Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Wayne Marshall|Marshall Law

Marshall Law

Wayne Marshall

Verfügbar in
16-Bit/44.1 kHz Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Text in englischer Sprache verfügbar

When hip-hop draws influences from reggae, it is almost always enriched. When reggae draws influences from hip hop, it is almost always impoverished. This isn't because hip hop has nothing to offer reggae -- it's just that reggae artists seem to be poor judges of what's worth stealing from hip hop. For example, reggae does not need hip hop's dumb, chest-pounding intros ("This is not a game! This is not a game!"). Nor does it have anything to learn from a rappers' tendency to go on and on about how rich they are (memo to Wayne Marshall: no one cares what kind of SUV you drive). What hip hop does have to offer is slamming beats, and to Wayne Marshall's credit, he knows how to make use of them without losing sight of the reggae verities. So "Ghetto People Song," a nice combo track featuring Assassin and Warfare, offers a smooth, dark fusion of Jamaica-flavored chatting and minimalist, hesitation-step R&B beats; the relatively rootsy "Captain" finds Marshall singing over a one-drop beat, old-school style; and on "Purple Skunk" he gets wistfully horticultural over a complex and churning dancehall beat. Perhaps most interesting of all is the faux Nyahbinghi drumming on "Beautiful Morning," which may be a first for dancehall reggae. A few more King Jammys' beats would have enlivened things a bit, but overall, this is a solid effort from a major young talent.

© Rick Anderson /TiVo

Weitere Informationen

Marshall Law

Wayne Marshall

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements

Ab 12,49€/Monat

1
Intro
Wayne Marshall
00:01:34

Wayne Marshall, MainArtist

© 2003 VP Records ℗ 2003 VP Music Group, Inc

2
Game
Wayne Marshall
00:03:52

Wayne Marshall, MainArtist

© 2003 VP Records ℗ 2003 VP Music Group, Inc

3
Overcome
Wayne Marshall
00:03:30

Wayne Marshall, MainArtist

© 2003 VP Records ℗ 2003 VP Music Group, Inc

4
Hot in the club
Wayne Marshall
00:03:59

D. Thomas, Composer, Writer - W. Mitchell, Composer, Writer - Wayne Marshall, MainArtist - Birch, Composer, Writer - M. Jarrett, Composer, Writer - S. Coore, Composer, Writer

© 2003 VP Records ℗ 2003 VP Music Group

5
Zoned Out
Wayne Marshall
00:03:00

Wayne Marshall, MainArtist

© 2003 VP Records ℗ 2003 VP Music Group, Inc

6
Natural Mystic
Wayne Marshall
00:04:01

Wayne Marshall, MainArtist

© 2003 VP Records ℗ 2003 VP Music Group, Inc

7
Taking The Music
Wayne Marshall
00:02:47

Wayne Marshall, MainArtist

© 2003 VP Records ℗ 2003 Vp Music Group, Inc

8
Big Flex
Wayne Marshall
00:03:56

Wayne Marshall, MainArtist

© 2003 VP Records ℗ 2003 VP Music Group, Inc

9
Marshall Town
Wayne Marshall
00:03:32

W. Mitchell, Composer, Lyricist - C. Birch, Composer, Lyricist - Wayne Marshall, MainArtist

© 2003 VP Records ℗ 2003 Vp Music Group, Inc

10
Why?
Wayne Marshall (feat. Vybz Kartel)
00:03:23

Wayne Marshall (feat. Vybz Kartel), MainArtist

© 2003 VP Records ℗ 2003 VP Music Group, Inc

11
Ghetto People Song
Wayne Marshall (feat. Assassin & Warfire)
00:04:12

Wayne Marshall (feat. Assassin & Warfire), MainArtist

© 2003 VP Records ℗ 2003 VP Music Group, Inc

12
We The People Elect
Wayne Marshall
00:03:33

Wayne Marshall, MainArtist

© 2003 VP Records ℗ 2003 VP Music Group, Inc

13
Captain
Wayne Marshall
00:05:20

Wayne Marshall, MainArtist

© 2003 VP Records ℗ 2003 VP Music Group, Inc

14
Check Yourself
Wayne Marshall
00:03:13

Wayne Marshall, MainArtist

© 2003 VP Records ℗ 2003 VP Music Group, Inc

15
Feelin' It
Wayne Marshall
00:03:13

Wayne Marshall, MainArtist

© 2003 VP Records ℗ 2005 VP Music Group, Inc.

16
Purple Skunk
Wayne Marshall
00:04:04

Wayne Marshall, MainArtist

© 2003 VP Records ℗ 2003 VP Music Group, Inc

17
My Wife
Wayne Marshall
00:03:51

Wayne Marshall, MainArtist

© 2003 VP Records ℗ 2003 VP Music Group, Inc

18
Passed Away
Wayne Marshall
00:03:34

Wayne Marshall, MainArtist

© 2003 VP Records ℗ 2003 VP Music Group, Inc

19
Beautiful Morning
Wayne Marshall
00:05:28

Wayne Marshall, MainArtist

© 2003 VP Records ℗ 2003 VP Music Group, Inc

Albumbeschreibung

When hip-hop draws influences from reggae, it is almost always enriched. When reggae draws influences from hip hop, it is almost always impoverished. This isn't because hip hop has nothing to offer reggae -- it's just that reggae artists seem to be poor judges of what's worth stealing from hip hop. For example, reggae does not need hip hop's dumb, chest-pounding intros ("This is not a game! This is not a game!"). Nor does it have anything to learn from a rappers' tendency to go on and on about how rich they are (memo to Wayne Marshall: no one cares what kind of SUV you drive). What hip hop does have to offer is slamming beats, and to Wayne Marshall's credit, he knows how to make use of them without losing sight of the reggae verities. So "Ghetto People Song," a nice combo track featuring Assassin and Warfare, offers a smooth, dark fusion of Jamaica-flavored chatting and minimalist, hesitation-step R&B beats; the relatively rootsy "Captain" finds Marshall singing over a one-drop beat, old-school style; and on "Purple Skunk" he gets wistfully horticultural over a complex and churning dancehall beat. Perhaps most interesting of all is the faux Nyahbinghi drumming on "Beautiful Morning," which may be a first for dancehall reggae. A few more King Jammys' beats would have enlivened things a bit, but overall, this is a solid effort from a major young talent.

© Rick Anderson /TiVo

Informationen zu dem Album

Verbesserung der Albuminformationen

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

Hier... Encore

Charles Aznavour

Hier... Encore Charles Aznavour

Olympia Février 1976

Charles Aznavour

Olympia Février 1976 Charles Aznavour

Idiote je t'aime...

Charles Aznavour

Idiote je t'aime... Charles Aznavour

La Bohème

Charles Aznavour

La Bohème Charles Aznavour
Mehr auf Qobuz
Von Wayne Marshall

The Piano Collection

Wayne Marshall

The Piano Collection Wayne Marshall

Wayne Marshall Plays Gershwin

Wayne Marshall

The Virtuoso Organist. Music for Special Occasions at the Organ of Coventry Cathedral. Widor, Saint-Saëns, Bach, Vierne, Verdi...

Wayne Marshall

I Need You Like Water

Wayne Marshall

I Need You Like Water Wayne Marshall

Lots Of Sign

Wayne Marshall

Lots Of Sign Wayne Marshall

Playlists

Das könnte Ihnen auch gefallen...

Kaya

Bob Marley & The Wailers

Kaya Bob Marley & The Wailers

One Love

Bob Marley & The Wailers

One Love Bob Marley & The Wailers

Exodus

Bob Marley & The Wailers

Exodus Bob Marley & The Wailers

Uprising

Bob Marley & The Wailers

Uprising Bob Marley & The Wailers

Legend – The Best Of Bob Marley & The Wailers

Bob Marley & The Wailers