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Louis Lortie|Liszt: The Complete Années de Pèlerinage

Liszt: The Complete Années de Pèlerinage

Louis Lortie

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French-Canadian powerhouse Louis Lortie performs Liszt's Années de pèlerinage in this tour de force of challenging music by a notoriously challenging composer. The Première Année is announced with majestic chords and trills, and one can sense that Lortie uses the whole piano and his whole body energy in the music. Representing a journey to Switzerland, this piece features a fuller, heavier sound on the piano that is especially evident in the eighth movement. The second movement swirls in the lower register, complemented by delicate upper passages. The fifth movement is particularly fantastic: Lortie creates fantastic drama between the upper and lower registers, absolutely giving the music his all. The piece ends quietly yet grandly, with a beautiful cantabile feel as the composer requested. This piece is not the most exciting of Liszt's Années de pèlerinage, for the music tends to sound alike and run together after a while; Lortie tries to make the most of it, however, but the composition has its limitations. The Deuxième Année is a far superior work, drawing on Italian themes and authors and making use of more sophisticated and complex lines. This makes for more drama in the music, which one hears in the dark beginning of the conclusion (which is inspired by Dante), after which the music travels through many moods with a repeating motif. Here are some of Liszt's hallmarks, such as his passion and yearning. The Troisième Année is the most engaging work of the CD. In Lortie's interpretation, the first movement, a prayer, pleads so delicately. Yet the pianist can also play very brightly even in darkness, as in the third movement, or with lively sparkling as in the fourth movement, where he creates beautiful swells in the music. The final piece of the album, a supplement to the Deuxième Année called Venezia e Napoli is very brief, but it is still a showcase for Lortie's gifts. He tackles the runs in the first movement with incredible agility and perfection, with not a single flaw. One can only wonder how anyone could play the final movement, with its complex, challenging, and difficult tempi. The answer is simple: if an artist is as brilliant as Lortie, he/she can handle the most difficult of repertoire.

© TiVo

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Liszt: The Complete Années de Pèlerinage

Louis Lortie

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Années de pèlerinage I, Suisse, S. 160, Première Année, S. 160 (Franz Liszt)

1
I. La Chappelle de Guillaume Tell
00:06:22

Franz Liszt, Composer - Louis Lortie, Piano, MainArtist

2011 Chandos Records 2011 Chandos Records

2
II. Au lac de Wallenstadt
00:03:08

Franz Liszt, Composer - Louis Lortie, Piano, MainArtist

2011 Chandos Records 2011 Chandos Records

3
III. Pastorale
00:01:36

Franz Liszt, Composer - Louis Lortie, Piano, MainArtist

2011 Chandos Records 2011 Chandos Records

4
IV. Au bord d'une source
00:03:45

Franz Liszt, Composer - Louis Lortie, Piano, MainArtist

2011 Chandos Records 2011 Chandos Records

5
V. Orage
00:04:14

Franz Liszt, Composer - Louis Lortie, Piano, MainArtist

2011 Chandos Records 2011 Chandos Records

6
VI. Vallée d'Obermann
00:12:10

Franz Liszt, Composer - Louis Lortie, Piano, MainArtist

2011 Chandos Records 2011 Chandos Records

7
VII. Églogue
00:04:25

Franz Liszt, Composer - Louis Lortie, Piano, MainArtist

2011 Chandos Records 2011 Chandos Records

8
VIII. Le mal du pays
00:04:57

Franz Liszt, Composer - Louis Lortie, Piano, MainArtist

2011 Chandos Records 2011 Chandos Records

9
IX. Les cloches de Genève
00:05:58

Franz Liszt, Composer - Louis Lortie, Piano, MainArtist

2011 Chandos Records 2011 Chandos Records

Années de pèlerinage I, Suisse, S. 160, Deuxième Année, S. 161 (Franz Liszt)

10
I. Sposalizio
00:06:55

Franz Liszt, Composer - Louis Lortie, Piano, MainArtist

2011 Chandos Records 2011 Chandos Records

11
II. Il Penseroso
00:04:19

Franz Liszt, Composer - Louis Lortie, Piano, MainArtist

2011 Chandos Records 2011 Chandos Records

12
III. Canzonetta del Salvator Rosa
00:02:55

Franz Liszt, Composer - Louis Lortie, Piano, MainArtist

2011 Chandos Records 2011 Chandos Records

13
IV. Sonetto 47 del Petrarca
00:05:38

Franz Liszt, Composer - Louis Lortie, Piano, MainArtist

2011 Chandos Records 2011 Chandos Records

14
V. Sonetto 104 del Petrarca
00:06:40

Franz Liszt, Composer - Louis Lortie, Piano, MainArtist

2011 Chandos Records 2011 Chandos Records

15
VI. Sonetto 123 del Petrarca
00:07:00

Franz Liszt, Composer - Louis Lortie, Piano, MainArtist

2011 Chandos Records 2011 Chandos Records

DISC 2

Années de pèlerinage I, Suisse, S. 160, Troisième Année, S. 163 (Franz Liszt)

1
VII. Après une lecture du Danteagitato
00:17:21

Franz Liszt, Composer - Louis Lortie, Piano, MainArtist

2011 Chandos Records 2011 Chandos Records

2
I. Angelus! Prière aux anges gardiens
00:07:50

Franz Liszt, Composer - Louis Lortie, Piano, MainArtist

2011 Chandos Records 2011 Chandos Records

3
II. Aux cyprès de la Villa d'Este I
00:05:41

Franz Liszt, Composer - Louis Lortie, Piano, MainArtist

2011 Chandos Records 2011 Chandos Records

4
III. Aux cyprès de la Ville d'Este II
00:09:53

Franz Liszt, Composer - Louis Lortie, Piano, MainArtist

2011 Chandos Records 2011 Chandos Records

5
IV. Les Jeux d'eaux à la Villa d'Este
00:07:27

Franz Liszt, Composer - Louis Lortie, Piano, MainArtist

2011 Chandos Records 2011 Chandos Records

6
V. Sunt lacrymae rerum
00:06:16

Franz Liszt, Composer - Louis Lortie, Piano, MainArtist

2011 Chandos Records 2011 Chandos Records

7
VI. Marche funèbre
00:05:44

Franz Liszt, Composer - Louis Lortie, Piano, MainArtist

2011 Chandos Records 2011 Chandos Records

8
VII. Sursum corda
00:03:27

Franz Liszt, Composer - Louis Lortie, Piano, MainArtist

2011 Chandos Records 2011 Chandos Records

Années de pèlerinage I, Suisse, S. 160, Deuxième Année. Italie, Venezia & Napoli, S. 162 (Franz Liszt)

9
I. Gondoleria
00:05:05

Franz Liszt, Composer - Louis Lortie, Piano, MainArtist

2011 Chandos Records 2011 Chandos Records

10
II. Canzone
00:03:23

Franz Liszt, Composer - Louis Lortie, Piano, MainArtist

2011 Chandos Records 2011 Chandos Records

11
III. Tarantella
00:08:50

Franz Liszt, Composer - Louis Lortie, Piano, MainArtist

2011 Chandos Records 2011 Chandos Records

Albumbeschreibung

French-Canadian powerhouse Louis Lortie performs Liszt's Années de pèlerinage in this tour de force of challenging music by a notoriously challenging composer. The Première Année is announced with majestic chords and trills, and one can sense that Lortie uses the whole piano and his whole body energy in the music. Representing a journey to Switzerland, this piece features a fuller, heavier sound on the piano that is especially evident in the eighth movement. The second movement swirls in the lower register, complemented by delicate upper passages. The fifth movement is particularly fantastic: Lortie creates fantastic drama between the upper and lower registers, absolutely giving the music his all. The piece ends quietly yet grandly, with a beautiful cantabile feel as the composer requested. This piece is not the most exciting of Liszt's Années de pèlerinage, for the music tends to sound alike and run together after a while; Lortie tries to make the most of it, however, but the composition has its limitations. The Deuxième Année is a far superior work, drawing on Italian themes and authors and making use of more sophisticated and complex lines. This makes for more drama in the music, which one hears in the dark beginning of the conclusion (which is inspired by Dante), after which the music travels through many moods with a repeating motif. Here are some of Liszt's hallmarks, such as his passion and yearning. The Troisième Année is the most engaging work of the CD. In Lortie's interpretation, the first movement, a prayer, pleads so delicately. Yet the pianist can also play very brightly even in darkness, as in the third movement, or with lively sparkling as in the fourth movement, where he creates beautiful swells in the music. The final piece of the album, a supplement to the Deuxième Année called Venezia e Napoli is very brief, but it is still a showcase for Lortie's gifts. He tackles the runs in the first movement with incredible agility and perfection, with not a single flaw. One can only wonder how anyone could play the final movement, with its complex, challenging, and difficult tempi. The answer is simple: if an artist is as brilliant as Lortie, he/she can handle the most difficult of repertoire.

© TiVo

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