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Charles Daniels|Daniels, Charles / North, Nigel: Lute Songs

Daniels, Charles / North, Nigel: Lute Songs

Charles Daniels, Nigel North

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Veteran English tenor Charles Daniels is best known for his careful, penetrating readings of large Baroque choral roles. This disc of famous (Thomas Campion's Fire fire and a couple of Morley classics) and not-so-famous (William Corkine's Beauty sat bathing) represents an unusual repertoire for him and another distinctive release connected with Canada's ATMA label and Montreal's vibrant early music scene. The lute song of the late sixteenth century, too, is sung at least as often by countertenors (or by women) as by tenors. The result of the reduction of Daniels' voice to chamber dimensions, together with the removal of the usual dramatic quality of the countertenor voice, is a rather sober set of lute songs, one that is quietly sad rather than elaborately melancholy. Daniels' readings might be a bit better suited to the contrapuntally artful style of Dowland than to the rather airier music of the second generation of lute song composers represented on the disc, and it is curious that nothing by Dowland was included. The interaction between Daniels and lutenist Nigel North, however, has the mix of perfect coordination and relaxed, free-breathing quality that signals a fine lute-song recording, and there is a gentle assurance to Daniels' singing that draws the listener in from the beginning. All texts are given in English and French, and the notes by François Sabatier, originally in French, are an offbeat delight, quoting a French writer, Rouville, who referred to "cet humour triste tellement britannique donnant l'impression que les larmes on envie de danser" (that characteristically British sad brand of humor that gives the impression tears are tempted to dance). The church sonics are a bit too big for the music but do communicate the considerable subtleties of this set of low-key charms.

© TiVo

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Daniels, Charles / North, Nigel: Lute Songs

Charles Daniels

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1
Come my Celia
Charles Daniels
00:02:14

Charles Daniels, Tenor, MainArtist, AssociatedPerformer - ben jonson, Author, Original Text Author - Alfonso Ferrabosco II, Composer - Nigel North, Lute, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer

℗ 2007 ATMA Classique

2
Like hermit poor
Charles Daniels
00:01:42

Unknown, Author, Original Text Author - Charles Daniels, Tenor, MainArtist, AssociatedPerformer - Alfonso Ferrabosco II, Composer - Nigel North, Lute, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer

℗ 2007 ATMA Classique

3
So so, leave off this last lamenting kisse
Nigel North
00:02:38

Charles Daniels, Tenor, MainArtist, AssociatedPerformer - John Donne, Author, Original Text Author - Alfonso Ferrabosco II, Composer - Nigel North, Lute, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer

℗ 2007 ATMA Classique

4
Fire fire
Nigel North
00:01:53

Charles Daniels, Tenor, MainArtist, AssociatedPerformer - Thomas Campion, ComposerLyricist - Nigel North, Lute, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer

℗ 2007 ATMA Classique

5
I care not for these ladies
Charles Daniels
00:02:22

Charles Daniels, Tenor, MainArtist, AssociatedPerformer - Thomas Campion, ComposerLyricist - Nigel North, Lute, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer

℗ 2007 ATMA Classique

6
A painted tale
Nigel North
00:02:29

Unknown, Author, Original Text Author - Charles Daniels, Tenor, MainArtist, AssociatedPerformer - THOMAS MORLEY, Composer - Nigel North, Lute, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer

℗ 2007 ATMA Classique

7
Thirsis and Milla
Nigel North
00:02:49

Unknown, Author, Original Text Author - Charles Daniels, Tenor, MainArtist, AssociatedPerformer - THOMAS MORLEY, Composer - Nigel North, Lute, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer

℗ 2007 ATMA Classique

8
With my love my life was nestled
Nigel North
00:02:16

Unknown, Author, Original Text Author - Charles Daniels, Tenor, MainArtist, AssociatedPerformer - THOMAS MORLEY, Composer - Nigel North, Lute, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer

℗ 2007 ATMA Classique

9
I saw my lady weeping
Nigel North
00:03:20

Unknown, Author, Original Text Author - Charles Daniels, Tenor, MainArtist, AssociatedPerformer - THOMAS MORLEY, Composer - Nigel North, Lute, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer

℗ 2007 ATMA Classique

10
Beauty sat bathing
Nigel North
00:02:27

Charles Daniels, Tenor, MainArtist, AssociatedPerformer - William Corkine, Composer - Nigel North, Lute, MainArtist, AssociatedPerformer - Anthony Munday, Author, Original Text Author - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer

℗ 2007 ATMA Classique

11
Tis true, tis day
Charles Daniels
00:02:53

Unknown, Author, Original Text Author - Charles Daniels, Tenor, MainArtist, AssociatedPerformer - William Corkine, Composer - Nigel North, Lute, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer

℗ 2007 ATMA Classique

12
Who is it that this dark night
Nigel North
00:05:15

Unknown, Author, Original Text Author - Charles Daniels, Tenor, MainArtist, AssociatedPerformer - THOMAS MORLEY, Composer - Nigel North, Lute, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer

℗ 2007 ATMA Classique

13
Can I forget what reasons force
Charles Daniels
00:02:56

Unknown, Author, Original Text Author - Charles Daniels, Tenor, MainArtist, AssociatedPerformer - THOMAS MORLEY, Composer - Nigel North, Lute, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer

℗ 2007 ATMA Classique

14
Fair, sweet, cruell
Charles Daniels
00:01:43

Unknown, Author, Original Text Author - Charles Daniels, Tenor, MainArtist, AssociatedPerformer - Thomas Ford, Composer - Nigel North, Lute, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer

℗ 2007 ATMA Classique

15
Goe passions to the cruell faire
Nigel North
00:03:29

Unknown, Author, Original Text Author - Charles Daniels, Tenor, MainArtist, AssociatedPerformer - Thomas Ford, Composer - Nigel North, Lute, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer

℗ 2007 ATMA Classique

16
Not full twelve years
Nigel North
00:02:24

Unknown, Author, Original Text Author - Charles Daniels, Tenor, MainArtist, AssociatedPerformer - Thomas Ford, Composer - Nigel North, Lute, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer

℗ 2007 ATMA Classique

17
Whither runneth my sweet hart
Nigel North
00:02:24

Unknown, Author, Original Text Author - Charles Daniels, Tenor, MainArtist, AssociatedPerformer - Nigel North, Lute, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer - Robert II Jones, Composer

℗ 2007 ATMA Classique

18
Come sorrows
Nigel North
00:02:35

Unknown, Author, Original Text Author - Charles Daniels, Tenor, MainArtist, AssociatedPerformer - Nigel North, Lute, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer - Robert II Jones, Composer

℗ 2007 ATMA Classique

19
Aye mee, she frownes
Nigel North
00:03:52

Unknown, Author, Original Text Author - Charles Daniels, Tenor, MainArtist, AssociatedPerformer - Francis Pilkington, Composer - Nigel North, Lute, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer

℗ 2007 ATMA Classique

20
Absence, hear thou my protestation
Charles Daniels
00:05:06

Unknown, Author, Original Text Author - Charles Daniels, Tenor, MainArtist, AssociatedPerformer - THOMAS MORLEY, Composer - Nigel North, Lute, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer

℗ 2007 ATMA Classique

21
Come sorrow come
Charles Daniels
00:06:11

Unknown, Author, Original Text Author - Charles Daniels, Tenor, MainArtist, AssociatedPerformer - THOMAS MORLEY, Composer - Nigel North, Lute, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer

℗ 2007 ATMA Classique

22
When Laura smiles
Charles Daniels
00:03:12

Charles Daniels, Tenor, MainArtist, AssociatedPerformer - Thomas Campion, Author, Original Text Author - Philip Rosseter, Composer - Nigel North, Lute, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer

℗ 2007 ATMA Classique

23
What then is love but mourning
Nigel North
00:02:08

Charles Daniels, Tenor, MainArtist, AssociatedPerformer - Thomas Campion, Author, Original Text Author - Philip Rosseter, Composer - Nigel North, Lute, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer

℗ 2007 ATMA Classique

Albumbeschreibung

Veteran English tenor Charles Daniels is best known for his careful, penetrating readings of large Baroque choral roles. This disc of famous (Thomas Campion's Fire fire and a couple of Morley classics) and not-so-famous (William Corkine's Beauty sat bathing) represents an unusual repertoire for him and another distinctive release connected with Canada's ATMA label and Montreal's vibrant early music scene. The lute song of the late sixteenth century, too, is sung at least as often by countertenors (or by women) as by tenors. The result of the reduction of Daniels' voice to chamber dimensions, together with the removal of the usual dramatic quality of the countertenor voice, is a rather sober set of lute songs, one that is quietly sad rather than elaborately melancholy. Daniels' readings might be a bit better suited to the contrapuntally artful style of Dowland than to the rather airier music of the second generation of lute song composers represented on the disc, and it is curious that nothing by Dowland was included. The interaction between Daniels and lutenist Nigel North, however, has the mix of perfect coordination and relaxed, free-breathing quality that signals a fine lute-song recording, and there is a gentle assurance to Daniels' singing that draws the listener in from the beginning. All texts are given in English and French, and the notes by François Sabatier, originally in French, are an offbeat delight, quoting a French writer, Rouville, who referred to "cet humour triste tellement britannique donnant l'impression que les larmes on envie de danser" (that characteristically British sad brand of humor that gives the impression tears are tempted to dance). The church sonics are a bit too big for the music but do communicate the considerable subtleties of this set of low-key charms.

© TiVo

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