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Giuseppe Fausto Modugno|Golinelli: Due pensieri affettuoso - 24 Prelude, Op. 69 - Barcarola, Op. 35

Golinelli: Due pensieri affettuoso - 24 Prelude, Op. 69 - Barcarola, Op. 35

Giuseppe Fausto Modugno

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Although it is hard now to find information about Stefano Golinelli, he was well-known in Europe during his lifetime, both as a concert pianist and as a prolific composer. Nearly all of his works were for solo piano. This disc by Giuseppe Fausto Modugno, playing Golinelli's 1880 Erard piano, is dominated by the second of Golinelli's three sets of preludes, clearly modeled after Chopin's Preludes, Op. 28. A couple of these have much in common with Chopin. For example, Golinelli's No. 10 is similar to Chopin's No. 17 in 6/8 meter with the melody supported by static chords, and No. 14 to Chopin's slow, spare No. 4. However, Golinelli's music is also quite like Mendelssohn's Songs Without Words. Golinelli's pleasant melodies are usually clear and separate, only sometimes being woven amongst sophisticated rhythmic accompaniment or ornamentation in both hands. Where there is more florid ornamentation, it is bubbly rather than softly flowing. The Due pensieri affettuosi and the Barcarola that fill out the disc are especially like Mendelssohn. Modugno has an excellent sense of phrasing that brings out the individual character in each prelude. He recognizes that these are more than bits of fluff to be thrown off without care, but he also doesn't allow them to become overly serious or heavy-handed. Golinelli's preludes are a charming, and rare, example of Italian nineteenth century piano miniatures.
© TiVo

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Golinelli: Due pensieri affettuoso - 24 Prelude, Op. 69 - Barcarola, Op. 35

Giuseppe Fausto Modugno

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2 Pensieri affettuosi (Stefano Golinelli)

1
No. 1. Allegretto
00:03:08

Giuseppe Fausto Modugno, Performer - Stefano Golinelli, Composer

2012 Tactus 2012 Tactus

2
No. 2. Andante
00:04:14

Giuseppe Fausto Modugno, Performer - Stefano Golinelli, Composer

2012 Tactus 2012 Tactus

24 Preludes, Book 2, Op. 69 (Stefano Golinelli)

3
No. 1. Andantino
00:01:01

Giuseppe Fausto Modugno, Performer - Stefano Golinelli, Composer

2012 Tactus 2012 Tactus

4
No. 2. Allegro vivo
00:01:06

Giuseppe Fausto Modugno, Performer - Stefano Golinelli, Composer

2012 Tactus 2012 Tactus

5
No. 3. Allegro molto
00:00:51

Giuseppe Fausto Modugno, Performer - Stefano Golinelli, Composer

2012 Tactus 2012 Tactus

6
No. 4. Allegretto vivace
00:01:02

Giuseppe Fausto Modugno, Performer - Stefano Golinelli, Composer

2012 Tactus 2012 Tactus

7
No. 5. Andante
00:01:16

Giuseppe Fausto Modugno, Performer - Stefano Golinelli, Composer

2012 Tactus 2012 Tactus

8
No. 6. Allegro
00:01:05

Giuseppe Fausto Modugno, Performer - Stefano Golinelli, Composer

2012 Tactus 2012 Tactus

9
No. 7. Andante con moto
00:01:35

Giuseppe Fausto Modugno, Performer - Stefano Golinelli, Composer

2012 Tactus 2012 Tactus

10
No. 8. Mosso
00:00:43

Giuseppe Fausto Modugno, Performer - Stefano Golinelli, Composer

2012 Tactus 2012 Tactus

11
No. 9. Allegretto
00:01:08

Giuseppe Fausto Modugno, Performer - Stefano Golinelli, Composer

2012 Tactus 2012 Tactus

12
No. 10. Andante ansioso
00:01:40

Giuseppe Fausto Modugno, Performer - Stefano Golinelli, Composer

2012 Tactus 2012 Tactus

13
No. 11. Allegro brioso
00:01:51

Giuseppe Fausto Modugno, Performer - Stefano Golinelli, Composer

2012 Tactus 2012 Tactus

14
No. 12. Allegretto mosso
00:01:09

Giuseppe Fausto Modugno, Performer - Stefano Golinelli, Composer

2012 Tactus 2012 Tactus

15
No. 13. Vivace
00:00:55

Giuseppe Fausto Modugno, Performer - Stefano Golinelli, Composer

2012 Tactus 2012 Tactus

16
No. 14. Lento
00:02:02

Giuseppe Fausto Modugno, Performer - Stefano Golinelli, Composer

2012 Tactus 2012 Tactus

17
No. 15. Allegro molto
00:01:12

Giuseppe Fausto Modugno, Performer - Stefano Golinelli, Composer

2012 Tactus 2012 Tactus

18
No. 16. Allegro
00:00:40

Giuseppe Fausto Modugno, Performer - Stefano Golinelli, Composer

2012 Tactus 2012 Tactus

19
No. 17. Allegretto
00:01:08

Giuseppe Fausto Modugno, Performer - Stefano Golinelli, Composer

2012 Tactus 2012 Tactus

20
No. 18. Allegro agitato
00:01:41

Giuseppe Fausto Modugno, Performer - Stefano Golinelli, Composer

2012 Tactus 2012 Tactus

21
No. 19. Sostenuto
00:02:12

Giuseppe Fausto Modugno, Performer - Stefano Golinelli, Composer

2012 Tactus 2012 Tactus

22
No. 20. Vivacissimo
00:00:52

Giuseppe Fausto Modugno, Performer - Stefano Golinelli, Composer

2012 Tactus 2012 Tactus

23
No. 21. Prestino
00:01:06

Giuseppe Fausto Modugno, Performer - Stefano Golinelli, Composer

2012 Tactus 2012 Tactus

24
No. 22. Andante mosso
00:01:09

Giuseppe Fausto Modugno, Performer - Stefano Golinelli, Composer

2012 Tactus 2012 Tactus

25
No. 23. Allegretto
00:01:36

Giuseppe Fausto Modugno, Performer - Stefano Golinelli, Composer

2012 Tactus 2012 Tactus

26
No. 24. Allegro vivo
00:01:22

Giuseppe Fausto Modugno, Performer - Stefano Golinelli, Composer

2012 Tactus 2012 Tactus

Barcarola in F sharp minor, Op. 35 (Stefano Golinelli)

27
Barcarola in F sharp minor, Op. 35
00:05:20

Giuseppe Fausto Modugno, Performer - Stefano Golinelli, Composer

2012 Tactus 2012 Tactus

Albumbeschreibung

Although it is hard now to find information about Stefano Golinelli, he was well-known in Europe during his lifetime, both as a concert pianist and as a prolific composer. Nearly all of his works were for solo piano. This disc by Giuseppe Fausto Modugno, playing Golinelli's 1880 Erard piano, is dominated by the second of Golinelli's three sets of preludes, clearly modeled after Chopin's Preludes, Op. 28. A couple of these have much in common with Chopin. For example, Golinelli's No. 10 is similar to Chopin's No. 17 in 6/8 meter with the melody supported by static chords, and No. 14 to Chopin's slow, spare No. 4. However, Golinelli's music is also quite like Mendelssohn's Songs Without Words. Golinelli's pleasant melodies are usually clear and separate, only sometimes being woven amongst sophisticated rhythmic accompaniment or ornamentation in both hands. Where there is more florid ornamentation, it is bubbly rather than softly flowing. The Due pensieri affettuosi and the Barcarola that fill out the disc are especially like Mendelssohn. Modugno has an excellent sense of phrasing that brings out the individual character in each prelude. He recognizes that these are more than bits of fluff to be thrown off without care, but he also doesn't allow them to become overly serious or heavy-handed. Golinelli's preludes are a charming, and rare, example of Italian nineteenth century piano miniatures.
© TiVo

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