Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
This 1966 live set comes by its retro-bop feel honestly. Its link to the bop tradition is the group's pianist, Barry Harris, who bridges the generation between Bird, Diz, and Bud Powell and that of leader Charles McPherson. It was Harris, a Powell disciple, who steeped saxophonist McPherson and trumpeter Lonnie Hillyer in the bop idiom when they were teenagers growing up in Detroit. An equally formative experience for McPherson and Hillyer was their time with various Charles Mingus groups in the early '60s. By the time of this date, the bop flames the pair had nurtured had become white hot. McPherson is a commanding performer, with a penetrating tone and an ability to explore a song for subtler possibilities. Hillyer, a less imposing presence, has a questing musical conception that makes up for occasions when his ideas get away from him at a technical level. Harris is the connecting tissue, the player who -- with drummer Billy Higgins -- holds the music together, keeping these loose-limbed performances from becoming a rambling blowing session. Bassist Ray McKinney plays a classic supporting role, seamlessly weaving his contribution into Harris and Higgins' fabric. The best tracks on this varied set are the ones most firmly rooted in bop: a turbo-speed treatment of Charlie Parker's and Dizzy Gillespie's "Shaw Nuff," one of the better versions of Thelonious Monk's "Epistrophy," and Harris' own "Luminesence," derived from "How High the Moon."
© Jim Todd /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Billy Higgins, Drums, AssociatedPerformer - Barry Harris, Piano, AssociatedPerformer - Charles McPherson, Alto Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Lonnie Hillyer, Trumpet, AssociatedPerformer - Jerry Newman, Recording Engineer, StudioPersonnel - Don Schlitten, Producer, Recording Producer - Ray McKinney, Upright Bass, AssociatedPerformer - Phil De Lancie, Mastering Engineer, StudioPersonnel
℗ 1967 Prestige Records
Ira Gershwin, ComposerLyricist - Billy Higgins, Drums, AssociatedPerformer - Vernon Duke, ComposerLyricist - Barry Harris, Piano, AssociatedPerformer - Charles McPherson, Alto Saxophone, MainArtist, AssociatedPerformer - Lonnie Hillyer, Trumpet, AssociatedPerformer - Jerry Newman, Recording Engineer, StudioPersonnel - Don Schlitten, Producer, Recording Producer - Ray McKinney, Upright Bass, AssociatedPerformer - Phil De Lancie, Mastering Engineer, StudioPersonnel
℗ 1967 Prestige Records
Charlie Parker, ComposerLyricist - Billy Higgins, Drums, AssociatedPerformer - Dizzy Gillespie, ComposerLyricist - Barry Harris, Piano, AssociatedPerformer - Charles McPherson, Alto Saxophone, MainArtist, AssociatedPerformer - Lonnie Hillyer, Trumpet, AssociatedPerformer - Jerry Newman, Recording Engineer, StudioPersonnel - Don Schlitten, Producer, Recording Producer - Ray McKinney, Upright Bass, AssociatedPerformer - Phil De Lancie, Mastering Engineer, StudioPersonnel
℗ 1967 Prestige Records
Billy Higgins, Drums, AssociatedPerformer - James Van Heusen, ComposerLyricist - Johnny Burke, ComposerLyricist - Barry Harris, Piano, AssociatedPerformer - Charles McPherson, Alto Saxophone, MainArtist, AssociatedPerformer - Lonnie Hillyer, Trumpet, AssociatedPerformer - Jerry Newman, Recording Engineer, StudioPersonnel - Don Schlitten, Producer, Recording Producer - Ray McKinney, Upright Bass, AssociatedPerformer - Phil De Lancie, Mastering Engineer, StudioPersonnel
℗ 1967 Prestige Records
Jay Livingston, ComposerLyricist - Billy Higgins, Drums, AssociatedPerformer - Ray Evans, ComposerLyricist - Barry Harris, Piano, AssociatedPerformer - Charles McPherson, Alto Saxophone, MainArtist, AssociatedPerformer - Lonnie Hillyer, Trumpet, AssociatedPerformer - Jerry Newman, Recording Engineer, StudioPersonnel - Don Schlitten, Producer, Recording Producer - Ray McKinney, Upright Bass, AssociatedPerformer - Phil De Lancie, Mastering Engineer, StudioPersonnel
℗ 1967 Prestige Records
Billy Higgins, Drums, AssociatedPerformer - Barry Harris, Piano, AssociatedPerformer - Charles McPherson, Alto Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Lonnie Hillyer, Trumpet, AssociatedPerformer - Jerry Newman, Recording Engineer, StudioPersonnel - Don Schlitten, Producer, Recording Producer - Ray McKinney, Upright Bass, AssociatedPerformer - Phil De Lancie, Mastering Engineer, StudioPersonnel
℗ 1967 Prestige Records
FRANK LOESSER, ComposerLyricist - Billy Higgins, Drums, AssociatedPerformer - Barry Harris, Piano, AssociatedPerformer - Charles McPherson, Alto Saxophone, MainArtist, AssociatedPerformer - Lonnie Hillyer, Trumpet, AssociatedPerformer - Jerry Newman, Recording Engineer, StudioPersonnel - Don Schlitten, Producer, Recording Producer - Ray McKinney, Upright Bass, AssociatedPerformer - Phil De Lancie, Mastering Engineer, StudioPersonnel
℗ 1967 Prestige Records
Thelonious Monk, ComposerLyricist - Billy Higgins, Drums, AssociatedPerformer - Barry Harris, Piano, AssociatedPerformer - Charles McPherson, Alto Saxophone, MainArtist, AssociatedPerformer - Lonnie Hillyer, Trumpet, AssociatedPerformer - Jerry Newman, Recording Engineer, StudioPersonnel - Kenneth Clarke, ComposerLyricist - Don Schlitten, Producer, Recording Producer - Ray McKinney, Upright Bass, AssociatedPerformer - Phil De Lancie, Mastering Engineer, StudioPersonnel
℗ 1967 Prestige Records
Billy Higgins, Drums, AssociatedPerformer - Barry Harris, Piano, AssociatedPerformer, ComposerLyricist - Charles McPherson, Alto Saxophone, MainArtist, AssociatedPerformer - Lonnie Hillyer, Trumpet, AssociatedPerformer - Jerry Newman, Recording Engineer, StudioPersonnel - Don Schlitten, Producer, Recording Producer - Ray McKinney, Upright Bass, AssociatedPerformer - Phil De Lancie, Mastering Engineer, StudioPersonnel
℗ 1967 Prestige Records
Albumbeschreibung
This 1966 live set comes by its retro-bop feel honestly. Its link to the bop tradition is the group's pianist, Barry Harris, who bridges the generation between Bird, Diz, and Bud Powell and that of leader Charles McPherson. It was Harris, a Powell disciple, who steeped saxophonist McPherson and trumpeter Lonnie Hillyer in the bop idiom when they were teenagers growing up in Detroit. An equally formative experience for McPherson and Hillyer was their time with various Charles Mingus groups in the early '60s. By the time of this date, the bop flames the pair had nurtured had become white hot. McPherson is a commanding performer, with a penetrating tone and an ability to explore a song for subtler possibilities. Hillyer, a less imposing presence, has a questing musical conception that makes up for occasions when his ideas get away from him at a technical level. Harris is the connecting tissue, the player who -- with drummer Billy Higgins -- holds the music together, keeping these loose-limbed performances from becoming a rambling blowing session. Bassist Ray McKinney plays a classic supporting role, seamlessly weaving his contribution into Harris and Higgins' fabric. The best tracks on this varied set are the ones most firmly rooted in bop: a turbo-speed treatment of Charlie Parker's and Dizzy Gillespie's "Shaw Nuff," one of the better versions of Thelonious Monk's "Epistrophy," and Harris' own "Luminesence," derived from "How High the Moon."
© Jim Todd /TiVo
Informationen zu dem Album
- 1 Disc(s) - 9 Track(s)
- Gesamte Laufzeit: 01:15:18
- Künstler: Charles McPherson
- Komponist: Various Composers
- Label: Prestige
- Genre: Jazz
© 1994 Prestige Records ℗ 1967 Prestige Records
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.