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Karine Georgian|Musique pour violoncelle & piano

Musique pour violoncelle & piano

Robert Schumann

Digitales Booklet

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Text in englischer Sprache verfügbar

Though he infrequently wrote for the cello specifically, Schumann still had an affinity for the instrument. It holds an important place in his chamber music scores, and he included the cello as potential secondary instruments on a number of his duo works with piano. Apart from the Five Pieces in Popular Style -- the only chamber work scored specifically for the instrument -- the remainder of the cello's repertoire from Schumann comes in the form of transcriptions. This Naxos album, entitled Music for Cello and Piano curiously omits the Five Pieces and focuses entirely on transcriptions and works for which the cello was listed as an alternate instrument. Cellist Karine Georgian and pianist Jan Willem Nelleke (who penned the transcriptions of the Op. 105 Violin Sonata and Clara Schumann's Op. 22 Three Romances) join for what proves to be a surprisingly lackluster affair. Given Georgian's pedigree as a Rostropovich protégée and a Tchaikovsky Competition Gold Medalist, it's unexpected to hear so many shifts fall short, so many notes that are not quite in tune, and a sound quality that is not quite suited for chamber music. A frequent concerto performer, Georgian's tone is lean and projecting, more appropriate for punching through an orchestra than the intimacy of chamber music. Her vibrato is anachronistically wide and persistent, but it is her lack of precision in intonation that most greatly detracts from the success of this album.
© TiVo

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Musique pour violoncelle & piano

Karine Georgian

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Adagio and Allegro, Op. 70 (Robert Schumann)

1
Adagio and Allegro, Op. 70
00:08:28

Robert Schumann, Composer - Jan Willem Nelleke, Artist - Karine Georgian, Artist, MainArtist

(C) 2011 Naxos (P) 2011 Naxos

Fantasiestücke, op. 73 (Robert Schumann)

2
I. Zart und mit Ausdruck (Version for Cello and Piano)
00:03:09

Robert Schumann, Composer - Jan Willem Nelleke, Artist - Karine Georgian, Artist, MainArtist

(C) 2011 Naxos (P) 2011 Naxos

3
II. Lebhaft leicht (Version for Cello & Piano)
00:03:33

Robert Schumann, Composer - Jan Willem Nelleke, Artist - Karine Georgian, Artist, MainArtist

(C) 2011 Naxos (P) 2011 Naxos

4
III. Rasch und mit Feuer (Version for Cello and Piano)
00:04:12

Robert Schumann, Composer - Jan Willem Nelleke, Artist - Karine Georgian, Artist, MainArtist

(C) 2011 Naxos (P) 2011 Naxos

Violin Sonata No. 1 in A minor, Op. 105 (Robert Schumann)

5
I. Mit leidenschaftlichem Ausdruck (Arr. J.W. Nelleke for cello and piano)
00:07:46

Robert Schumann, Composer - Jan Willem Nelleke, Artist - Karine Georgian, Artist, MainArtist

(C) 2011 Naxos (P) 2011 Naxos

6
II. Allegretto (Arr. J.W. Nelleke for cello and piano)
00:04:25

Robert Schumann, Composer - Jan Willem Nelleke, Artist - Karine Georgian, Artist, MainArtist

(C) 2011 Naxos (P) 2011 Naxos

7
III. Lebhaft (Arr. J.W. Nelleke for cello and piano)
00:05:23

Robert Schumann, Composer - Jan Willem Nelleke, Artist - Karine Georgian, Artist, MainArtist

(C) 2011 Naxos (P) 2011 Naxos

Marchenbilder (Fairy Tales), Op. 113 (arr. for cello and piano) (Robert Schumann)

8
I. Nicht schnell (Arr. A. Piatti & C. Bellisario for Cello & Piano)
00:03:27

Robert Schumann, Composer - Jan Willem Nelleke, Artist - Karine Georgian, Artist, MainArtist

(C) 2011 Naxos (P) 2011 Naxos

9
II. Lebhaft (Arr. A. Piatti & C. Bellisario for Cello & Piano)
00:04:01

Robert Schumann, Composer - Jan Willem Nelleke, Artist - Karine Georgian, Artist, MainArtist

(C) 2011 Naxos (P) 2011 Naxos

10
III. Rasch (Arr. A. Piatti & C. Bellisario for Cello & Piano)
00:02:40

Robert Schumann, Composer - Jan Willem Nelleke, Artist - Karine Georgian, Artist, MainArtist

(C) 2011 Naxos (P) 2011 Naxos

11
IV. Langsam, mit melancholischem Ausdruck (Arr. A. Piatti & C. Bellisario for Cello & Piano)
00:04:28

Robert Schumann, Composer - Jan Willem Nelleke, Artist - Karine Georgian, Artist, MainArtist

(C) 2011 Naxos (P) 2011 Naxos

3 Romanzen, Op. 94 (Robert Schumann)

12
No. 1, Nicht schnell
00:03:09

Robert Schumann, Composer - Jan Willem Nelleke, Artist - Karine Georgian, Artist, MainArtist

(C) 2011 Naxos (P) 2011 Naxos

13
No. 2 in A Major. Einfach, innig
00:04:09

Robert Schumann, Composer - Jan Willem Nelleke, Artist - Karine Georgian, Artist, MainArtist

(C) 2011 Naxos (P) 2011 Naxos

3 Romances, Op. 94 (Robert Schumann)

14
No. 3, Nicht schnell
00:04:55

Robert Schumann, Composer - Jan Willem Nelleke, Artist - Karine Georgian, Artist, MainArtist

(C) 2011 Naxos (P) 2011 Naxos

3 Romanzen, Op. 22 (Clara Schumann)

15
No. 1, Andante molto (Arr. For cello and piano)
00:02:34

Clara Schumann, Composer - Jan Willem Nelleke, Artist - Karine Georgian, Artist, MainArtist

(C) 2011 Naxos (P) 2011 Naxos

16
No. 2, Allegretto, mit zartem Vortrage (Arr. For cello and piano)
00:03:00

Clara Schumann, Composer - Jan Willem Nelleke, Artist - Karine Georgian, Artist, MainArtist

(C) 2011 Naxos (P) 2011 Naxos

17
No. 3, Leidenschaftlich schnell (Arr. For cello and piano)
00:03:37

Clara Schumann, Composer - Jan Willem Nelleke, Artist - Karine Georgian, Artist, MainArtist

(C) 2011 Naxos (P) 2011 Naxos

Albumbeschreibung

Though he infrequently wrote for the cello specifically, Schumann still had an affinity for the instrument. It holds an important place in his chamber music scores, and he included the cello as potential secondary instruments on a number of his duo works with piano. Apart from the Five Pieces in Popular Style -- the only chamber work scored specifically for the instrument -- the remainder of the cello's repertoire from Schumann comes in the form of transcriptions. This Naxos album, entitled Music for Cello and Piano curiously omits the Five Pieces and focuses entirely on transcriptions and works for which the cello was listed as an alternate instrument. Cellist Karine Georgian and pianist Jan Willem Nelleke (who penned the transcriptions of the Op. 105 Violin Sonata and Clara Schumann's Op. 22 Three Romances) join for what proves to be a surprisingly lackluster affair. Given Georgian's pedigree as a Rostropovich protégée and a Tchaikovsky Competition Gold Medalist, it's unexpected to hear so many shifts fall short, so many notes that are not quite in tune, and a sound quality that is not quite suited for chamber music. A frequent concerto performer, Georgian's tone is lean and projecting, more appropriate for punching through an orchestra than the intimacy of chamber music. Her vibrato is anachronistically wide and persistent, but it is her lack of precision in intonation that most greatly detracts from the success of this album.
© TiVo

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