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Tony Coe|Les voix d'Itxassou

Les voix d'Itxassou

Tony Coe

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Les Voix d'Itxassou is perhaps saxophonist, composer, and arranger Tony Coe's most ambitious project. Here he pairs an orchestra of no less than 18 pieces with vocalists from all over the world to sing songs of political, social, spiritual, economic, and class alienation and resolve. With many texts written by poet Francis Marmonde, some of the singers -- who include Marianne Faithfull, Ali Farka Toure, Maggie Bell, Abed Azrie, Françoise Fabian, Marie Atger, and Juan José Mosalini, to name but a few -- offer aspects of the various tragedies of nationalism and dislocation. In the case of non-French-speaking singers such as Farka Toure, they wrote their own texts according to the dictates of the collaboration. Unlike many of his more musical and experimental projects, the notion of song is everything here. The human voice communicates its emotion and truth in its fullness or grief, and the orchestra underlines, shades, colors, and otherwise creates a net under or around it. In some cases, such as Azrie's "Le Legende de Oiseaux," indigenous instruments such as the nay are added to the orchestra's arrangements. Only Bell sings in English, while Faithfull sings in German, Farka Toure in Nigerian, and Violeta Ferrer in Spanish. Coe's arrangements are so spare yet so ever-present, they become as necessary as the song structure itself, carrying a melody and turning the harmonies back to the singer to feed from. If only others composed for song in this way, wit might be reinvented in the context of Anglo-European music. This is one of Coe's finest hours.
© Thom Jurek /TiVo

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Les voix d'Itxassou

Tony Coe

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1
Prélude au Temps des cerises
Tony Coe
00:03:57

Tony Coe, Performer, Composer - Francis Marmande, Writer - Francoise Fabian, Performer

1990 Nato 1990 Nato

2
Ana sefalelku (Mélodie d'un chant de resistance erythreen)
Tony Coe
00:05:23

Tony Coe, Performer, Composer - Ali Farka Touré, Writer - Ali Farka Touré, Performer

1990 Nato 1990 Nato

3
The Patriot Game
Tony Coe
00:03:31

Tony Coe, Performer - Dominic Behan, Composer, Writer - Maggie Bell, Performer

1990 Nato 1990 Nato

4
Hasta Siempre
Tony Coe
00:02:32

Tony Coe, Performer - Carlos Puebla, Composer, Writer - Jose Menese, Performer

1990 Nato 1990 Nato

5
Hasta Siempre
Tony Coe
00:03:57

Tony Coe, Performer - Carlos Puebla, Composer, Writer - Beñat Achiary, Performer

1990 Nato 1990 Nato

6
La légende de l'oiseau
Tony Coe
00:04:33

Tony Coe, Performer, Composer - Abed Azrié, Composer - Samih al-Qasim, Writer - Abed Azrié, Performer

1990 Nato 1990 Nato

7
Bella ciao (Chant anonyme des mondines piémontaises)
Tony Coe
00:02:35

Tony Coe, Performer - Public Domain, Composer

1990 Nato 1990 Nato

8
N'kosi sikelel'i Afrika (Hymne d'Azania)
Tony Coe
00:04:53

Tony Coe, Performer, Composer - Enoch Sontonga, Writer - Aura Msimang-Lewis, Performer

1990 Nato 1990 Nato

9
Nuit sur une place à Helsinki
Tony Coe
00:04:48

Tony Coe, Performer, Composer - Ismail Kadare, Writer - Liria Begeja, Performer

1990 Nato 1990 Nato

10
Jazz de Pekin
Marcel Azzola
00:03:46

Tony Coe, Performer - Public Domain, Composer - Marcel Azzola, Performer

1990 Nato 1990 Nato

11
Wieder im Gefangnis
Marianne Faithfull
00:05:10

Tony Coe, Performer - Public Domain, Composer, Writer - Marianne Faithfull, Performer

1990 Nato 1990 Nato

12
Buenaventura durruti (Chant anonyme) (Buenaventure : post-scriptum 1989 par Francis Marmande)
Tony Coe
00:06:51

Tony Coe, Performer, Composer - DR, Writer - Marie Atger, Performer

1990 Nato 1990 Nato

13
Wounded Knee
Tony Coe
00:04:04

Tony Coe, Performer, Composer

1990 Nato 1990 Nato

14
Le rêve d'Itxassou
Tony Coe
00:00:55

Tony Coe, Performer, Composer - Francis Marmande, Writer - Sandrine Kljajic, Performer

1990 Nato 1990 Nato

15
Le temps des cerises
Tony Coe
00:07:21

Tony Coe, Performer, Composer

1990 Nato 1990 Nato

Albumbeschreibung

Les Voix d'Itxassou is perhaps saxophonist, composer, and arranger Tony Coe's most ambitious project. Here he pairs an orchestra of no less than 18 pieces with vocalists from all over the world to sing songs of political, social, spiritual, economic, and class alienation and resolve. With many texts written by poet Francis Marmonde, some of the singers -- who include Marianne Faithfull, Ali Farka Toure, Maggie Bell, Abed Azrie, Françoise Fabian, Marie Atger, and Juan José Mosalini, to name but a few -- offer aspects of the various tragedies of nationalism and dislocation. In the case of non-French-speaking singers such as Farka Toure, they wrote their own texts according to the dictates of the collaboration. Unlike many of his more musical and experimental projects, the notion of song is everything here. The human voice communicates its emotion and truth in its fullness or grief, and the orchestra underlines, shades, colors, and otherwise creates a net under or around it. In some cases, such as Azrie's "Le Legende de Oiseaux," indigenous instruments such as the nay are added to the orchestra's arrangements. Only Bell sings in English, while Faithfull sings in German, Farka Toure in Nigerian, and Violeta Ferrer in Spanish. Coe's arrangements are so spare yet so ever-present, they become as necessary as the song structure itself, carrying a melody and turning the harmonies back to the singer to feed from. If only others composed for song in this way, wit might be reinvented in the context of Anglo-European music. This is one of Coe's finest hours.
© Thom Jurek /TiVo

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