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Richard Boothby|Music to Hear... Alfonso Ferrabosco: Music for Lyra Viol from 1609

Music to Hear... Alfonso Ferrabosco: Music for Lyra Viol from 1609

Richard Boothby & Asako Morikawa

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Text in englischer Sprache verfügbar

The Alfonso Ferrabosco heard here, also known as Alfonso Ferrabosco the Younger, is not well known among English composers of the early 17th century (despite the name, he lived his whole life in England). The instrument played is the lyra viol, still less familiar, although collections of music for it were published until the late 17th century. This release was a pandemic project for viol player Richard Boothby, who spent his lockdown time well. He has thought through what makes the instrument distinctive and has delivered an admirable introduction to it. The lyra viol has a flat bridge that enables it to produce polyphonic melodies and also to play chords. The tablature in which its music was notated somewhat resembles that for the lute, and one reason it is obscure is that manuscripts were confused with those for the lute for a time. The lyra viol has a few sympathetic strings, not enough to produce a dense, complicated sound; rather, it adds the melancholy tinge so prized by listeners of the day. Although the pieces here are mostly dances, Ferrabosco's music for lyra viol was admired by playwright Ben Jonson because of the instrument's classical, antique flavor. Boothby, accompanied on a couple of pieces by Asako Morikawa, adds a slightly serious flavor to the dances that seems right. It is exciting to hear this new repertory opened up, and this recording may remain a standard for years to come. The church sound is clear enough but not idiomatic; a less reverberant sound such as that of a theater, where indeed some of this music may have been first heard, would have been more appropriate.
© James Manheim /TiVo

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Music to Hear... Alfonso Ferrabosco: Music for Lyra Viol from 1609

Richard Boothby

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1
Lessons for 1, 2 & 3 Viols: Prelude 2 (Page 34)
00:01:10

PUBLIC DOMAIN, MusicPublisher - Richard Boothby, MainArtist - Alfonso Ferrabosco, Composer

(C) 2023 Signum Classics (P) 2023 Signum Records

2
Lessons for 1, 2 & 3 Viols: Almaine – Coranto I (Page 17)
00:04:44

PUBLIC DOMAIN, MusicPublisher - Richard Boothby, MainArtist - Alfonso Ferrabosco, Composer

(C) 2023 Signum Classics (P) 2023 Signum Records

3
Lessons for 1, 2 & 3 Viols: Galliard – Coranto II (Page 25)
00:04:23

PUBLIC DOMAIN, MusicPublisher - Richard Boothby, MainArtist - Alfonso Ferrabosco, Composer

(C) 2023 Signum Classics (P) 2023 Signum Records

4
Lessons for 1, 2 & 3 Viols: Almaine – Coranto II* (Page 31)
00:04:35

PUBLIC DOMAIN, MusicPublisher - Richard Boothby, MainArtist - Alfonso Ferrabosco, Composer - Asako Morikawa, MainArtist

(C) 2023 Signum Classics (P) 2023 Signum Records

5
Lessons for 1, 2 & 3 Viols: Galliard – Coranto II* (Page 30)
00:04:16

PUBLIC DOMAIN, MusicPublisher - Richard Boothby, MainArtist - Alfonso Ferrabosco, Composer - Asako Morikawa, MainArtist

(C) 2023 Signum Classics (P) 2023 Signum Records

6
Lessons for 1, 2 & 3 Viols: Prelude 3 (Page 35)
00:00:49

PUBLIC DOMAIN, MusicPublisher - Richard Boothby, MainArtist - Alfonso Ferrabosco, Composer

(C) 2023 Signum Classics (P) 2023 Signum Records

7
Lessons for 1, 2 & 3 Viols: Almaine – Coranto III (Page 1)
00:06:14

PUBLIC DOMAIN, MusicPublisher - Richard Boothby, MainArtist - Alfonso Ferrabosco, Composer

(C) 2023 Signum Classics (P) 2023 Signum Records

8
Lessons for 1, 2 & 3 Viols: Galliard – Coranto III (Page 2)
00:03:47

PUBLIC DOMAIN, MusicPublisher - Richard Boothby, MainArtist - Alfonso Ferrabosco, Composer

(C) 2023 Signum Classics (P) 2023 Signum Records

9
Lessons for 1, 2 & 3 Viols: Almaine – Coranto IV (Page 3)
00:05:19

PUBLIC DOMAIN, MusicPublisher - Richard Boothby, MainArtist - Alfonso Ferrabosco, Composer

(C) 2023 Signum Classics (P) 2023 Signum Records

10
Lessons for 1, 2 & 3 Viols: Prelude 1 (Page 34)
00:01:00

PUBLIC DOMAIN, MusicPublisher - Richard Boothby, MainArtist - Alfonso Ferrabosco, Composer

(C) 2023 Signum Classics (P) 2023 Signum Records

11
Lessons for 1, 2 & 3 Viols: Galliard – Coranto IV (Page 11)
00:05:20

PUBLIC DOMAIN, MusicPublisher - Richard Boothby, MainArtist - Alfonso Ferrabosco, Composer

(C) 2023 Signum Classics (P) 2023 Signum Records

12
Lessons for 1, 2 & 3 Viols: Almaine – Coranto V (Page 12)
00:05:56

PUBLIC DOMAIN, MusicPublisher - Richard Boothby, MainArtist - Alfonso Ferrabosco, Composer

(C) 2023 Signum Classics (P) 2023 Signum Records

13
Lessons for 1, 2 & 3 Viols: Pavan – Coranto (Page 14)
00:06:13

PUBLIC DOMAIN, MusicPublisher - Richard Boothby, MainArtist - Alfonso Ferrabosco, Composer

(C) 2023 Signum Classics (P) 2023 Signum Records

Albumbeschreibung

The Alfonso Ferrabosco heard here, also known as Alfonso Ferrabosco the Younger, is not well known among English composers of the early 17th century (despite the name, he lived his whole life in England). The instrument played is the lyra viol, still less familiar, although collections of music for it were published until the late 17th century. This release was a pandemic project for viol player Richard Boothby, who spent his lockdown time well. He has thought through what makes the instrument distinctive and has delivered an admirable introduction to it. The lyra viol has a flat bridge that enables it to produce polyphonic melodies and also to play chords. The tablature in which its music was notated somewhat resembles that for the lute, and one reason it is obscure is that manuscripts were confused with those for the lute for a time. The lyra viol has a few sympathetic strings, not enough to produce a dense, complicated sound; rather, it adds the melancholy tinge so prized by listeners of the day. Although the pieces here are mostly dances, Ferrabosco's music for lyra viol was admired by playwright Ben Jonson because of the instrument's classical, antique flavor. Boothby, accompanied on a couple of pieces by Asako Morikawa, adds a slightly serious flavor to the dances that seems right. It is exciting to hear this new repertory opened up, and this recording may remain a standard for years to come. The church sound is clear enough but not idiomatic; a less reverberant sound such as that of a theater, where indeed some of this music may have been first heard, would have been more appropriate.
© James Manheim /TiVo

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