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The Dickies|Dawn Of The Dickies

Dawn Of The Dickies

The Dickies

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The Dickies march boldly past the three-minute song duration mark on their second release. Tempos for the most part here are a little less frantic, allowing the inherent tunefulness of these songs to come through more clearly. A few selections, particularly those with monster movie lyrics, are set to noticeably slower music; one of these numbers, "Attack of the Mole Men," sports highly unusual chord progressions and comes as close to being a big production number as the group ever gets. Comparisons to the Ramones are more obvious here as well, particularly on the enjoyable could-have-been-an-avant-garde-Pep-Boys-commercial "Manny, Moe & Jack" and the frenetic "I'm a Chollo"; the latter song eventually turns into something approximating a funhouse version of a Yardbirds rave-up. The maudlin Moody Blues tune "Nights in White Satin" gets an uproariously funny trampling here; not only is the song given at breakneck speed, but in addition, the original version's expressive flute solo is played nearly note for note on grinding guitar and is further adorned with faux heavy metal embellishments. This surprisingly strong platter is well worth hearing.

© David Cleary /TiVo

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Dawn Of The Dickies

The Dickies

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1
Where Did His Eye Go?
00:03:40

Robin Geoffrey Cable, Producer - The Dickies, MainArtist - Leonard Graves Phillips, ComposerLyricist - Stan Lee, ComposerLyricist

℗ 1979 A&M Records

2
Fan Mail
00:03:02

The Dickies, MainArtist - Leonard Graves Phillips, ComposerLyricist - Carlos M. Caballero, ComposerLyricist - Steve Hofsteter, ComposerLyricist - John Hewlett, Producer

℗ 1980 A&M Records Limited

3
Manny Moe And Jack
00:02:49

Danny C. Wilde, ComposerLyricist - The Dickies, MainArtist - Leonard Graves Phillips, ComposerLyricist - Stan Lee, ComposerLyricist - Carlos M. Caballero, ComposerLyricist - John Hewlett, Producer

℗ 1980 A&M Records Limited

4
Infidel Zombie
00:03:03

Robin Geoffrey Cable, Producer - Ian Ainsworth, ComposerLyricist - The Dickies, MainArtist - Leonard Graves Phillips, ComposerLyricist - Stan Lee, ComposerLyricist - Carlos M. Caballero, ComposerLyricist

℗ 1979 A&M Records

5
I'm A Chollo
00:03:44

Robin Geoffrey Cable, Producer - The Dickies, MainArtist - Leonard Graves Phillips, ComposerLyricist - Stan Lee, ComposerLyricist

℗ 1979 A&M Records

6
Nights In White Satin
00:02:54

Justin Hayward, ComposerLyricist - The Dickies, MainArtist - John Hewlett, Producer

℗ 1980 A&M Records Limited

7
(I'm Stuck In A Pagoda With) Tritia Toyota
00:02:50

The Dickies, MainArtist - Leonard Graves Phillips, ComposerLyricist - Stan Lee, ComposerLyricist - Chuck Wagon, ComposerLyricist - John Hewlett, Producer

℗ 1980 A&M Records Limited

8
I've Got A Splitting Hedachi
00:02:27

Robin Geoffrey Cable, Producer - The Dickies, MainArtist - Leonard Graves Phillips, ComposerLyricist - Stan Lee, ComposerLyricist - Carlos M. Caballero, ComposerLyricist

℗ 1979 A&M Records

9
Attack Of The Mole Men
00:03:40

Robin Geoffrey Cable, Producer - Ian Ainsworth, ComposerLyricist - The Dickies, MainArtist - Leonard Graves Phillips, ComposerLyricist - Stan Lee, ComposerLyricist

℗ 1979 A&M Records

10
She Loves Me Not
00:01:12

Robin Geoffrey Cable, Producer - The Dickies, MainArtist - Leonard Graves Phillips, ComposerLyricist - Stan Lee, ComposerLyricist

℗ 1979 A&M Records Limited

Albumbeschreibung

The Dickies march boldly past the three-minute song duration mark on their second release. Tempos for the most part here are a little less frantic, allowing the inherent tunefulness of these songs to come through more clearly. A few selections, particularly those with monster movie lyrics, are set to noticeably slower music; one of these numbers, "Attack of the Mole Men," sports highly unusual chord progressions and comes as close to being a big production number as the group ever gets. Comparisons to the Ramones are more obvious here as well, particularly on the enjoyable could-have-been-an-avant-garde-Pep-Boys-commercial "Manny, Moe & Jack" and the frenetic "I'm a Chollo"; the latter song eventually turns into something approximating a funhouse version of a Yardbirds rave-up. The maudlin Moody Blues tune "Nights in White Satin" gets an uproariously funny trampling here; not only is the song given at breakneck speed, but in addition, the original version's expressive flute solo is played nearly note for note on grinding guitar and is further adorned with faux heavy metal embellishments. This surprisingly strong platter is well worth hearing.

© David Cleary /TiVo

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