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Giuseppe Porsile|Mannaggia Amore - Giuseppe Porsile: Cantatas for Soprano

Mannaggia Amore - Giuseppe Porsile: Cantatas for Soprano

Inês d'Avena, Stefanie True & La Cicala

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Active in Naples at the start of the 18th century, Giuseppe Porsile composed cantatas, some of which have the particularity of having sections that need to be played by a solo flute. At the time, the instrument, soon to be superseded by the transverse flute, is still in the form of the recorder. This was enough to pique the interest of Inês d’Avena, musician and researcher who carefully looks into and uncovers various pieces composed for her instrument in baroque Italy of the years 1720-30. Indeed, some manuscripts have disappeared off the radar, taken away in diplomatic convoys amid exchanges between Italian and German courts. It’s wonderful that they are finally coming to light, full of colour, light and emotions. Inês d’Avena doesn’t shy away from questioning the authorship of the works: Qual per ignoto calle, attributed to Vivaldi, could well have been the product of Porsile’s writing.

At the head of her ensemble La Cicala and alongside Canadian soprano Stefanie True, Inês d’Avena gives expressive and zesty renditions of these pages of music, characteristic of the late baroque period in Naples. Romantic, sometimes tragic and admittedly slightly countryfied, these cantatas sometimes have the aura of being folkloric country songs, alternating between tuneful melodies and recitative songs; the flute dialogues with the voices with rich emulation. Inês d’Avena is one of these musicians who through her work passionately strives towards restoring the once-legendary status of the recorder (Alexis Kossenko is another) and its acolytes, from the archlute to the harpsichord, completing this most pleasing musical project. © Elsa Siffert/Qobuz

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Mannaggia Amore - Giuseppe Porsile: Cantatas for Soprano

Giuseppe Porsile

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1
Cantata "Le sofferte amare pene": I. Aria 'Le sofferte amare pene'
Stefanie True
00:06:35

Stefanie True, MainArtist - Giuseppe Porsile, Composer - La Cicala, Ensemble, MainArtist - Inês d'Avena, MainArtist

(C) 2019 Passacaille (P) 2019 Passacaille

2
Cantata "Le sofferte amare pene": II. Recitative "Sovvienti idolo mio"
Stefanie True
00:02:18

Stefanie True, MainArtist - Giuseppe Porsile, Composer - La Cicala, Ensemble, MainArtist - Inês d'Avena, MainArtist

(C) 2019 Passacaille (P) 2019 Passacaille

3
Cantata "Le sofferte amare pene": III. Aria "Non sprezzar più nò un fido core"
Stefanie True
00:05:34

Stefanie True, MainArtist - Giuseppe Porsile, Composer - La Cicala, Ensemble, MainArtist - Inês d'Avena, MainArtist

(C) 2019 Passacaille (P) 2019 Passacaille

4
"Il Giorno Felice": Andante
Stefanie True
00:01:18

Stefanie True, MainArtist - Giuseppe Porsile, Composer - La Cicala, Ensemble, MainArtist - Inês d'Avena, MainArtist

(C) 2019 Passacaille (P) 2019 Passacaille

5
Cantata XXII “Qual per ignoto calle”: I. Recitative "Qual per ignoto calle"
Stefanie True
00:02:00

Stefanie True, MainArtist - Giuseppe Porsile, Composer - La Cicala, Ensemble, MainArtist - Inês d'Avena, MainArtist

(C) 2019 Passacaille (P) 2019 Passacaille

6
Cantata XXII “Qual per ignoto calle”: II. Aria "Quel passaggier son io"
Stefanie True
00:05:33

Stefanie True, MainArtist - Giuseppe Porsile, Composer - La Cicala, Ensemble, MainArtist - Inês d'Avena, MainArtist

(C) 2019 Passacaille (P) 2019 Passacaille

7
Cantata XXII “Qual per ignoto calle”: III. Recitative "Deh'più non regni"
Stefanie True
00:01:01

Stefanie True, MainArtist - Giuseppe Porsile, Composer - La Cicala, Ensemble, MainArtist - Inês d'Avena, MainArtist

(C) 2019 Passacaille (P) 2019 Passacaille

8
Cantata XXII “Qual per ignoto calle”: IV. Aria "Quel passaggier son io"
Stefanie True
00:04:24

Stefanie True, MainArtist - Giuseppe Porsile, Composer - La Cicala, Ensemble, MainArtist - Inês d'Avena, MainArtist

(C) 2019 Passacaille (P) 2019 Passacaille

9
Dialoge Pastorale a Cinque Voci: Menuet I & II
Stefanie True
00:02:26

Stefanie True, MainArtist - Giuseppe Porsile, Composer - La Cicala, Ensemble, MainArtist - Inês d'Avena, MainArtist

(C) 2019 Passacaille (P) 2019 Passacaille

10
Cantate No. 25 “Violetta gentil”: Recitative “Violetta gentil”
Stefanie True
00:01:54

Stefanie True, MainArtist - Giuseppe Porsile, Composer - La Cicala, Ensemble, MainArtist - Inês d'Avena, MainArtist

(C) 2019 Passacaille (P) 2019 Passacaille

11
Cantate No. 25 “Violetta gentil”: aria "Non curando i vani onori"
Stefanie True
00:04:24

Stefanie True, MainArtist - Giuseppe Porsile, Composer - La Cicala, Ensemble, MainArtist - Inês d'Avena, MainArtist

(C) 2019 Passacaille (P) 2019 Passacaille

12
Cantate No. 25 “Violetta gentil”: Recitative " Tu à le piante vicine"
Stefanie True
00:01:17

Stefanie True, MainArtist - Giuseppe Porsile, Composer - La Cicala, Ensemble, MainArtist - Inês d'Avena, MainArtist

(C) 2019 Passacaille (P) 2019 Passacaille

13
Cantate No. 25 “Violetta gentil”: IV. Aria (Allegro) "Violetta sai perché"
Stefanie True
00:05:25

Stefanie True, MainArtist - Giuseppe Porsile, Composer - La Cicala, Ensemble, MainArtist - Inês d'Avena, MainArtist

(C) 2019 Passacaille (P) 2019 Passacaille

14
Cantata sopra l’Arcecalascione “Sfogandose ‘no Juorno”: I. Recitative "Sfogandose 'no Juorno"
Stefanie True
00:00:41

Stefanie True, MainArtist - Giuseppe Porsile, Composer - La Cicala, Ensemble, MainArtist - Inês d'Avena, MainArtist

(C) 2019 Passacaille (P) 2019 Passacaille

15
Cantata sopra l’Arcecalascione “Sfogandose ‘no Juorno”: II. Aria "Schiaresce l'Arba nsino dello maro"
Stefanie True
00:04:33

Stefanie True, MainArtist - Giuseppe Porsile, Composer - La Cicala, Ensemble, MainArtist - Inês d'Avena, MainArtist

(C) 2019 Passacaille (P) 2019 Passacaille

16
Cantata sopra l’Arcecalascione “Sfogandose ‘no Juorno”: III. Recitative "E scomputo ch'avette chisto Lotano"
Stefanie True
00:00:19

Stefanie True, MainArtist - Giuseppe Porsile, Composer - La Cicala, Ensemble, MainArtist - Inês d'Avena, MainArtist

(C) 2019 Passacaille (P) 2019 Passacaille

17
Cantata sopra l’Arcecalascione “Sfogandose ‘no Juorno”: IV. - Aria "Mannaggia Amore"
Stefanie True
00:00:46

Stefanie True, MainArtist - Giuseppe Porsile, Composer - La Cicala, Ensemble, MainArtist - Inês d'Avena, MainArtist

(C) 2019 Passacaille (P) 2019 Passacaille

18
[Sonata a] Flauto Solo : I. Entree
Stefanie True
00:02:40

Stefanie True, MainArtist - Giuseppe Porsile, Composer - La Cicala, Ensemble, MainArtist - Inês d'Avena, MainArtist

(C) 2019 Passacaille (P) 2019 Passacaille

19
[Sonata a] Flauto Solo : II. Aria
Stefanie True
00:02:39

Stefanie True, MainArtist - Giuseppe Porsile, Composer - La Cicala, Ensemble, MainArtist - Inês d'Avena, MainArtist

(C) 2019 Passacaille (P) 2019 Passacaille

20
[Sonata a] Flauto Solo : III. Menuet
Stefanie True
00:01:04

Stefanie True, MainArtist - Giuseppe Porsile, Composer - La Cicala, Ensemble, MainArtist - Inês d'Avena, MainArtist

(C) 2019 Passacaille (P) 2019 Passacaille

21
Cantata P[rim]a “E già tre volte”: I. Recitative "E già tre volte"
Stefanie True
00:00:55

Stefanie True, MainArtist - Giuseppe Porsile, Composer - La Cicala, Ensemble, MainArtist - Inês d'Avena, MainArtist

(C) 2019 Passacaille (P) 2019 Passacaille

22
Cantata P[rim]a “E già tre volte”: II. Aria "Alla sorte che m’era si dura"
Stefanie True
00:06:26

Stefanie True, MainArtist - Giuseppe Porsile, Composer - La Cicala, Ensemble, MainArtist - Inês d'Avena, MainArtist

(C) 2019 Passacaille (P) 2019 Passacaille

23
Cantata P[rim]a “E già tre volte”: III. Recitative "Cosi fui di mia sorte"
Stefanie True
00:01:01

Stefanie True, MainArtist - Giuseppe Porsile, Composer - La Cicala, Ensemble, MainArtist - Inês d'Avena, MainArtist

(C) 2019 Passacaille (P) 2019 Passacaille

24
Cantata P[rim]a “E già tre volte”: IV. Aria "Se quei cari amati rai"
Stefanie True
00:04:25

Stefanie True, MainArtist - Giuseppe Porsile, Composer - La Cicala, Ensemble, MainArtist - Inês d'Avena, MainArtist

(C) 2019 Passacaille (P) 2019 Passacaille

Albumbeschreibung

Active in Naples at the start of the 18th century, Giuseppe Porsile composed cantatas, some of which have the particularity of having sections that need to be played by a solo flute. At the time, the instrument, soon to be superseded by the transverse flute, is still in the form of the recorder. This was enough to pique the interest of Inês d’Avena, musician and researcher who carefully looks into and uncovers various pieces composed for her instrument in baroque Italy of the years 1720-30. Indeed, some manuscripts have disappeared off the radar, taken away in diplomatic convoys amid exchanges between Italian and German courts. It’s wonderful that they are finally coming to light, full of colour, light and emotions. Inês d’Avena doesn’t shy away from questioning the authorship of the works: Qual per ignoto calle, attributed to Vivaldi, could well have been the product of Porsile’s writing.

At the head of her ensemble La Cicala and alongside Canadian soprano Stefanie True, Inês d’Avena gives expressive and zesty renditions of these pages of music, characteristic of the late baroque period in Naples. Romantic, sometimes tragic and admittedly slightly countryfied, these cantatas sometimes have the aura of being folkloric country songs, alternating between tuneful melodies and recitative songs; the flute dialogues with the voices with rich emulation. Inês d’Avena is one of these musicians who through her work passionately strives towards restoring the once-legendary status of the recorder (Alexis Kossenko is another) and its acolytes, from the archlute to the harpsichord, completing this most pleasing musical project. © Elsa Siffert/Qobuz

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(C) 2019 Passacaille (P) 2019 Passacaille

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