producer, ComposerLyricist - The Miracles, MainArtist - Gary Fears, ComposerLyricist - Dennis Jackson, ComposerLyricist

℗ 1973 Motown Records, a Division of UMG Recordings, Inc.

9
I Didn't Realize The Show Was Over
00:03:07

Willie Hutch, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - The Miracles, MainArtist - Richard Hutch, ComposerLyricist - David Blumberg, Recording Arranger, AssociatedPerformer

℗ 1973 Motown Records, a Division of UMG Recordings, Inc.

Albumbeschreibung

Motown assigned a number of producers to work with the Miracles on their first LP after Smokey Robinson's departure. The resulting patching of efforts excels, as each producer brought his best to the table. Newcomer Billy Griffin joins Ron White, Bobby Rogers, and Pete Moore for some delicious vocal blends. The Marvin Gaye-produced "I Love You Secretly" is comparable to his successful Original productions "Baby I'm for Real" and "Bells." Willie Hutch contributed two numbers, the understated "Wigs & Lashes" and the exciting "I Didn't Realize the Show Was Over"; Griffin sings the former in a lower register than the latter. The most overlooked song here has to be the Mel Larson and Jerry Marcellino production "If You're Ever in the Neighborhood"; Griffin's light, aching tenor and the Miracles' heart-tugging harmonies make for some smooth listening. Sadly, the single releases didn't help propel Renaissance up the charts. "What Is a Heart Good For," written by Leon Ware and Arthur T-Boy Ross (Diana Ross' brother) stiffed, and the sales of "Don't Let It End (Til You Let It Begin)" were disappointing. Both, however, are excellent; Ron White co-leads on the latter and displays a subtle, quality tenor. Pam Sawyer and Leon Ware's "I Don't Need No Reason" was later recorded by Junior Walker & the All-Stars, of all people. Smokey Robinson is credited as executive producer, whatever that means. Maybe he picked the material; if so, he did a helluva job.

© Andrew Hamilton /TiVo

Informationen zu dem Album

Verbesserung der Albuminformationen

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

The Studio Albums 2009 – 2018

Mark Knopfler

Brothers In Arms

Dire Straits

Brothers In Arms Dire Straits

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
Mehr auf Qobuz
Von The Miracles

Ain't It Baby

The Miracles

Ain't It Baby The Miracles

Going To A Go-Go

The Miracles

Going To A Go-Go The Miracles

Going To A Go-Go

The Miracles

Going To A Go-Go The Miracles

Christmas With The Miracles

The Miracles

One Dozen Roses

The Miracles

One Dozen Roses The Miracles
Das könnte Ihnen auch gefallen...

After Hours (Explicit)

The Weeknd

Nameless

Dominique Fils-Aimé

Nameless Dominique Fils-Aimé

Qobuz Sessions at SXSW

Yazmin Lacey

Qobuz Sessions at SXSW Yazmin Lacey

Starboy (Explicit Version)

The Weeknd

The Age of Pleasure

Janelle Monáe

The Age of Pleasure Janelle Monáe