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The Orchestra Of Opera North|Constant Lambert: Romeo and Juliet & Other Works

Constant Lambert: Romeo and Juliet & Other Works

The Orchestra Of Opera North, David Lloyd-Jones

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In the twenty first century it appears that as a composer, Constant Lambert has finally arrived. Lambert's countrymen have finally accepted that his idiosyncratic and jazzy scores of the 1920s constitute something unique in the British musical firmament as opposed to the prevailing view that Lambert was a sort of second-string William Walton who only realized his potential as a conductor. Hyperion's Lambert: Romeo and Juliet, Piano Concerto, featuring the English Northern Philharmonia under David Lloyd-Jones, is remarkable not so much as it contains premiere recordings of Lambert -- it does not -- as it presents second, and even third recordings of these works.
Although pianist David Owen Norris seems to have scooped Jonathan Plowright on getting the first recording of Lambert's 1924 Piano Concerto onto disc, Plowright was the first to perform the work in public after its 1988 realization by Edward Shipley and Giles Easterbrook and it is valuable to have Plowright's interpretation on disc at last. This is the main highlight of the Hyperion disc; this concerto is an extraordinarily moving and colorful piece, and Plowright devotes a great deal of care and sensitivity to its performance. The rest of the disc, including The Bird Actors Overture, the orchestral version of Lambert's tribute to black vaudeville star Florence Mills (Elegiac Blues), and the one-act ballet Prize Fight, is expertly, but at times rather listlessly rendered by Lloyd-Jones. One would like a bit more drama and punch in the one-act ballet Prize Fight; it seems to hang in mid-air at points, whereas a sharper delineation in the conducting may have helped it achieve more of a sense of forward motion. Romeo and Juliet, one of Lambert's greatest works, is played with precision rather than enthusiasm, whereas the partial performance on ASV by Barry Wordsworth and the complete one by John Lanchbery for Chandos are a bit more pointed in their presentation and are more exciting. The reverberant recording, made at Clothworker's Hall at the University of Leeds, might partly be to blame, sapping some of the snap from the orchestra, but Lloyd-Jones clearly takes a more "classic" and less rhythmically driven view of this music.
Nonetheless, it is nice to have all of these important works in one place, and as an introduction to what makes Constant Lambert's music so vital and engaging, Hyperion's Lambert: Romeo and Juliet, Piano Concerto is fully serviceable.

© TiVo

Weitere Informationen

Constant Lambert: Romeo and Juliet & Other Works

The Orchestra Of Opera North

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1
Romeo and Juliet, Tableau 1: I. Rondino. The Dancers Arrive, Late for Class
The Orchestra Of Opera North
00:02:05

Constant Lambert, Composer - David Lloyd-Jones, Conductor, MainArtist - The Orchestra Of Opera North, Orchestra, MainArtist

℗ 2005 Hyperion Records Limited

2
Romeo and Juliet, Tableau 1: II. Gavotte and Trio. Women's Dance
The Orchestra Of Opera North
00:02:14

Constant Lambert, Composer - David Lloyd-Jones, Conductor, MainArtist - The Orchestra Of Opera North, Orchestra, MainArtist

℗ 2005 Hyperion Records Limited

3
Romeo and Juliet, Tableau 1: III. Scherzetto. Men's Dance
The Orchestra Of Opera North
00:01:44

Constant Lambert, Composer - David Lloyd-Jones, Conductor, MainArtist - The Orchestra Of Opera North, Orchestra, MainArtist

℗ 2005 Hyperion Records Limited

4
Romeo and Juliet, Tableau 1: IV. Siciliana. The Professor Teaches a Pas de deux
David Lloyd-Jones
00:02:58

Constant Lambert, Composer - David Lloyd-Jones, Conductor, MainArtist - The Orchestra Of Opera North, Orchestra, MainArtist

℗ 2005 Hyperion Records Limited

5
Romeo and Juliet, Tableau 1: V. Sonatina. The Lovers Are Separated
The Orchestra Of Opera North
00:02:30

Constant Lambert, Composer - David Lloyd-Jones, Conductor, MainArtist - The Orchestra Of Opera North, Orchestra, MainArtist

℗ 2005 Hyperion Records Limited

6
Romeo and Juliet, Tableau 2: I. Entracte. The Stage Is Prepared
The Orchestra Of Opera North
00:01:37

Constant Lambert, Composer - David Lloyd-Jones, Conductor, MainArtist - The Orchestra Of Opera North, Orchestra, MainArtist

℗ 2005 Hyperion Records Limited

7
Romeo and Juliet, Tableau 2: II. Sinfonia. Romeo and Juliet Meet at the Ball
David Lloyd-Jones
00:02:51

Constant Lambert, Composer - David Lloyd-Jones, Conductor, MainArtist - The Orchestra Of Opera North, Orchestra, MainArtist

℗ 2005 Hyperion Records Limited

8
Romeo and Juliet, Tableau 2: III. Alla Marcia. The Nurse and the Servant
David Lloyd-Jones
00:01:50

Constant Lambert, Composer - David Lloyd-Jones, Conductor, MainArtist - The Orchestra Of Opera North, Orchestra, MainArtist

℗ 2005 Hyperion Records Limited

9
Romeo and Juliet, Tableau 2: IV. Toccata. The Duel Between Romeo and Tybalt
David Lloyd-Jones
00:02:37

Constant Lambert, Composer - David Lloyd-Jones, Conductor, MainArtist - The Orchestra Of Opera North, Orchestra, MainArtist

℗ 2005 Hyperion Records Limited

10
Romeo and Juliet, Tableau 2: V. Musette. The Balcony Scene
The Orchestra Of Opera North
00:02:31

Constant Lambert, Composer - David Lloyd-Jones, Conductor, MainArtist - The Orchestra Of Opera North, Orchestra, MainArtist

℗ 2005 Hyperion Records Limited

11
Romeo and Juliet, Tableau 2: VI. Burlesca. Paris Enters, Searching for Juliet
David Lloyd-Jones
00:01:28

Constant Lambert, Composer - David Lloyd-Jones, Conductor, MainArtist - The Orchestra Of Opera North, Orchestra, MainArtist

℗ 2005 Hyperion Records Limited

12
Romeo and Juliet, Tableau 2: VII. Adagietto. The Death of Juliet
David Lloyd-Jones
00:01:56

Constant Lambert, Composer - David Lloyd-Jones, Conductor, MainArtist - The Orchestra Of Opera North, Orchestra, MainArtist

℗ 2005 Hyperion Records Limited

13
Romeo and Juliet, Tableau 2: VIII. Finale. The Curtain Falls
The Orchestra Of Opera North
00:03:30

Constant Lambert, Composer - David Lloyd-Jones, Conductor, MainArtist - The Orchestra Of Opera North, Orchestra, MainArtist

℗ 2005 Hyperion Records Limited

14
Elegiac Blues "In Memory of Florence Mills"
David Lloyd-Jones
00:03:00

Constant Lambert, Composer - David Lloyd-Jones, Conductor, MainArtist - The Orchestra Of Opera North, Orchestra, MainArtist

℗ 2005 Hyperion Records Limited

15
Piano Concerto for Piano Solo, 2 Trumpets, Strings and Timpani: I. Allegro risoluto
Jonathan Plowright
00:02:56

Constant Lambert, Composer - David Lloyd-Jones, Conductor, MainArtist - Jonathan Plowright, Piano, MainArtist, AssociatedPerformer - The Orchestra Of Opera North, Orchestra, MainArtist

℗ 2005 Hyperion Records Limited

16
Piano Concerto for Piano Solo, 2 Trumpets, Strings and Timpani: II. Presto
The Orchestra Of Opera North
00:04:03

Constant Lambert, Composer - David Lloyd-Jones, Conductor, MainArtist - Jonathan Plowright, Piano, MainArtist, AssociatedPerformer - The Orchestra Of Opera North, Orchestra, MainArtist

℗ 2005 Hyperion Records Limited

17
Piano Concerto for Piano Solo, 2 Trumpets, Strings and Timpani: III. Andante
Jonathan Plowright
00:05:14

Constant Lambert, Composer - David Lloyd-Jones, Conductor, MainArtist - Jonathan Plowright, Piano, MainArtist, AssociatedPerformer - The Orchestra Of Opera North, Orchestra, MainArtist

℗ 2005 Hyperion Records Limited

18
Piano Concerto for Piano Solo, 2 Trumpets, Strings and Timpani: IV. Allegro
David Lloyd-Jones
00:05:00

Constant Lambert, Composer - David Lloyd-Jones, Conductor, MainArtist - Jonathan Plowright, Piano, MainArtist, AssociatedPerformer - The Orchestra Of Opera North, Orchestra, MainArtist

℗ 2005 Hyperion Records Limited

19
The Bird Actors
The Orchestra Of Opera North
00:03:24

Constant Lambert, Composer - David Lloyd-Jones, Conductor, MainArtist - The Orchestra Of Opera North, Orchestra, MainArtist

℗ 2005 Hyperion Records Limited

20
Prize Fight
The Orchestra Of Opera North
00:09:12

Constant Lambert, Composer - David Lloyd-Jones, Conductor, MainArtist - The Orchestra Of Opera North, Orchestra, MainArtist

℗ 2005 Hyperion Records Limited

Albumbeschreibung

In the twenty first century it appears that as a composer, Constant Lambert has finally arrived. Lambert's countrymen have finally accepted that his idiosyncratic and jazzy scores of the 1920s constitute something unique in the British musical firmament as opposed to the prevailing view that Lambert was a sort of second-string William Walton who only realized his potential as a conductor. Hyperion's Lambert: Romeo and Juliet, Piano Concerto, featuring the English Northern Philharmonia under David Lloyd-Jones, is remarkable not so much as it contains premiere recordings of Lambert -- it does not -- as it presents second, and even third recordings of these works.
Although pianist David Owen Norris seems to have scooped Jonathan Plowright on getting the first recording of Lambert's 1924 Piano Concerto onto disc, Plowright was the first to perform the work in public after its 1988 realization by Edward Shipley and Giles Easterbrook and it is valuable to have Plowright's interpretation on disc at last. This is the main highlight of the Hyperion disc; this concerto is an extraordinarily moving and colorful piece, and Plowright devotes a great deal of care and sensitivity to its performance. The rest of the disc, including The Bird Actors Overture, the orchestral version of Lambert's tribute to black vaudeville star Florence Mills (Elegiac Blues), and the one-act ballet Prize Fight, is expertly, but at times rather listlessly rendered by Lloyd-Jones. One would like a bit more drama and punch in the one-act ballet Prize Fight; it seems to hang in mid-air at points, whereas a sharper delineation in the conducting may have helped it achieve more of a sense of forward motion. Romeo and Juliet, one of Lambert's greatest works, is played with precision rather than enthusiasm, whereas the partial performance on ASV by Barry Wordsworth and the complete one by John Lanchbery for Chandos are a bit more pointed in their presentation and are more exciting. The reverberant recording, made at Clothworker's Hall at the University of Leeds, might partly be to blame, sapping some of the snap from the orchestra, but Lloyd-Jones clearly takes a more "classic" and less rhythmically driven view of this music.
Nonetheless, it is nice to have all of these important works in one place, and as an introduction to what makes Constant Lambert's music so vital and engaging, Hyperion's Lambert: Romeo and Juliet, Piano Concerto is fully serviceable.

© TiVo

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