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Keith Green|No Compromise

No Compromise

Keith Green

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Text in englischer Sprache verfügbar

Say what you like about Keith Green. Say he's an activist. Say he's a crazy, wild-eyed prophet like Ezekiel of long ago. No one can argue that he was not passionate about what he did, especially in the area of making great music using top session musicians. The credits on this record look like a "Who's Who" in jazz -- Hadley Hockensmith on guitar, Abraham Laboriel on bass, Tommy Funderburk on choral arrangements. In everything he did, Keith Green was all about integrity. Songs themselves capture his earnest spirit. Notable on this is his searing "Asleep in the Light," pointing a finger right back at the church for its hypocrisy and lack of compassion. He is not a spectacular technical performer on the piano, but his playing is always full of energy and is enjoyable in its own right for that reason. For example, "Dear John Letter (To the Devil)" is not an especially good song lyrically or musically, but Green's delivery alone makes you laugh out loud. Another high point here is a short little interlude called "My Eyes Are Dry," where Green is practically weeping through his singing. Passionate, sincere, and energetic; this record delivers a refreshing taste of a era now nearly forgotten.

© Mark W. B. Allender /TiVo

Weitere Informationen

No Compromise

Keith Green

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1
Soften Your Heart
00:02:51

Melody Green, ComposerLyricist - Keith Green, Producer, MainArtist, ComposerLyricist - Bill Maxwell, Producer

(C) 1990 Sparrow Records ℗ 1978 Sparrow Records

2
Make My Life A Prayer To You
00:03:21

Melody Green, ComposerLyricist - Keith Green, Producer, MainArtist - Bill Maxwell, Producer

(C) 1990 Sparrow Records ℗ 1990 Sparrow Records

3
Dear John Letter (To The Devil)
00:03:19

Keith Green, Composer, Producer, MainArtist - Bill Maxwell, Producer

(C) 1990 Sparrow Records ℗ 1990 Sparrow Records

4
How Can They Live Without Jesus?
00:03:05

Keith Green, Composer, Producer, MainArtist - Bill Maxwell, Producer

(C) 1990 Sparrow Records ℗ 1978 Sparrow Records

5
Asleep In The Light
00:04:27

Keith Green, Producer, MainArtist, ComposerLyricist - Bill Maxwell, Producer

(C) 1990 Sparrow Records ℗ 1990 Sparrow Records

6
My Eyes Are Dry
00:02:05

Keith Green, Producer, MainArtist, ComposerLyricist - Bill Maxwell, Producer

(C) 1990 Sparrow Records ℗ 1990 Sparrow Records

7
You!
00:03:34

Melody Green, Composer - Keith Green, Composer, Producer, MainArtist - Bill Maxwell, Producer

(C) 1990 Sparrow Records ℗ 1978 Sparrow Records

8
I Don't Wanna Fall Away From You
00:03:09

Keith Green, Composer, Producer, MainArtist - Bill Maxwell, Producer

(C) 1990 Sparrow Records ℗ 1990 Sparrow Records

9
Stained Glass
00:02:47

Melody Green, Composer - Keith Green, Composer, Producer, MainArtist - Bill Maxwell, Producer

(C) 1990 Sparrow Records ℗ 1990 Sparrow Records

10
To Obey Is Better Than Sacrifice
00:03:19

Keith Green, Composer, Producer, MainArtist - Bill Maxwell, Producer

(C) 1990 Sparrow Records ℗ 1979 Sparrow Records

11
The Victor
00:04:23

Jamie Owens-Collins, Composer - Keith Green, Producer, MainArtist - Bill Maxwell, Producer

(C) 1990 Sparrow Records ℗ 1990 Sparrow Records

12
Altar Call
00:03:38

Keith Green, Composer, Producer, MainArtist - Bill Maxwell, Producer

(C) 1990 Sparrow Records ℗ 1990 Sparrow Records

Albumbeschreibung

Say what you like about Keith Green. Say he's an activist. Say he's a crazy, wild-eyed prophet like Ezekiel of long ago. No one can argue that he was not passionate about what he did, especially in the area of making great music using top session musicians. The credits on this record look like a "Who's Who" in jazz -- Hadley Hockensmith on guitar, Abraham Laboriel on bass, Tommy Funderburk on choral arrangements. In everything he did, Keith Green was all about integrity. Songs themselves capture his earnest spirit. Notable on this is his searing "Asleep in the Light," pointing a finger right back at the church for its hypocrisy and lack of compassion. He is not a spectacular technical performer on the piano, but his playing is always full of energy and is enjoyable in its own right for that reason. For example, "Dear John Letter (To the Devil)" is not an especially good song lyrically or musically, but Green's delivery alone makes you laugh out loud. Another high point here is a short little interlude called "My Eyes Are Dry," where Green is practically weeping through his singing. Passionate, sincere, and energetic; this record delivers a refreshing taste of a era now nearly forgotten.

© Mark W. B. Allender /TiVo

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