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Petter Sundkvist|Letters to the Ocean (Peter Bruun)

Letters to the Ocean (Peter Bruun)

Peter Bruun

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Danish composer Peter Bruun, born in 1968, has learned from many of the -isms of mid- to late 20th century composition but doesn't adhere strictly to any of them. His work is evocative, colorful, and easy to follow, but without resorting to neo-Romanticism or neo-anything; this is distinctly contemporary music. This Dacapo CD includes three multi-movement pieces for chamber ensemble, with mezzo-soprano added for one of them and accordion for another. They are all remarkable for the inventiveness and originality of their orchestration. They also seem to develop organically (if not always predictably), based on a strongly intuitive sense of purpose and direction. A Silver Bell that Chimes all Living Things Together, an unconventional song cycle, is notable not so much for lyrical vocal writing as for its dramatic and evocative accompaniments. Its stylistically varied movements (they don't seem like songs in the conventional sense) effectively convey the emotional complexity of the poetry and create a satisfying musical whole. Letters to the Ocean, for large chamber ensemble, uses the repetition of gestures, and the subtle variations of the gestures to suggest the constantly shifting character of the ocean. Perhaps it is the title that creates the mindset, but it is just about impossible to hear its three movements without imagining seascapes. Waves of Reflection, for accordion and ensemble, also inescapably conjures up oceanic imagery. For most of its length, it’s the simplest and gentlest of the pieces and its moments of serenity, particularly in the first, third and fourth movements, are simply lovely. Petter Sundkvist leads the Esbjerg Ensemble in precise, nuanced readings of the scores that enhance their poetic expressiveness. The sound is clean, atmospheric, and nicely ambient. This is a CD that should interest any fans of contemporary music. (Listeners may want to note that the track timings listed in the program booklet bear little relationship to the actual lengths of the tracks.)
© TiVo

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Letters to the Ocean (Peter Bruun)

Petter Sundkvist

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1
I. Nar Natten Falder (When Night Falls)
Petter Sundkvist
00:03:43

Frode Andersen, accordion - Helene Gjerris, mezzo-soprano - Esbjerg Ensemble - Petter Sundkvist, conductor

2
II. Drukne et Hav i et Andet (Drown One Ocean in Another)
Petter Sundkvist
00:07:11

Frode Andersen, accordion - Helene Gjerris, mezzo-soprano - Esbjerg Ensemble - Petter Sundkvist, conductor

3
III. Bede Det Laegge sig (Ask it to Calm Down)
Petter Sundkvist
00:03:57

Frode Andersen, accordion - Helene Gjerris, mezzo-soprano - Esbjerg Ensemble - Petter Sundkvist, conductor

4
IV. Himmel-Havn (Heaven-Haven)
Petter Sundkvist
00:02:19

Frode Andersen, accordion - Helene Gjerris, mezzo-soprano - Esbjerg Ensemble - Petter Sundkvist, conductor

5
I. Gennem din sang (Through Your Song)
Esbjerg Ensemble
00:05:32

Frode Andersen, accordion - Helene Gjerris, mezzo-soprano - Esbjerg Ensemble - Petter Sundkvist, conductor

6
II. Min hjemlose klarinet (My Homeless Clarinet)
Petter Sundkvist
00:01:46

Frode Andersen, accordion - Helene Gjerris, mezzo-soprano - Esbjerg Ensemble - Petter Sundkvist, conductor

7
III. Et klaver af solve, derkimer alt levende sammen (A Sliver Piano that Chimes all Lving Things Together)
Esbjerg Ensemble
00:05:20

Frode Andersen, accordion - Helene Gjerris, mezzo-soprano - Esbjerg Ensemble - Petter Sundkvist, conductor

8
IV. Der sorgfulden guitarer (The Mournful Guitars)
Esbjerg Ensemble
00:02:46

Frode Andersen, accordion - Helene Gjerris, mezzo-soprano - Esbjerg Ensemble - Petter Sundkvist, conductor

9
V. Nu Letter en kontrabas (Now a Double-bass Takes Off)
Petter Sundkvist
00:01:17

Frode Andersen, accordion - Helene Gjerris, mezzo-soprano - Esbjerg Ensemble - Petter Sundkvist, conductor

10
VI. Nu regner det pa en sang (Now It Is Raining on a Song)
Petter Sundkvist
00:05:43

Frode Andersen, accordion - Helene Gjerris, mezzo-soprano - Esbjerg Ensemble - Petter Sundkvist, conductor

11
I. Introduction
Esbjerg Ensemble
00:03:05

Frode Andersen, accordion - Helene Gjerris, mezzo-soprano - Esbjerg Ensemble - Petter Sundkvist, conductor

12
II. Reflection
Petter Sundkvist
00:05:06

Frode Andersen, accordion - Helene Gjerris, mezzo-soprano - Esbjerg Ensemble - Petter Sundkvist, conductor

13
III. Interlude
Esbjerg Ensemble
00:02:00

Frode Andersen, accordion - Helene Gjerris, mezzo-soprano - Esbjerg Ensemble - Petter Sundkvist, conductor

14
IV. Wave
Petter Sundkvist
00:05:12

Frode Andersen, accordion - Helene Gjerris, mezzo-soprano - Esbjerg Ensemble - Petter Sundkvist, conductor

Albumbeschreibung

Danish composer Peter Bruun, born in 1968, has learned from many of the -isms of mid- to late 20th century composition but doesn't adhere strictly to any of them. His work is evocative, colorful, and easy to follow, but without resorting to neo-Romanticism or neo-anything; this is distinctly contemporary music. This Dacapo CD includes three multi-movement pieces for chamber ensemble, with mezzo-soprano added for one of them and accordion for another. They are all remarkable for the inventiveness and originality of their orchestration. They also seem to develop organically (if not always predictably), based on a strongly intuitive sense of purpose and direction. A Silver Bell that Chimes all Living Things Together, an unconventional song cycle, is notable not so much for lyrical vocal writing as for its dramatic and evocative accompaniments. Its stylistically varied movements (they don't seem like songs in the conventional sense) effectively convey the emotional complexity of the poetry and create a satisfying musical whole. Letters to the Ocean, for large chamber ensemble, uses the repetition of gestures, and the subtle variations of the gestures to suggest the constantly shifting character of the ocean. Perhaps it is the title that creates the mindset, but it is just about impossible to hear its three movements without imagining seascapes. Waves of Reflection, for accordion and ensemble, also inescapably conjures up oceanic imagery. For most of its length, it’s the simplest and gentlest of the pieces and its moments of serenity, particularly in the first, third and fourth movements, are simply lovely. Petter Sundkvist leads the Esbjerg Ensemble in precise, nuanced readings of the scores that enhance their poetic expressiveness. The sound is clean, atmospheric, and nicely ambient. This is a CD that should interest any fans of contemporary music. (Listeners may want to note that the track timings listed in the program booklet bear little relationship to the actual lengths of the tracks.)
© TiVo

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