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Dallas Wayne|I'm Your Biggest Fan

I'm Your Biggest Fan

Dallas Wayne

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Dallas Wayne doesn't offer much different on his fourth album, I'm Your Biggest Fan, than he did on his previous three, but that's not a reason to complain -- it's a reason to celebrate, since there aren't many country singers this good nowadays. It's not just that he's a hardcore honky tonk traditionalist, as comfortable with barroom weepers as he is with Western swing and revved-up rockabilly like the excellent opener, "3:30 in the Afternoon" (although it is impressive that he can make these overdubbed sessions sound like a real, vibrant road band). It's not that his deep voice is a warm, expressive instrument. It's not even that he's a hell of a songwriter, authoring every one of these 12 songs (five are collaborations), and penning songs that feel like forgotten classics that have been waiting to be discovered for some 30 or 40 years on a jukebox in an out of the way Texas roadhouse. It's that he does all this while having a tremendous sense of humor, something that is sorely lacking in all varieties of popular music today. Nowhere is this better heard than on I'm Your Biggest Fan, an album that feels like a favorite album upon its first spin and just gets better from there. It's a lean, funny, unpretentious, rocking country album that's the perfect antidote for those country fans who feel alienated from both Nashville's star system and the achingly earnest, singer/songwriter-dominated world of alt-country.
© Stephen Thomas Erlewine /TiVo

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I'm Your Biggest Fan

Dallas Wayne

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1
3:30 In The Afternoon
00:02:25

Dallas Wayne, MainArtist

2005 KOCH RECORDS NASHVILLE 2005 KOCH RECORDS NASHVILLE

2
I'm Your Biggest Fan
00:04:58

Dallas Wayne, MainArtist

2005 KOCH RECORDS NASHVILLE 2005 KOCH RECORDS NASHVILLE

3
Junior Samples
00:03:13

Dallas Wayne, MainArtist

2005 KOCH RECORDS NASHVILLE 2005 KOCH RECORDS NASHVILLE

4
Under The Overpass
00:03:58

Dallas Wayne, MainArtist

2005 KOCH RECORDS NASHVILLE 2005 KOCH RECORDS NASHVILLE

5
Tex-tosterone
00:02:53

Dallas Wayne, MainArtist

2005 KOCH RECORDS NASHVILLE 2005 KOCH RECORDS NASHVILLE

6
It's All Over, All Over Town
00:02:23

Dallas Wayne, MainArtist

2005 KOCH RECORDS NASHVILLE 2005 KOCH RECORDS NASHVILLE

7
She's Good To Go
00:03:43

Dallas Wayne, MainArtist

2005 KOCH RECORDS NASHVILLE 2005 KOCH RECORDS NASHVILLE

8
You Can Count On Me
00:02:57

Dallas Wayne, MainArtist

2005 KOCH RECORDS NASHVILLE 2005 KOCH RECORDS NASHVILLE

9
Tell It To The Jukebox
00:04:35

Dallas Wayne, MainArtist

2005 KOCH RECORDS NASHVILLE 2005 KOCH RECORDS NASHVILLE

10
Crank The Hank
00:02:56

Dallas Wayne, MainArtist

2005 KOCH RECORDS NASHVILLE 2005 KOCH RECORDS NASHVILLE

11
Still Know How To Cry
00:03:17

Dallas Wayne, MainArtist

2005 KOCH RECORDS NASHVILLE 2005 KOCH RECORDS NASHVILLE

12
Downhill Slide
00:05:30

Dallas Wayne, MainArtist

2005 KOCH RECORDS NASHVILLE 2005 KOCH RECORDS NASHVILLE

Albumbeschreibung

Dallas Wayne doesn't offer much different on his fourth album, I'm Your Biggest Fan, than he did on his previous three, but that's not a reason to complain -- it's a reason to celebrate, since there aren't many country singers this good nowadays. It's not just that he's a hardcore honky tonk traditionalist, as comfortable with barroom weepers as he is with Western swing and revved-up rockabilly like the excellent opener, "3:30 in the Afternoon" (although it is impressive that he can make these overdubbed sessions sound like a real, vibrant road band). It's not that his deep voice is a warm, expressive instrument. It's not even that he's a hell of a songwriter, authoring every one of these 12 songs (five are collaborations), and penning songs that feel like forgotten classics that have been waiting to be discovered for some 30 or 40 years on a jukebox in an out of the way Texas roadhouse. It's that he does all this while having a tremendous sense of humor, something that is sorely lacking in all varieties of popular music today. Nowhere is this better heard than on I'm Your Biggest Fan, an album that feels like a favorite album upon its first spin and just gets better from there. It's a lean, funny, unpretentious, rocking country album that's the perfect antidote for those country fans who feel alienated from both Nashville's star system and the achingly earnest, singer/songwriter-dominated world of alt-country.
© Stephen Thomas Erlewine /TiVo

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