Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Chuck Berry's last album for Chess, for the next four years, has him back in the U.S., and running smack into the mid-'60s blues revival, playing with the likes of Paul Butterfield and Mike Bloomfield (who were beginning a brief but productive association with Muddy Waters around this time). The material varies from first-rate songs ("It Wasn't Me," "My Mustang Ford," "Ain't That Just Like a Woman") that sound utterly contemporary, to fascinating experiments ("One for My Baby") and filler like "Everyday We Rock and Roll" and "Merrily We Rock and Roll." He still rocks out, and sounds like he's having a great time playing blues with Bloomfield and Butterfield ("Sad Day-Long Night" etc.), sounding like an old Chicago bluesman, which, ironically, was the direction he chose to go in during his subsequent four-year stint with Mercury Records. He still does some straight rock & roll -- "It's My Own Business" is a great teen rebellion number -- and occasionally indulges his taste for music from the islands ("Run Joe"), in what was essentially an era-closing album, and his last attempt at making a contemporary album with his established sound. Berry's next step was four years of neglect, followed by his rediscovery as an "oldies" act.
© Bruce Eder /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Chuck Berry, MainArtist, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer
℗ 1965 UMG Recordings, Inc.
Chuck Berry, MainArtist, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer
℗ 1965 Geffen Records
Chuck Berry, MainArtist, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer
℗ 1965 Geffen Records
Johnny Mercer, Author - Chuck Berry, MainArtist - Harold Arlen, Composer - Leonard Chess, Producer - Phil Chess, Producer
℗ 1965 Geffen Records
Chuck Berry, MainArtist, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer
℗ 1965 Geffen Records
Chuck Berry, MainArtist, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer
℗ 1965 Geffen Records
Chuck Berry, MainArtist, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer
℗ 1966 Geffen Records
Chuck Berry, MainArtist - Buddy Pepper, ComposerLyricist - Inez James, ComposerLyricist - Larry Russell, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer
℗ 1965 Geffen Records
Chuck Berry, MainArtist, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer
℗ 1966 Geffen Records
Chuck Berry, MainArtist, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer
℗ 1966 Geffen Records
Fleecy Moore, ComposerLyricist - Chuck Berry, MainArtist - Claude De Metrius, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer
℗ 1986 Geffen Records
Chuck Berry, MainArtist, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer
℗ 1966 Geffen Records
Albumbeschreibung
Chuck Berry's last album for Chess, for the next four years, has him back in the U.S., and running smack into the mid-'60s blues revival, playing with the likes of Paul Butterfield and Mike Bloomfield (who were beginning a brief but productive association with Muddy Waters around this time). The material varies from first-rate songs ("It Wasn't Me," "My Mustang Ford," "Ain't That Just Like a Woman") that sound utterly contemporary, to fascinating experiments ("One for My Baby") and filler like "Everyday We Rock and Roll" and "Merrily We Rock and Roll." He still rocks out, and sounds like he's having a great time playing blues with Bloomfield and Butterfield ("Sad Day-Long Night" etc.), sounding like an old Chicago bluesman, which, ironically, was the direction he chose to go in during his subsequent four-year stint with Mercury Records. He still does some straight rock & roll -- "It's My Own Business" is a great teen rebellion number -- and occasionally indulges his taste for music from the islands ("Run Joe"), in what was essentially an era-closing album, and his last attempt at making a contemporary album with his established sound. Berry's next step was four years of neglect, followed by his rediscovery as an "oldies" act.
© Bruce Eder /TiVo
Informationen zu dem Album
- 1 Disc(s) - 12 Track(s)
- Gesamte Laufzeit: 00:29:12
- Künstler: Chuck Berry
- Komponist: Various Composers
- Label: Geffen
- Genre: Pop/Rock Rock
© 1965 Geffen Records ℗ 1965 Geffen Records
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.