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Miles Davis|Birth Of The Cool

Birth Of The Cool

Miles Davis

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So dubbed because these three sessions -- two from early 1949, one from March 1950 -- are where the sound known as cool jazz essentially formed, Birth of the Cool remains one of the defining, pivotal moments in jazz. This is where the elasticity of bop was married with skillful, big-band arrangements and a relaxed, subdued mood that made it all seem easy, even at its most intricate. After all, there's a reason why this music was called cool; it has a hip, detached elegance, never getting too hot, even as the rhythms skip and jump. Indeed, the most remarkable thing about these sessions -- arranged by Gil Evans and featuring such heavy-hitters as Kai Winding, Gerry Mulligan, Lee Konitz, and Max Roach -- is that they sound intimate, as the nonet never pushes too hard, never sounds like the work of nine musicians. Furthermore, the group keeps things short and concise (probably the result of the running time of singles, but the results are the same), which keeps the focus on the tones and tunes. The virtuosity led to relaxing, stylish mood music as the end result -- the very thing that came to define West Coast or "cool" jazz -- but this music is so inventive, it remains alluring even after its influence has been thoroughly absorbed into the mainstream

© Stephen Thomas Erlewine /TiVo

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Birth Of The Cool

Miles Davis

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1
Move
00:02:35

Miles Davis, MainArtist - Pete Rugolo, Producer - John Lewis, Arranger - Denzil Best, Composer, Lyricist - Walter Rivers, Producer

1957 Capitol 2023 FM Records

2
Jeru
00:03:15

Miles Davis, MainArtist - Pete Rugolo, Producer - Gerry Mulligan, Composer, Lyricist - Walter Rivers, Producer

1957 Capitol 2023 FM Records

3
Moon Dreams
00:03:21

Johnny Mercer, Composer, Lyricist - Miles Davis, MainArtist - Pete Rugolo, Producer - Gil Evans, Arranger - Walter Rivers, Producer - John MacGregor, Composer, Lyricist

1957 Capitol 2023 FM Records

4
Venus De Milo
00:03:14

Miles Davis, MainArtist - Pete Rugolo, Producer - Gerry Mulligan, Composer, Lyricist - Walter Rivers, Producer

1957 Capitol 2023 FM Records

5
Budo
00:02:34

Bud Powell, Composer, Lyricist - Miles Davis, Composer, Lyricist, MainArtist - Pete Rugolo, Producer - John Lewis, Arranger - Walter Rivers, Producer

1957 Capitol 2023 FM Records

6
Deception
00:02:50

Miles Davis, Composer, Lyricist, MainArtist - Pete Rugolo, Producer - George Shearing, Composer, Lyricist - Gerry Mulligan, Arranger - Walter Rivers, Producer

1957 Capitol 2023 FM Records

7
Godchild
00:03:12

Miles Davis, MainArtist - Pete Rugolo, Producer - Gerry Mulligan, Arranger - George Wallington, Composer, Lyricist - Walter Rivers, Producer

1957 Capitol 2023 FM Records

8
Boplicity
00:03:02

Miles Davis, Composer, Lyricist, MainArtist - Pete Rugolo, Producer - Gil Evans, Composer, Lyricist, Arranger - Walter Rivers, Producer

1957 Capitol 2023 FM Records

9
Rocker
00:03:07

Miles Davis, MainArtist - Pete Rugolo, Producer - Gerry Mulligan, Composer, Lyricist - Walter Rivers, Producer

1957 Capitol 2023 FM Records

10
Israel
00:02:19

Miles Davis, MainArtist - Pete Rugolo, Producer - Johnny Carisi, Composer, Lyricist - Walter Rivers, Producer

1957 Capitol 2023 FM Records

11
Rouge
00:03:17

Miles Davis, MainArtist - Pete Rugolo, Producer - John Lewis, Composer, Lyricist - Walter Rivers, Producer

1957 Capitol 2023 FM Records

Albumbeschreibung

So dubbed because these three sessions -- two from early 1949, one from March 1950 -- are where the sound known as cool jazz essentially formed, Birth of the Cool remains one of the defining, pivotal moments in jazz. This is where the elasticity of bop was married with skillful, big-band arrangements and a relaxed, subdued mood that made it all seem easy, even at its most intricate. After all, there's a reason why this music was called cool; it has a hip, detached elegance, never getting too hot, even as the rhythms skip and jump. Indeed, the most remarkable thing about these sessions -- arranged by Gil Evans and featuring such heavy-hitters as Kai Winding, Gerry Mulligan, Lee Konitz, and Max Roach -- is that they sound intimate, as the nonet never pushes too hard, never sounds like the work of nine musicians. Furthermore, the group keeps things short and concise (probably the result of the running time of singles, but the results are the same), which keeps the focus on the tones and tunes. The virtuosity led to relaxing, stylish mood music as the end result -- the very thing that came to define West Coast or "cool" jazz -- but this music is so inventive, it remains alluring even after its influence has been thoroughly absorbed into the mainstream

© Stephen Thomas Erlewine /TiVo

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