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Henri-Charles Caget|L'univers de l'orgue (Volume 1)

L'univers de l'orgue (Volume 1)

UGAB

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Ugab, the name of a series of organ recordings on the Alpha label, is a Hebrew word from the Psalms thought to mean an instrument that was a forerunner of the organ. The aim of the series is to highlight a variety of the great organs of the world in repertoire for which they are especially well suited with an emphasis on their physical setting and to offer copious photographs of the organ and its setting to provide a visual as well as aural experience. This first installment features the organ of the church of the Nativity of the Blessed Virgin Mary in Cintegabelle, in southern France. Judging from the recording, it's a magnificent instrument, with vast timbral variety, housed in a space with a clean but nicely reverberant acoustic. Yves Rechsteiner plays an eccentric but thoroughly engaging program: transcriptions he has made of music from the operas of Rameau, some including percussion and some requiring a third hand. The operas are appropriate material because they date from around the time the organ was built and consecrated in the mid-18th century. The brief pieces are mostly arrangements of dances from the operas, but also include airs, a chorus, and an overture. The music is largely sprightly, light-hearted, and elegant, and some of it, like the selections from the comedy Platée, is gleefully silly, but there are several contemplative airs that use the most delicate registrations. These selections don't represent the Baroque at its most profound, but they are unfailingly delightful, played with exceptional grace and style. Rechsteiner's arrangements (the theory and execution of which are discussed in great depth in the program notes) make inventive use of the array of the instrument's sonorous possibilities, and the album is notable for the colorful range of the registrations. Percussionist Henri-Charles Caget and "third hand" Vincent Bernhardt provide capable support on several tracks. The sound of Alpha's SACD, which can be played on conventional systems but was designed for optimal effect to be played in surround sound, is clear and spacious.

© TiVo

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L'univers de l'orgue (Volume 1)

Henri-Charles Caget

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1
Les Indes galantes, Prologue: Ouverture
Yves Rechsteiner
00:05:10

Yves Rechsteiner, Performer - Henri-Charles Caget, Performer - Jean-Philippe Rameau, Composer

2010 Alpha 2008 Alpha

2
Platée, Acte III, Scène 6: Musette en quatuor
Yves Rechsteiner
00:02:16

Yves Rechsteiner, Performer - Henri-Charles Caget, Performer - Vincent Bernhardt, Performer - Jean-Philippe Rameau, Composer

2010 Alpha 2008 Alpha

3
Zoroastre, Acte II: Menuet en trio - Second menuet en duo
Yves Rechsteiner
00:02:25

Yves Rechsteiner, Performer - Henri-Charles Caget, Performer - Jean-Philippe Rameau, Composer

2010 Alpha 2008 Alpha

4
Platée, Acte I, Scène 6: Tambourin
Yves Rechsteiner
00:01:43

Yves Rechsteiner, Performer - Henri-Charles Caget, Performer - Jean-Philippe Rameau, Composer

2010 Alpha 2008 Alpha

5
Platée, Acte III, Scène 8: Choeur en rondeau
Yves Rechsteiner
00:03:11

Yves Rechsteiner, Performer - Henri-Charles Caget, Performer - Jean-Philippe Rameau, Composer

2010 Alpha 2008 Alpha

6
Zoroastre, Acte I: Air dans le goût de la romance
Yves Rechsteiner
00:03:04

Yves Rechsteiner, Performer - Henri-Charles Caget, Performer - Jean-Philippe Rameau, Composer

2010 Alpha 2008 Alpha

7
Hippolyte et Aricie, Acte III: Tambourins
Yves Rechsteiner
00:02:30

Yves Rechsteiner, Performer - Henri-Charles Caget, Performer - Jean-Philippe Rameau, Composer

2010 Alpha 2008 Alpha

8
Les Indes galantes, Quatrième entrée: Danse des sauvages, dans le goût du concerto
Yves Rechsteiner
00:04:12

Yves Rechsteiner, Performer - Henri-Charles Caget, Performer - Vincent Bernhardt, Performer - Jean-Philippe Rameau, Composer

2010 Alpha 2008 Alpha

9
Les Boréades, Acte IV, Scène 4: Entrée
Yves Rechsteiner
00:02:40

Yves Rechsteiner, Performer - Henri-Charles Caget, Performer - Jean-Philippe Rameau, Composer

2010 Alpha 2008 Alpha

10
Platée, Acte II, Scène 5: Menuet dans le goût de la vièle
Yves Rechsteiner
00:03:06

Yves Rechsteiner, Performer - Henri-Charles Caget, Performer - Jean-Philippe Rameau, Composer

2010 Alpha 2008 Alpha

11
Les Indes galantes, Troisième entrée: Air vif pour Zéphir et les fleurs
Yves Rechsteiner
00:03:30

Yves Rechsteiner, Performer - Henri-Charles Caget, Performer - Jean-Philippe Rameau, Composer

2010 Alpha 2008 Alpha

12
Les Indes galantes, Troisième entrée: Tendre Amour, choeur de voix humaines
Yves Rechsteiner
00:02:40

Yves Rechsteiner, Performer - Henri-Charles Caget, Performer - Jean-Philippe Rameau, Composer

2010 Alpha 2008 Alpha

13
Dardanus, Acte III, Scène 3: Rigaudon
Yves Rechsteiner
00:06:38

Yves Rechsteiner, Performer - Henri-Charles Caget, Performer - Jean-Philippe Rameau, Composer

2010 Alpha 2008 Alpha

14
Dardanus, Acte III, Scène 1: Prélude
Yves Rechsteiner
00:02:21

Yves Rechsteiner, Performer - Henri-Charles Caget, Performer - Jean-Philippe Rameau, Composer

2010 Alpha 2008 Alpha

15
Hippolyte et Aricie, Acte III, Scène 1: Fuguette
Yves Rechsteiner
00:01:16

Yves Rechsteiner, Performer - Henri-Charles Caget, Performer - Jean-Philippe Rameau, Composer

2010 Alpha 2008 Alpha

16
Hippolyte et Aricie, Acte I, Scène 4: Tempête
Yves Rechsteiner
00:01:30

Yves Rechsteiner, Performer - Henri-Charles Caget, Performer - Jean-Philippe Rameau, Composer

2010 Alpha 2008 Alpha

17
Castor et Pollux, Acte I, Scène 3: Air "Tristes apprêts"
Yves Rechsteiner
00:05:50

Yves Rechsteiner, Performer - Henri-Charles Caget, Performer - Vincent Bernhardt, Performer - Jean-Philippe Rameau, Composer

2010 Alpha 2008 Alpha

18
Zoroastre, Acte I: Sarabande en trio
Yves Rechsteiner
00:04:00

Yves Rechsteiner, Performer - Henri-Charles Caget, Performer - Jean-Philippe Rameau, Composer

2010 Alpha 2008 Alpha

19
Dardanus, Prologue: Air tendre sur les flûtes
Yves Rechsteiner
00:04:04

Yves Rechsteiner, Performer - Henri-Charles Caget, Performer - Jean-Philippe Rameau, Composer

2010 Alpha 2008 Alpha

20
Les Fêtes d'Hébé, Troisième Entrée, Scène 7: Tambourin en rondeau – Duo
Yves Rechsteiner
00:02:15

Yves Rechsteiner, Performer - Henri-Charles Caget, Performer - Jean-Philippe Rameau, Composer

2010 Alpha 2008 Alpha

21
Les Indes galantes, Troisième entrée: Gavottes
Yves Rechsteiner
00:01:17

Yves Rechsteiner, Performer - Henri-Charles Caget, Performer - Jean-Philippe Rameau, Composer

2010 Alpha 2008 Alpha

22
Les Indes galantes, Deuxième entrée: Tierce en taille - Air en récit - Trio - Duo
Yves Rechsteiner
00:05:26

Yves Rechsteiner, Performer - Henri-Charles Caget, Performer - Jean-Philippe Rameau, Composer

2010 Alpha 2008 Alpha

23
Les Indes galantes, Quatrième entrée: Chaconne
Yves Rechsteiner
00:06:18

Yves Rechsteiner, Performer - Henri-Charles Caget, Performer - Jean-Philippe Rameau, Composer

2010 Alpha 2008 Alpha

Albumbeschreibung

Ugab, the name of a series of organ recordings on the Alpha label, is a Hebrew word from the Psalms thought to mean an instrument that was a forerunner of the organ. The aim of the series is to highlight a variety of the great organs of the world in repertoire for which they are especially well suited with an emphasis on their physical setting and to offer copious photographs of the organ and its setting to provide a visual as well as aural experience. This first installment features the organ of the church of the Nativity of the Blessed Virgin Mary in Cintegabelle, in southern France. Judging from the recording, it's a magnificent instrument, with vast timbral variety, housed in a space with a clean but nicely reverberant acoustic. Yves Rechsteiner plays an eccentric but thoroughly engaging program: transcriptions he has made of music from the operas of Rameau, some including percussion and some requiring a third hand. The operas are appropriate material because they date from around the time the organ was built and consecrated in the mid-18th century. The brief pieces are mostly arrangements of dances from the operas, but also include airs, a chorus, and an overture. The music is largely sprightly, light-hearted, and elegant, and some of it, like the selections from the comedy Platée, is gleefully silly, but there are several contemplative airs that use the most delicate registrations. These selections don't represent the Baroque at its most profound, but they are unfailingly delightful, played with exceptional grace and style. Rechsteiner's arrangements (the theory and execution of which are discussed in great depth in the program notes) make inventive use of the array of the instrument's sonorous possibilities, and the album is notable for the colorful range of the registrations. Percussionist Henri-Charles Caget and "third hand" Vincent Bernhardt provide capable support on several tracks. The sound of Alpha's SACD, which can be played on conventional systems but was designed for optimal effect to be played in surround sound, is clear and spacious.

© TiVo

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