Qobuz Store wallpaper
Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Polyphony|MacMillan: Seven Last Words from the Cross

MacMillan: Seven Last Words from the Cross

Polyphony, Stephen Layton

Digitales Booklet

Verfügbar in
16-Bit/44.1 kHz Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Inspired by his Catholic faith, James MacMillan often composes intense works on religious themes. Yet unlike his older contemporaries, Sir John Tavener and Arvo Pärt, whose calm meditations and ecstatic paeans reflect their composers' certitude in Christian redemption, MacMillan frequently considers darker subjects and creates a dramatic tension in his music between expressions of suffering and salvation. His setting for choir and string orchestra of the Seven Last Words from the Cross (1993) is the harshest and most disturbing composition on this 2005 Hyperion release, and the severe portrayal of Jesus' agony is much stronger than the pathos that is usually emphasized in such Good Friday services. Stark polytonality, dissonant counterpoint, dense clusters, and abrasive effects in the strings contribute to the vivid depiction of the Passion; and the choral writing is often tightly chromatic and harmonically unstable, at times in direct conflict with passages of straightforward tonality and open consonance, perhaps to convey MacMillan's doubts in the midst of belief. Such an ambiguous tone is appropriate for this work, which reaches its nadir in the fourth section, "Eli, Eli, lama sabachthani?" But even in works of praise, such as On the Annunciation of the Blessed Virgin (1997) and the Te Deum (2001), MacMillan communicates his problematic theology through dark sonorities, mysterious dissonances, and haunting, floating counterpoint, and his modern but strangely Gothic vision offers little of what might be understood as consolation or glorification. The polished performances by Polyphony, the Britten Sinfonia, and organist James Vivian, under the direction of Stephen Layton, are effective and moving. Listeners should take care with the volume setting, since this recording has an extremely wide dynamic range.

© TiVo

Weitere Informationen

MacMillan: Seven Last Words from the Cross

Polyphony

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements

Ab 12,49€/Monat

1
Seven Last Words from the Cross: I. Father, Forgive Them, for They Know Not What They Do
Britten Sinfonia
00:05:48

Anonymous, Author - Polyphony, Choir, MainArtist - Stephen Layton, Conductor, MainArtist - James MacMillan, Composer - Britten Sinfonia, Chamber Ensemble, MainArtist, AssociatedPerformer

℗ 2005 Hyperion Records Limited

2
Seven Last Words from the Cross: II. Woman, Behold Thy Son! … Behold, Thy Mother!
Britten Sinfonia
00:05:11

Anonymous, Author - Polyphony, Choir, MainArtist - Stephen Layton, Conductor, MainArtist - James MacMillan, Composer - Britten Sinfonia, Chamber Ensemble, MainArtist, AssociatedPerformer

℗ 2005 Hyperion Records Limited

3
Seven Last Words from the Cross: III. Verily, I Say unto Thee, Today Thou Shalt Be with Me in Paradise
Polyphony
00:08:25

Anonymous, Author - Simon Wall, Tenor, AssociatedPerformer - Adrian Peacock, AssociatedPerformer, Bass (Vocal) - Polyphony, Choir, MainArtist - Grace Davidson, Soprano, AssociatedPerformer - Stephen Layton, Conductor, MainArtist - James MacMillan, Composer - Britten Sinfonia, Chamber Ensemble, MainArtist, AssociatedPerformer - Christopher Watson, Tenor, AssociatedPerformer - Giles Underwood, AssociatedPerformer, Bass (Vocal) - Ian Aitkenhead, Counter-Tenor, AssociatedPerformer - Amy Haworth, Soprano, AssociatedPerformer

℗ 2005 Hyperion Records Limited

4
Seven Last Words from the Cross: IV. Eli, Eli, lama sabachthani?
Britten Sinfonia
00:06:33

Anonymous, Author - Polyphony, Choir, MainArtist - Stephen Layton, Conductor, MainArtist - James MacMillan, Composer - Britten Sinfonia, Chamber Ensemble, MainArtist, AssociatedPerformer

℗ 2005 Hyperion Records Limited

5
Seven Last Words from the Cross: V. I Thirst
Britten Sinfonia
00:05:29

Anonymous, Author - Polyphony, Choir, MainArtist - Stephen Layton, Conductor, MainArtist - James MacMillan, Composer - Britten Sinfonia, Chamber Ensemble, MainArtist, AssociatedPerformer

℗ 2005 Hyperion Records Limited

6
Seven Last Words from the Cross: VI. It Is Finished
Britten Sinfonia
00:06:47

Anonymous, Author - Polyphony, Choir, MainArtist - Stephen Layton, Conductor, MainArtist - James MacMillan, Composer - Britten Sinfonia, Chamber Ensemble, MainArtist, AssociatedPerformer

℗ 2005 Hyperion Records Limited

7
Seven Last Words from the Cross: VII. Father, into Thy Hands I Commend My Spirit
Britten Sinfonia
00:08:15

Anonymous, Author - Polyphony, Choir, MainArtist - Stephen Layton, Conductor, MainArtist - James MacMillan, Composer - Britten Sinfonia, Chamber Ensemble, MainArtist, AssociatedPerformer

℗ 2005 Hyperion Records Limited

8
On the Annunciation of the Blessed Virgin
James Vivian
00:06:50

Jeremy Taylor, Author - James Vivian, Organ, MainArtist, AssociatedPerformer - Polyphony, Choir, MainArtist - Stephen Layton, Conductor, MainArtist - James MacMillan, Composer

℗ 2005 Hyperion Records Limited

9
Te Deum
Elin Manahan Thomas
00:15:09

Anonymous, Author - James Vivian, Organ, MainArtist, AssociatedPerformer - Polyphony, Choir, MainArtist - Stephen Layton, Conductor, MainArtist - James MacMillan, Composer - Elin Manahan Thomas, Soprano, MainArtist, AssociatedPerformer

℗ 2005 Hyperion Records Limited

Albumbeschreibung

Inspired by his Catholic faith, James MacMillan often composes intense works on religious themes. Yet unlike his older contemporaries, Sir John Tavener and Arvo Pärt, whose calm meditations and ecstatic paeans reflect their composers' certitude in Christian redemption, MacMillan frequently considers darker subjects and creates a dramatic tension in his music between expressions of suffering and salvation. His setting for choir and string orchestra of the Seven Last Words from the Cross (1993) is the harshest and most disturbing composition on this 2005 Hyperion release, and the severe portrayal of Jesus' agony is much stronger than the pathos that is usually emphasized in such Good Friday services. Stark polytonality, dissonant counterpoint, dense clusters, and abrasive effects in the strings contribute to the vivid depiction of the Passion; and the choral writing is often tightly chromatic and harmonically unstable, at times in direct conflict with passages of straightforward tonality and open consonance, perhaps to convey MacMillan's doubts in the midst of belief. Such an ambiguous tone is appropriate for this work, which reaches its nadir in the fourth section, "Eli, Eli, lama sabachthani?" But even in works of praise, such as On the Annunciation of the Blessed Virgin (1997) and the Te Deum (2001), MacMillan communicates his problematic theology through dark sonorities, mysterious dissonances, and haunting, floating counterpoint, and his modern but strangely Gothic vision offers little of what might be understood as consolation or glorification. The polished performances by Polyphony, the Britten Sinfonia, and organist James Vivian, under the direction of Stephen Layton, are effective and moving. Listeners should take care with the volume setting, since this recording has an extremely wide dynamic range.

© TiVo

Informationen zu dem Album

Verbesserung der Albuminformationen

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

Moanin'

Art Blakey & The Jazz Messengers

Moanin' Art Blakey & The Jazz Messengers

Blue Train

John Coltrane

Blue Train John Coltrane

Speak No Evil

Wayne Shorter

Speak No Evil Wayne Shorter
Mehr auf Qobuz
Von Polyphony

American Polyphony: Barber, Copland, Bernstein, R. Thompson

Polyphony

Whitacre: Cloudburst, Sleep, Lux aurumque & Other Choral Works

Polyphony

Lauridsen: O magnum mysterium, Lux aeterna, Ubi caritas & Other Choral Works

Polyphony

Karl Jenkins: Motets

Polyphony

Arvo Pärt: Choral Music

Polyphony

Playlists

Das könnte Ihnen auch gefallen...

J.S. Bach: Goldberg Variations

Víkingur Ólafsson

J.S. Bach: Goldberg Variations Víkingur Ólafsson

Carl Philipp Emanuel Bach

Keith Jarrett

Rachmaninoff: The Piano Concertos & Paganini Rhapsody

Yuja Wang

Chopin: Piano Sonata No. 2, Op. 35 "Funeral March" - Beethoven: Piano Sonata No. 29, Op. 106 "Hammerklavier"

Beatrice Rana

A Symphonic Celebration - Music from the Studio Ghibli Films of Hayao Miyazaki

Joe Hisaishi