Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Weird Al Yankovic|In 3-D

In 3-D

"Weird Al" Yankovic

Verfügbar in
24-Bit/192 kHz Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Text in englischer Sprache verfügbar

With an album behind him, Weird Al Yankovic makes much of the improvements expected of new artists when they get a second crack at a release a year later. He premieres the concept of his own band, basically well-trimmed types that looked good in music videos. They also play very well as a unit, so whatever image augmentation was accomplished is just a side benefit. While Yankovic's first album started off poorly and took awhile to build momentum, this one is like a garage door opening to reveal a shiny rocketship about to blast off. When it does, it is "Eat It," a satire of Michael Jackson's "Beat It" that can be considered the first kick in the rear the mighty gloved one received on his way down from the throne of pop music. Making the song a tribute to stuffing one's face with food takes away its phony edge of nastiness without removing any of its rhythmic power. In fact, this version rocks harder than the original, and Rick Derringer's solo in the middle cuts Eddie Van Halen to shreds. From there, it would seem the man is on a roll, but listeners may wind up stifling yawns all the way to the side-ending "Polkas on 45," Yankovic's first attempt at what evolved into a repeated device on subsequent albums, the extended, snappy polka medley in which an incredible variety of pop hits appear, sometimes for only a line or two. The fine musicianship of the leader and his associates is revealed in these performances, which tend to be some of Yankovic's best work. Playing medleys such as this is not easy, and doing it with such energy and wit is even more admirable. The original songs on this record are just as forgettable as any Yankovic had come up with so far. There is no chance of pleasing 11 year olds with any of the originals, despite the fact that many critics feel this is the level of mind Yankovic is aiming at when he gets in the songwriting mode. It is not that their age estimate is too high, either. No children of any age have expressed much interest in the original material here. The thematic thrust of In 3-D comes full circle with the hilarious "Theme From Rocky XIII," often known as "The Rye or the Kaiser." Once again the height of pomposity -- in this case, the character created by Sylvester Stallone -- gets knocked down to knee size by setting the action in a deli, round two probably consisting of a jar of pickles being opened. When this album is good, it is good enough to eat, so "Eat It" already.

© Eugene Chadbourne /TiVo

Weitere Informationen

In 3-D

Weird Al Yankovic

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements

Ab 12,49€/Monat

1
Eat It
00:03:21

Mike Kieffer, Performer - Tony Papa, Engineer - Tony Papa, Mixing Engineer - Michael Jackson, Composer - Weird Al Yankovic, Lyricist - Weird Al Yankovic, Arranger - Weird Al Yankovic, Performer - Rick Derringer, Producer - Rick Derringer, Guitar - Pat Regan, Keyboards

(P) 1984 Volcano Entertainment, III, L.L.C.

2
Midnight Star
00:04:35

Andrea Robinson, Background Vocal - Tony Papa, Engineer - Tony Papa, Mixing Engineer - Bob Tebow, Background Vocal - Weird Al Yankovic, Lyricist - Weird Al Yankovic, Arranger - Weird Al Yankovic, Composer - Weird Al Yankovic, Performer - Petsye Powell, Background Vocal - Rick Derringer, Producer - Rick Derringer, Guitar - Patti Brooks, Background Vocal - Pat Regan, Keyboards

(P) 1984 Volcano Entertainment, III, L.L.C.

3
The Brady Bunch
00:02:41

Frank DeVol, Composer - Tony Papa, Engineer - Tony Papa, Mixing Engineer - Sherwood Schwartz, Composer - Weird Al Yankovic, Lyricist - Weird Al Yankovic, Arranger - Weird Al Yankovic, Performer - Rick Derringer, Producer - Ivan Doroschuk, Composer - Pat Regan, Keyboards - Lisa Popeil, Background Vocal

(P) 1984 Volcano Entertainment, III, L.L.C.

4
Buy Me a Condo
00:03:53

Rick Derringer, Producer - Rick Derringer, Mandolin - Pat Regan, Keyboards - C. Midnight, Composer - C. Midnight, Lyricist - Andrea Robinson, Background Vocal - Sam Lay, Drums - Tony Papa, Engineer - Tony Papa, Mixing Engineer - Weird Al Yankovic, Lyricist - Weird Al Yankovic, Arranger - Weird Al Yankovic, Composer - Weird Al Yankovic, Performer - Petsye Powell, Background Vocal - Patti Brooks, Background Vocal

(P) 1984 Volcano Entertainment, III, L.L.C.

5
I Lost On Jeopardy
00:03:28

Don Pardo, Speaker - Greg Kihn, Composer - Tony Papa, Engineer - Tony Papa, Mixing Engineer - Weird Al Yankovic, Lyricist - Weird Al Yankovic, Arranger - Weird Al Yankovic, Performer - Rick Derringer, Producer - Pat Regan, Keyboards

(P) 1984 Volcano Entertainment, III, L.L.C.

6
Polkas On 45
00:04:20

W. Roberts, Composer - Keith Richards, Composer - Lawrence Welk, Composer - Weird Al Yankovic, Lyricist - Weird Al Yankovic, Composer - Weird Al Yankovic, Performer - Ian Gillan, Composer - C. Frantz, Composer - David Diamond, Composer - Lou Grammatico, Composer - Jon Lord, Composer - Ritchie Blackmore, Composer - Bob Calame, Composer - Doug Ingle, Composer - Frank Loesser, Composer - John Crawford, Composer - The Doors, Composer - G.Casale, Composer - D. Byrne, Composer - W.A. Timm, Composer - Paul McCartney, Composer - J. Harrison, Composer - Rick Derringer, Producer - L. Brown, Composer - Tony Papa, Engineer - Tony Papa, Mixing Engineer - Joe Strummer, Composer - Terri Nunn, Composer - Steve Jay, Banjo - Jim Self, Tube - T. Weymouth, Composer - Mick Jones, Composer - J. Vejvoda, Composer - M. Mothersbaugh, Composer - V. Zeman, Composer - Sting, Composer - Michael Jones, Composer - Peter Townsend, Composer - T. Headon, Composer - Mick Jagger, Composer - Roger Glover, Composer - Warren Luening, Trumpet - Joel Peskin, Clarinet - John Lennon, Composer

(P) 1984 Volcano Entertainment, III, L.L.C.

7
Mr. Popeil
00:04:42

Andrea Robinson, Background Vocal - Tony Papa, Engineer - Tony Papa, Mixing Engineer - Weird Al Yankovic, Lyricist - Weird Al Yankovic, Composer - Weird Al Yankovic, Arranger - Weird Al Yankovic, Performer - Rick Derringer, Producer - Pat Regan, Keyboards - Lisa Popeil, Background Vocal

(P) 1984 Volcano Entertainment, III, L.L.C.

8
King of Suede
00:04:15

Sting, Composer - Tony Papa, Engineer - Tony Papa, Mixing Engineer - Weird Al Yankovic, Lyricist - Weird Al Yankovic, Arranger - Weird Al Yankovic, Performer - Rick Derringer, Producer - Pat Regan, Keyboards

(P) 1984 Volcano Entertainment, III, L.L.C.

9
That Boy Could Dance
00:03:34

Weird Al Yankovic, Lyricist - Weird Al Yankovic, Composer - Weird Al Yankovic, Performer - Rick Derringer, Producer

(P) 1984 Volcano Entertainment, III, L.L.C.

10
Theme from Rocky XIII (aka: The Rye or The Kaiser (Theme From Rocky XIII))
00:03:36

Frankie Sullivan, Composer - Jim Peterik, Composer - Weird Al Yankovic, Lyricist - Weird Al Yankovic, Performer - Rick Derringer, Producer

(P) 1984 Volcano Entertainment, III, L.L.C.

11
Nature Trail to Hell
00:05:56

Weird Al Yankovic, Lyricist - Weird Al Yankovic, Composer - Weird Al Yankovic, Performer - Rick Derringer, Producer

(P) 1984 Volcano Entertainment, III, L.L.C.

Albumbeschreibung

With an album behind him, Weird Al Yankovic makes much of the improvements expected of new artists when they get a second crack at a release a year later. He premieres the concept of his own band, basically well-trimmed types that looked good in music videos. They also play very well as a unit, so whatever image augmentation was accomplished is just a side benefit. While Yankovic's first album started off poorly and took awhile to build momentum, this one is like a garage door opening to reveal a shiny rocketship about to blast off. When it does, it is "Eat It," a satire of Michael Jackson's "Beat It" that can be considered the first kick in the rear the mighty gloved one received on his way down from the throne of pop music. Making the song a tribute to stuffing one's face with food takes away its phony edge of nastiness without removing any of its rhythmic power. In fact, this version rocks harder than the original, and Rick Derringer's solo in the middle cuts Eddie Van Halen to shreds. From there, it would seem the man is on a roll, but listeners may wind up stifling yawns all the way to the side-ending "Polkas on 45," Yankovic's first attempt at what evolved into a repeated device on subsequent albums, the extended, snappy polka medley in which an incredible variety of pop hits appear, sometimes for only a line or two. The fine musicianship of the leader and his associates is revealed in these performances, which tend to be some of Yankovic's best work. Playing medleys such as this is not easy, and doing it with such energy and wit is even more admirable. The original songs on this record are just as forgettable as any Yankovic had come up with so far. There is no chance of pleasing 11 year olds with any of the originals, despite the fact that many critics feel this is the level of mind Yankovic is aiming at when he gets in the songwriting mode. It is not that their age estimate is too high, either. No children of any age have expressed much interest in the original material here. The thematic thrust of In 3-D comes full circle with the hilarious "Theme From Rocky XIII," often known as "The Rye or the Kaiser." Once again the height of pomposity -- in this case, the character created by Sylvester Stallone -- gets knocked down to knee size by setting the action in a deli, round two probably consisting of a jar of pickles being opened. When this album is good, it is good enough to eat, so "Eat It" already.

© Eugene Chadbourne /TiVo

Informationen zu dem Album

Verbesserung der Albuminformationen

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

Moanin'

Art Blakey & The Jazz Messengers

Moanin' Art Blakey & The Jazz Messengers

Takin' Off

Herbie Hancock

Takin' Off Herbie Hancock

Blue Train

John Coltrane

Blue Train John Coltrane
Mehr auf Qobuz
Von Weird Al Yankovic

The Essential "Weird Al" Yankovic

Weird Al Yankovic

Give It Up

Weird Al Yankovic

Give It Up Weird Al Yankovic

Off The Deep End

Weird Al Yankovic

Off The Deep End Weird Al Yankovic

Poodle Hat

Weird Al Yankovic

Poodle Hat Weird Al Yankovic

Straight Outta Lynwood

Weird Al Yankovic

Straight Outta Lynwood Weird Al Yankovic

Playlists

Das könnte Ihnen auch gefallen...

Oh Mercy

Bob Dylan

Oh Mercy Bob Dylan

Greatest Hits

Journey

The Steven Wilson Remixes

Yes

Mirror To The Sky

Yes

Toto IV

Toto

Toto IV Toto