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Asie Payton|Just Do Me Right

Just Do Me Right

Asie Payton

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This posthumous complement to Payton's only studio disc is something of a revelation. Not only does it confirm that he was a great blues and soul singer (just check out "Back to the Bridge," with its "In the Midnight Hour" riff, or the lazy groove of "I Got a Friend," with its percolating wah-wah guitar line), but it shows the man could play funk too -- "1000 Years" roars out of the speakers straight to the dancefloor, powered by some unexpected horns, and "Need My Help" has all the power of a latter-day Hendrix song. All of that isn't to say he didn't play a lot of gutbucket acoustic blues, too; "Livin' in So Much Pain" is about as down-home as you can get. In many ways, there seemed to be no end to his passion for different styles of music. "Nobody But You" could almost have come out of the Stax studios circa 1965, while "Watch Yourself" is a barnburning R&B/early rock & roll track that kicks like a mule. While Payton's other album showed him to be a man of talent, this offers that talent to its full extent, drawn together from sessions recorded in studios and at the houses of friends. But instead of being a ragtag collection of odds and sods, the result is a soaring testimony to someone who was an unsung great in his lifetime.

© Chris Nickson /TiVo

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Just Do Me Right

Asie Payton

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1
Back to the Bridge
00:03:12

Not Documented, Composer - Asie Payton, MainArtist

(C) 2002 Fat Possum Records (P) 2002 Fat Possum Records

2
Do Me Right
00:03:17

Not Documented, Composer - Asie Payton, MainArtist

(C) 2002 Fat Possum Records (P) 2002 Fat Possum Records

3
1000 Years
00:03:00

Not Documented, Composer - Asie Payton, MainArtist

(C) 2002 Fat Possum Records (P) 2002 Fat Possum Records

4
I Got a Friend
00:03:45

Not Documented, Composer - Asie Payton, MainArtist

(C) 2002 Fat Possum Records (P) 2002 Fat Possum Records

5
Need My Help
00:02:24

Not Documented, Composer - Asie Payton, MainArtist

(C) 2002 Fat Possum Records (P) 2002 Fat Possum Records

6
Livin' in so Much Pain
00:03:14

Not Documented, Composer - Asie Payton, MainArtist

(C) 2002 Fat Possum Records (P) 2002 Fat Possum Records

7
You Got Me Doin' Things
00:03:21

Not Documented, Composer - Asie Payton, MainArtist

(C) 2002 Fat Possum Records (P) 2002 Fat Possum Records

8
Why'd You Do It
00:03:19

Not Documented, Composer - Asie Payton, MainArtist

(C) 2002 Fat Possum Records (P) 2002 Fat Possum Records

9
Nobody but You
00:02:54

Not Documented, Composer - Asie Payton, MainArtist

(C) 2002 Fat Possum Records (P) 2002 Fat Possum Records

10
Lose My Happy Home
00:03:50

Not Documented, Composer - Asie Payton, MainArtist

(C) 2002 Fat Possum Records (P) 2002 Fat Possum Records

11
You Don't Want Me
00:03:02

Not Documented, Composer - Asie Payton, MainArtist

(C) 2002 Fat Possum Records (P) 2002 Fat Possum Records

12
Watch Yourself
00:03:15

Not Documented, Composer - Asie Payton, MainArtist

(C) 2002 Fat Possum Records (P) 2002 Fat Possum Records

13
Asie's Story
00:03:34

Not Documented, Composer - Asie Payton, MainArtist

(C) 2002 Fat Possum Records (P) 2002 Fat Possum Records

14
Back to the Bridge
00:03:43

Not Documented, Composer - Asie Payton, MainArtist

(C) 2002 Fat Possum Records (P) 2002 Fat Possum Records

Albumbeschreibung

This posthumous complement to Payton's only studio disc is something of a revelation. Not only does it confirm that he was a great blues and soul singer (just check out "Back to the Bridge," with its "In the Midnight Hour" riff, or the lazy groove of "I Got a Friend," with its percolating wah-wah guitar line), but it shows the man could play funk too -- "1000 Years" roars out of the speakers straight to the dancefloor, powered by some unexpected horns, and "Need My Help" has all the power of a latter-day Hendrix song. All of that isn't to say he didn't play a lot of gutbucket acoustic blues, too; "Livin' in So Much Pain" is about as down-home as you can get. In many ways, there seemed to be no end to his passion for different styles of music. "Nobody But You" could almost have come out of the Stax studios circa 1965, while "Watch Yourself" is a barnburning R&B/early rock & roll track that kicks like a mule. While Payton's other album showed him to be a man of talent, this offers that talent to its full extent, drawn together from sessions recorded in studios and at the houses of friends. But instead of being a ragtag collection of odds and sods, the result is a soaring testimony to someone who was an unsung great in his lifetime.

© Chris Nickson /TiVo

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