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Lionel Cottet|From Latin America to Paris - Works for Cello and Piano

From Latin America to Paris - Works for Cello and Piano

Lionel Cottet

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One is Swiss – cellist Lionel Cottet, currently first soloist of the Bavarian Radio Symphony Orchestra – the other is from Mexico: pianist Jorge Viladoms, although his musical education also brought him to Switzerland… Bridging the gap between their respective continents, both young musicians invite the listener to discover Latin American gems interacting freely with Parisian creations. Needless to say that these works (or composers) have not been subjected to or incorporated transatlantic influences, but merely represent a skilful juxtaposition of two major pieces on the one hand – Debussy’s Sonata “opposed” to Manuel Ponce’s, both contemporary masterpieces, respectively from 1915 and 1917 – and shorter works on the other, namely miniatures by Villa-Lobos, Ginastera and Piazzolla for Latin America, and Fauré, Massenet, Ravel and Saint-Saëns for Paris. While Debussy’s Sonata needs no introduction, it’s a different story for Ponce’s. Written in Havana, it was inspired by Cuban folklore for one of its movements, but resolutely turns to Spain for another, and… to Paris and Debussy in its last movement, with a slight humorous and baroque touch in the final fugue. An album with a highly unique blend indeed. © SM/Qobuz

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From Latin America to Paris - Works for Cello and Piano

Lionel Cottet

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Sonata for Violoncello and Piano (Manuel Maria Ponce)

1
I. Allegro selvaggio
00:08:34

Lionel Cottet, Main Artist, Violoncello - Manuel Maria Ponce, Composer - Jorge Viladoms, Piano - Jan Nehring, Engineer

(P) 2017 Sony Music Entertainment Switzerland GmbH

2
Allegro alla maniera d'uno studio
00:05:55

Lionel Cottet, Main Artist, Violoncello - Manuel Maria Ponce, Composer - Jorge Viladoms, Piano - Jan Nehring, Engineer

(P) 2017 Sony Music Entertainment Switzerland GmbH

3
III. Arietta. Andantino affetuoso
00:04:30

Lionel Cottet, Main Artist, Violoncello - Manuel Maria Ponce, Composer - Jorge Viladoms, Piano - Jan Nehring, Engineer

(P) 2017 Sony Music Entertainment Switzerland GmbH

4
IV. Allegro burlesco
00:06:16

Lionel Cottet, Main Artist, Violoncello - Manuel Maria Ponce, Composer - Jorge Viladoms, Piano - Jan Nehring, Engineer

(P) 2017 Sony Music Entertainment Switzerland GmbH

5
Elegie, Op. 24
00:07:06

Lionel Cottet, Main Artist, Violoncello - Gabriel Fauré, Composer - Jorge Viladoms, Piano - Jan Nehring, Engineer

(P) 2017 Sony Music Entertainment Switzerland GmbH

6
Triste
00:03:05

Lionel Cottet, Main Artist, Violoncello - Alberto Ginastera, Composer - Jorge Viladoms, Piano - Jan Nehring, Engineer

(P) 2017 Sony Music Entertainment Switzerland GmbH

Sonata for Violoncello and Piano, L. 135 (Claude Debussy)

7
I. Prologue. Lent
00:04:50

Lionel Cottet, Main Artist, Violoncello - Claude Debussy, Composer - Jorge Viladoms, Piano - Jan Nehring, Engineer

(P) 2017 Sony Music Entertainment Switzerland GmbH

8
II. Sérénade. Modérément animé
00:03:31

Lionel Cottet, Main Artist, Violoncello - Claude Debussy, Composer - Jorge Viladoms, Piano - Jan Nehring, Engineer

(P) 2017 Sony Music Entertainment Switzerland GmbH

9
III. Finale. Animé
00:03:40

Lionel Cottet, Main Artist, Violoncello - Claude Debussy, Composer - Jorge Viladoms, Piano - Jan Nehring, Engineer

(P) 2017 Sony Music Entertainment Switzerland GmbH

10
Chant du cygne noir, W 122
00:03:09

Lionel Cottet, Main Artist, Violoncello - Heitor Villa-Lobos, Composer - Jorge Viladoms, Piano - Jan Nehring, Engineer

(P) 2017 Sony Music Entertainment Switzerland GmbH

11
Le carnaval des animaux, R. 125: XIII. Le cygne
00:03:06

Lionel Cottet, Main Artist, Violoncello - Camille Saint-Saëns, Composer - Jorge Viladoms, Piano - Jan Nehring, Engineer

(P) 2017 Sony Music Entertainment Switzerland GmbH

12
Pièce en forme de Habanera, M. 51
00:03:17

Lionel Cottet, Main Artist, Violoncello - Maurice Ravel, Composer - Jorge Viladoms, Piano - Jan Nehring, Engineer

(P) 2017 Sony Music Entertainment Switzerland GmbH

13
Oblivion
00:03:31

Lionel Cottet, Main Artist, Violoncello - Astor Piazzolla, Composer - Jorge Viladoms, Piano - Jan Nehring, Engineer

(P) 2017 Sony Music Entertainment Switzerland GmbH

14
2 Canciones Mexicanas: II. Estrellita (Arr. for Cello and Piano by Jascha Heifetz)
00:03:22

Lionel Cottet, Main Artist, Violoncello - Manuel Maria Ponce, Composer - Jorge Viladoms, Piano - Jascha Heifetz, Adapter - Jan Nehring, Engineer

(P) 2017 Sony Music Entertainment Switzerland GmbH

15
Thais: Méditation
00:05:46

Lionel Cottet, Main Artist, Violoncello - Jules Massenet, Composer - Jorge Viladoms, Piano - Jan Nehring, Engineer

(P) 2017 Sony Music Entertainment Switzerland GmbH

16
2 Canciones Mexicanas: II. Estrellita (Arr. for Cello and Piano by Gaspard Glaus)
00:03:49

Lionel Cottet, Main Artist, Violoncello - Manuel Maria Ponce, Composer - Jorge Viladoms, Piano - Gaspard Glaus, Adapter - Jan Nehring, Engineer

(P) 2017 Sony Music Entertainment Switzerland GmbH

Albumbeschreibung

One is Swiss – cellist Lionel Cottet, currently first soloist of the Bavarian Radio Symphony Orchestra – the other is from Mexico: pianist Jorge Viladoms, although his musical education also brought him to Switzerland… Bridging the gap between their respective continents, both young musicians invite the listener to discover Latin American gems interacting freely with Parisian creations. Needless to say that these works (or composers) have not been subjected to or incorporated transatlantic influences, but merely represent a skilful juxtaposition of two major pieces on the one hand – Debussy’s Sonata “opposed” to Manuel Ponce’s, both contemporary masterpieces, respectively from 1915 and 1917 – and shorter works on the other, namely miniatures by Villa-Lobos, Ginastera and Piazzolla for Latin America, and Fauré, Massenet, Ravel and Saint-Saëns for Paris. While Debussy’s Sonata needs no introduction, it’s a different story for Ponce’s. Written in Havana, it was inspired by Cuban folklore for one of its movements, but resolutely turns to Spain for another, and… to Paris and Debussy in its last movement, with a slight humorous and baroque touch in the final fugue. An album with a highly unique blend indeed. © SM/Qobuz

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(P) 2017 Sony Music Entertainment Switzerland GmbH

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