Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
To say Kelis has been through some changes would be an understatement. Since the 2006 release Kelis Was Here, she moved from Jive to will.i.am's Interscope-affiliated vanity imprint, divorced Nas, and gave birth to a boy. Between all that, in addition to a catalog of four R&B albums that deserved greater sales, she could be forgiven for making something like a mindless dance-pop album. While Flesh Tone is a headlong dive into sleek dance-pop -- one that could have been forecast years prior, given her collaborations with Moby, Timo Maas, and Richard X, and let us never forget Diddy’s “Let’s Get Ill” -- it is much more personal than any of her past releases. “Acapella,” one of two tracks made with David Guetta, seems merely redemptive (“It’s just me surviving alone,” “Before you, my whole life was acapella”) until considering that it comes from a woman whose marriage fell through just prior to motherhood. The song that creates the album’s second greatest rush is also about parenthood; “Song for the Baby” similarly strikes as a boilerplate dancefloor love song on the surface, but once its subject sinks in, “I love you more than you’ll ever know” disarms quicker than any line from “Get Along with You” or “Rolling Through the Hood.” The remaining tracks are based in romantic relationships, but not all of them are about moving ahead. The churning “Intro” is bleak, just about hopeless (“Your force so dark, now my life feels uninspired”), yet it is just as powerful as anything else on the album. Nine songs with seven unique sets of production credits whip by in 38 minutes. The setup works because the songs are conjoined and dynamically ordered, like each collaborator knew what was required to complement the other tracks without sacrificing any distinct sonic character. Whether or not Flesh Tone remains a stylistic outlier, the disc will always be a bright standout in Kelis' discography.
© Andy Kellman /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Kelis, MainArtist, ComposerLyricist - Jean Baptiste, ComposerLyricist - Matthew Burns, ComposerLyricist
℗ 2010 Interscope Records
Kelis, MainArtist, ComposerLyricist - Andreas Meid, ComposerLyricist - Jean Baptiste, ComposerLyricist - Alex Ridha, ComposerLyricist - Ian O´Brien- Docker, ComposerLyricist
℗ 2010 Interscope Records
Kelis, MainArtist - Not Applicable, ComposerLyricist
℗ 2010 Interscope Records
Kelis, MainArtist, ComposerLyricist - Dylan Dresdow, Mixer, StudioPersonnel - Jean Baptiste, ComposerLyricist - Damien Leroy, Producer, ComposerLyricist - Jamie Munson, ComposerLyricist - Anthony Burns, ComposerLyricist - Vanessa Fischer, ComposerLyricist - Ronald Morris, ComposerLyricist - Jeff Scheven, ComposerLyricist - Brian B. Russ, Recording Engineer, StudioPersonnel
℗ 2010 Interscope Records
Kelis, MainArtist - Not Applicable, ComposerLyricist
℗ 2010 Interscope Records
Nick Marsh, ComposerLyricist - Kelis, MainArtist, ComposerLyricist - Jean Baptiste, ComposerLyricist
℗ 2010 Interscope Records
Kelis, MainArtist - Not Applicable, ComposerLyricist
℗ 2010 Interscope Records
Makeba Riddick, ComposerLyricist - David Guetta, ComposerLyricist - Frédéric Riesterer, ComposerLyricist - Kelis, MainArtist, ComposerLyricist - Jean Baptiste, ComposerLyricist
℗ 2009 Interscope Records
Kelis, MainArtist - Not Applicable, ComposerLyricist
℗ 2010 Interscope Records
David Guetta, ComposerLyricist - Kelis, MainArtist, ComposerLyricist - Jean Baptiste, ComposerLyricist - Roman Boer, ComposerLyricist
℗ 2010 Interscope Records
Benny Benassi, ComposerLyricist - Kelis, MainArtist, ComposerLyricist - Jean Baptiste, ComposerLyricist - Alle Benassi, ComposerLyricist
℗ 2010 Interscope Records
Kelis, MainArtist - Not Applicable, ComposerLyricist
℗ 2010 Interscope Records
James Fauntleroy, ComposerLyricist - Kelis, MainArtist, ComposerLyricist - will.i.am, ComposerLyricist - Jean Baptiste, ComposerLyricist
℗ 2010 Interscope Records
Kelis, MainArtist - Not Applicable, ComposerLyricist
℗ 2010 Interscope Records
Printz Board, ComposerLyricist - Michael McHenry, ComposerLyricist - Kelis, MainArtist, ComposerLyricist - Jean Baptiste, ComposerLyricist
℗ 2010 Interscope Records
Albumbeschreibung
To say Kelis has been through some changes would be an understatement. Since the 2006 release Kelis Was Here, she moved from Jive to will.i.am's Interscope-affiliated vanity imprint, divorced Nas, and gave birth to a boy. Between all that, in addition to a catalog of four R&B albums that deserved greater sales, she could be forgiven for making something like a mindless dance-pop album. While Flesh Tone is a headlong dive into sleek dance-pop -- one that could have been forecast years prior, given her collaborations with Moby, Timo Maas, and Richard X, and let us never forget Diddy’s “Let’s Get Ill” -- it is much more personal than any of her past releases. “Acapella,” one of two tracks made with David Guetta, seems merely redemptive (“It’s just me surviving alone,” “Before you, my whole life was acapella”) until considering that it comes from a woman whose marriage fell through just prior to motherhood. The song that creates the album’s second greatest rush is also about parenthood; “Song for the Baby” similarly strikes as a boilerplate dancefloor love song on the surface, but once its subject sinks in, “I love you more than you’ll ever know” disarms quicker than any line from “Get Along with You” or “Rolling Through the Hood.” The remaining tracks are based in romantic relationships, but not all of them are about moving ahead. The churning “Intro” is bleak, just about hopeless (“Your force so dark, now my life feels uninspired”), yet it is just as powerful as anything else on the album. Nine songs with seven unique sets of production credits whip by in 38 minutes. The setup works because the songs are conjoined and dynamically ordered, like each collaborator knew what was required to complement the other tracks without sacrificing any distinct sonic character. Whether or not Flesh Tone remains a stylistic outlier, the disc will always be a bright standout in Kelis' discography.
© Andy Kellman /TiVo
Informationen zu dem Album
- 1 Disc(s) - 15 Track(s)
- Gesamte Laufzeit: 00:37:36
- Künstler: Kelis
- Komponist: Various Composers
- Label: Will I Am - A&M
- Genre: Electronic
© 2010 Interscope Records ℗ 2010 Interscope Records
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.