Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Haydn's Missa Cellensis (the title refers to the town of Mariazell in the region of Styria, for which the mass was composed) is among the most distinctive of his early compositions, and one that succeeds entirely on its own terms rather than pointing toward later developments in his style. Furthermore, if it had direct models, they haven't yet surfaced. Perhaps it seems especially fresh in this magnficent performance by the historical-performance orchestra and chorus Anima Eterna and Belgian conductor Jos van Immerseel. The work, which breaks up the text into small sections, reveals a personal piety absent from the abstract structures and rather formal quality of Haydn's big late masses. A close stylistic comparison would be Mozart's Coronation Mass, K. 317, and indeed there are passages that make you wonder whether Mozart knew Haydn's work. Haydn's soprano soloist seems to emerge, strikingly, out of the choir's opening phrases with the word "Credo" (I believe), while Mozart at the end of the Credo has the entire choir repeat the phrase "Credo in unum Deum." In this performance, recorded live at Dresden's Frauenkirche, Haydn's music in many places takes on a warmth that makes one think of Brahms' Requiem. Immerseel captures the work's emotional range, setting angelic solos against big concluding contrapuntal passages in the Gloria and Credo (and, unusually, the final Dona nobis pacem) that come to life with period brass instruments. The Incarnatus and Crucifixus are given long, meandering operatic solos, as if a tragic story were being told in great detail. Immerseel's notes in the booklet explore the roots of Haydn's setting in the traditions of textual rhetoric, and he lists the rhetorical idea underlying each movement ("Qui tollis -- lamentation and compassion in harmony"). One may be a bit flummoxed by this device, but the musical results fully justify it. The live sound from the Carus label is superb, and for many listeners this recording will set a new standard for a work that has been particularly reluctant to reveal its secrets in performances using modern instruments.
© TiVo
Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen
Downloaden Sie die Qobuz App
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Mass in C Major, Hob. XXV:5 "Missa Cellensis" (Joseph Haydn)
Anonymous, Author - Joseph Haydn, Composer - Jos van Immerseel, Conductor, MainArtist - Anima Eterna, Ensemble, MainArtist
℗ 2009 Carus
Anonymous, Author - Joseph Haydn, Composer - Markus Schäfer, Tenor, MainArtist, AssociatedPerformer - Jos van Immerseel, Conductor, MainArtist - Anima Eterna, Ensemble, MainArtist
℗ 2009 Carus
Anonymous, Author - Joseph Haydn, Composer - Jos van Immerseel, Conductor, MainArtist - Anima Eterna, Ensemble, MainArtist
℗ 2009 Carus
Anonymous, Author - Joseph Haydn, Composer - Jos van Immerseel, Conductor, MainArtist - Anima Eterna, Ensemble, MainArtist
℗ 2009 Carus
Anonymous, Author - Joseph Haydn, Composer - Jos van Immerseel, Conductor, MainArtist - Anima Eterna, Ensemble, MainArtist - Lydia Teuscher, Soprano, MainArtist, AssociatedPerformer
℗ 2009 Carus
Anonymous, Author - Joseph Haydn, Composer - Jos van Immerseel, Conductor, MainArtist - Anima Eterna, Ensemble, MainArtist
℗ 2009 Carus
Anonymous, Author - Joseph Haydn, Composer - Markus Schäfer, Tenor, MainArtist, AssociatedPerformer - Harry van der Kamp, MainArtist, AssociatedPerformer, Bass (Vocal) - Jos van Immerseel, Conductor, MainArtist - Anima Eterna, Ensemble, MainArtist - Marianne Beate Kielland, Alto, MainArtist, AssociatedPerformer
℗ 2009 Carus
Anonymous, Author - Joseph Haydn, Composer - Jos van Immerseel, Conductor, MainArtist - Anima Eterna, Ensemble, MainArtist - Lydia Teuscher, Soprano, MainArtist, AssociatedPerformer - Marianne Beate Kielland, Alto, MainArtist, AssociatedPerformer
℗ 2009 Carus
Anonymous, Author - Joseph Haydn, Composer - Jos van Immerseel, Conductor, MainArtist - Anima Eterna, Ensemble, MainArtist - Lydia Teuscher, Soprano, MainArtist, AssociatedPerformer
℗ 2009 Carus
Anonymous, Author - Joseph Haydn, Composer - Jos van Immerseel, Conductor, MainArtist - Anima Eterna, Ensemble, MainArtist
℗ 2009 Carus
Anonymous, Author - Joseph Haydn, Composer - Jos van Immerseel, Conductor, MainArtist - Anima Eterna, Ensemble, MainArtist - Lydia Teuscher, Soprano, MainArtist, AssociatedPerformer
℗ 2009 Carus
Anonymous, Author - Joseph Haydn, Composer - Markus Schäfer, Tenor, MainArtist, AssociatedPerformer - Harry van der Kamp, MainArtist, AssociatedPerformer, Bass (Vocal) - Jos van Immerseel, Conductor, MainArtist - Anima Eterna, Ensemble, MainArtist - Marianne Beate Kielland, Alto, MainArtist, AssociatedPerformer
℗ 2009 Carus
Anonymous, Author - Joseph Haydn, Composer - Markus Schäfer, Tenor, MainArtist, AssociatedPerformer - Jos van Immerseel, Conductor, MainArtist - Anima Eterna, Ensemble, MainArtist - Lydia Teuscher, Soprano, MainArtist, AssociatedPerformer
℗ 2009 Carus
Anonymous, Author - Joseph Haydn, Composer - Jos van Immerseel, Conductor, MainArtist - Anima Eterna, Ensemble, MainArtist
℗ 2009 Carus
Anonymous, Author - Joseph Haydn, Composer - Jos van Immerseel, Conductor, MainArtist - Anima Eterna, Ensemble, MainArtist
℗ 2009 Carus
Anonymous, Author - Joseph Haydn, Composer - Harry van der Kamp, MainArtist, AssociatedPerformer, Bass (Vocal) - Jos van Immerseel, Conductor, MainArtist - Anima Eterna, Ensemble, MainArtist
℗ 2009 Carus
Anonymous, Author - Joseph Haydn, Composer - Jos van Immerseel, Conductor, MainArtist - Anima Eterna, Ensemble, MainArtist
℗ 2009 Carus
Albumbeschreibung
Haydn's Missa Cellensis (the title refers to the town of Mariazell in the region of Styria, for which the mass was composed) is among the most distinctive of his early compositions, and one that succeeds entirely on its own terms rather than pointing toward later developments in his style. Furthermore, if it had direct models, they haven't yet surfaced. Perhaps it seems especially fresh in this magnficent performance by the historical-performance orchestra and chorus Anima Eterna and Belgian conductor Jos van Immerseel. The work, which breaks up the text into small sections, reveals a personal piety absent from the abstract structures and rather formal quality of Haydn's big late masses. A close stylistic comparison would be Mozart's Coronation Mass, K. 317, and indeed there are passages that make you wonder whether Mozart knew Haydn's work. Haydn's soprano soloist seems to emerge, strikingly, out of the choir's opening phrases with the word "Credo" (I believe), while Mozart at the end of the Credo has the entire choir repeat the phrase "Credo in unum Deum." In this performance, recorded live at Dresden's Frauenkirche, Haydn's music in many places takes on a warmth that makes one think of Brahms' Requiem. Immerseel captures the work's emotional range, setting angelic solos against big concluding contrapuntal passages in the Gloria and Credo (and, unusually, the final Dona nobis pacem) that come to life with period brass instruments. The Incarnatus and Crucifixus are given long, meandering operatic solos, as if a tragic story were being told in great detail. Immerseel's notes in the booklet explore the roots of Haydn's setting in the traditions of textual rhetoric, and he lists the rhetorical idea underlying each movement ("Qui tollis -- lamentation and compassion in harmony"). One may be a bit flummoxed by this device, but the musical results fully justify it. The live sound from the Carus label is superb, and for many listeners this recording will set a new standard for a work that has been particularly reluctant to reveal its secrets in performances using modern instruments.
© TiVo
Informationen zu dem Album
- 1 Disc(s) - 17 Track(s)
- Gesamte Laufzeit: 01:07:42
- Künstler: Anima Eterna Jos Van Immerseel
- Komponist: Joseph Haydn
- Label: Carus
- Genre: Klassik
© 2009 Carus ℗ 2009 Carus
Verbesserung der Albuminformationen
Warum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.