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Francis Lai|Francis Lai: The Essential Film Music Collection

Francis Lai: The Essential Film Music Collection

FRANCIS LAI

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French film composer Francis Lai conducts an orchestra in recordings of themes from 20 of his 100-plus movie scores on this album recorded in November 2009. Best known for his themes for Un Homme et une Femme (A Man and a Woman) and Love Story, Lai has a distinctly Gallic style often brought out in the use of accordion, but also by the romantic lyricism of his highly melodic writing. Of course, much of the time he's composing for romantic films, especially those of director Claude Lelouch. He can come up with more conventional genre movie music, though, as he does for Lelouch's policier Les Ripoux, suggesting more of an adventure than a love story. In this collection, the similarities in Lai's music are emphasized in the arrangements and the playing, tending to present him as a writer of music that is often lighthearted (and, as annotator Michael Beek acknowledges, sometimes intended to accompany "soft porn" like the "erotic drama" Emmanuelle II), but always emotional.

© William Ruhlmann /TiVo

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Francis Lai: The Essential Film Music Collection

Francis Lai

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1
13 Jours en France
00:03:52

FRANCIS LAI, Composer, MainArtist

℗ 2011 Silva Screen Records Ltd.

2
Bilitis
00:04:14

FRANCIS LAI, Composer, MainArtist

℗ 2011 Silva Screen Records Ltd.

3
Concerto Pour La Fin D'un Amour
00:03:21

FRANCIS LAI, Composer, MainArtist

℗ 2011 Silva Screen Records Ltd.

4
Emmanuelle II
00:03:37

FRANCIS LAI, Composer, MainArtist

℗ 2011 Silva Screen Records Ltd.

5
Les Uns Et Les Autres - Folies Bergere
00:02:30

FRANCIS LAI, Composer, MainArtist

℗ 2011 Silva Screen Records Ltd.

6
Itineraire D'un Enfant Gate
00:04:10

FRANCIS LAI, Composer, MainArtist - Gérard Michel, Composer - Henri Bergman, Composer

℗ 2011 Silva Screen Records Ltd.

7
La Belle Histoire
00:03:55

FRANCIS LAI, Composer, MainArtist

℗ 2011 Silva Screen Records Ltd.

8
La Course Du Lievre A Travers Les Champs
00:03:26

FRANCIS LAI, Composer, MainArtist

℗ 2011 Silva Screen Records Ltd.

9
La Lecon Particuliere
00:02:24

FRANCIS LAI, Composer, MainArtist

℗ 2011 Silva Screen Records Ltd.

10
Le Genre Humain
00:02:21

FRANCIS LAI, Composer, MainArtist

℗ 2011 Silva Screen Records Ltd.

11
Le Passager De La Pluie
00:03:05

FRANCIS LAI, Composer, MainArtist

℗ 2011 Silva Screen Records Ltd.

12
Les Etoiles Du Cinema
00:05:02

FRANCIS LAI, Composer, MainArtist

℗ 2011 Silva Screen Records Ltd.

13
Les Miserables
00:03:57

FRANCIS LAI, Composer, MainArtist

℗ 2011 Silva Screen Records Ltd.

14
Les Ripoux
00:03:30

FRANCIS LAI, Composer, MainArtist

℗ 2011 Silva Screen Records Ltd.

15
Les Uns Et Les Autres - Ballet Apocalypse
00:02:47

FRANCIS LAI, Composer, MainArtist

℗ 2011 Silva Screen Records Ltd.

16
Pour L'amour De Les Yeux Noirs
00:03:35

FRANCIS LAI, Composer, MainArtist

℗ 2011 Silva Screen Records Ltd.

17
Love Story
00:05:03

FRANCIS LAI, Composer, MainArtist

℗ 2011 Silva Screen Records Ltd.

18
Mayerling
00:01:55

Jacques Plante, Composer - FRANCIS LAI, Composer, MainArtist

℗ 2011 Silva Screen Records Ltd.

19
Un Homme Et Une Femme
00:02:55

FRANCIS LAI, Composer, MainArtist

℗ 2011 Silva Screen Records Ltd.

20
Vivre Pour Vivre (Instrumental)
00:03:10

FRANCIS LAI, Composer, Interprète Instrumental, MainArtist, AssociatedPerformer

℗ 2011 King Record Co., Ltd.

Albumbeschreibung

French film composer Francis Lai conducts an orchestra in recordings of themes from 20 of his 100-plus movie scores on this album recorded in November 2009. Best known for his themes for Un Homme et une Femme (A Man and a Woman) and Love Story, Lai has a distinctly Gallic style often brought out in the use of accordion, but also by the romantic lyricism of his highly melodic writing. Of course, much of the time he's composing for romantic films, especially those of director Claude Lelouch. He can come up with more conventional genre movie music, though, as he does for Lelouch's policier Les Ripoux, suggesting more of an adventure than a love story. In this collection, the similarities in Lai's music are emphasized in the arrangements and the playing, tending to present him as a writer of music that is often lighthearted (and, as annotator Michael Beek acknowledges, sometimes intended to accompany "soft porn" like the "erotic drama" Emmanuelle II), but always emotional.

© William Ruhlmann /TiVo

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