Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
This 2006 NMC album of Richard Barrett's intricate music -- designed for players who are well-versed in the extended techniques of their instruments and this "maximalist" composer's extraordinary demands -- may appeal to intrepid listeners intellectually, yet it may also annoy them for its abrasive and disjointed qualities. For example, there is little to love in the harsh vocalizations, contorted bass clarinet lines, and thudding bass drum strokes of Interference (1996-2000), even though one may appreciate the complexity and physicality of this work for a soloist acting like a one-man band. Carl Rosman's virtuosic reading is impressive in its relentless energy, if off-putting in its rough sonorities. Peter Neville's performance of the percussion piece Abglanzbeladen/auseinandergeschrieben (1992-1996) -- translated as laden with reflections/written asunder -- is easier to take, since the opening section for vibraphone is mellow and almost magical in effect, and the succeeding passages for such percussion instruments as crotales, steel drum, and flexatone seem to be an extension of the first part's bell-like music. The yawping trombone solo, Basalt (1990-1991), brings us back to the bracing techniques and tensions of Interference; its companions, the gritty Air for violin (1993) and the twittering Knospend-gespaltener for clarinet in C (in English, budding-fissured) continue Barrett's exploratory efforts in their knotty growls and multiphonic squeaks. These pieces have a confrontational edge, and whatever differences there are in tone colors and methods of attack, the performers do indeed attack, and the music is dense, sharp, and difficult to absorb in a single sitting. Yet some of the charm of the second piece is found in Transmission (1996-1999), where the pairing of Daryl Buckley's electric guitar and Barrett's live electronics is quite attractive, and their repartee seems more or less like a futuristic free jazz jam. Because this CD is a mixed bag, listeners are advised to sample a few tracks first before snapping up this highly challenging collection. NMC's sound is fine in the tracks with acoustic instruments, but the volume is red hot in the final piece.
© TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
RICHARD BARRETT, Composer - Carl Rosman, Lyricist, MainArtist, AssociatedPerformer
2012 NMC Recordings 2012 (P) NMC Recordings
RICHARD BARRETT, Composer - Peter Neville, MainArtist, AssociatedPerformer
2012 NMC Recordings 2012 (P) NMC Recordings
RICHARD BARRETT, Composer - Benjamin Marks, MainArtist, AssociatedPerformer
2012 NMC Recordings 2012 (P) NMC Recordings
RICHARD BARRETT, Composer - Susan Pierotti, MainArtist, AssociatedPerformer
2012 NMC Recordings 2012 (P) NMC Recordings
RICHARD BARRETT, Composer - Carl Rosman, MainArtist, AssociatedPerformer
2012 NMC Recordings 2012 (P) NMC Recordings
RICHARD BARRETT, Composer, MainArtist, AssociatedPerformer - Daryl Buckley, MainArtist, AssociatedPerformer
2012 NMC Recordings 2012 (P) NMC Recordings
Albumbeschreibung
This 2006 NMC album of Richard Barrett's intricate music -- designed for players who are well-versed in the extended techniques of their instruments and this "maximalist" composer's extraordinary demands -- may appeal to intrepid listeners intellectually, yet it may also annoy them for its abrasive and disjointed qualities. For example, there is little to love in the harsh vocalizations, contorted bass clarinet lines, and thudding bass drum strokes of Interference (1996-2000), even though one may appreciate the complexity and physicality of this work for a soloist acting like a one-man band. Carl Rosman's virtuosic reading is impressive in its relentless energy, if off-putting in its rough sonorities. Peter Neville's performance of the percussion piece Abglanzbeladen/auseinandergeschrieben (1992-1996) -- translated as laden with reflections/written asunder -- is easier to take, since the opening section for vibraphone is mellow and almost magical in effect, and the succeeding passages for such percussion instruments as crotales, steel drum, and flexatone seem to be an extension of the first part's bell-like music. The yawping trombone solo, Basalt (1990-1991), brings us back to the bracing techniques and tensions of Interference; its companions, the gritty Air for violin (1993) and the twittering Knospend-gespaltener for clarinet in C (in English, budding-fissured) continue Barrett's exploratory efforts in their knotty growls and multiphonic squeaks. These pieces have a confrontational edge, and whatever differences there are in tone colors and methods of attack, the performers do indeed attack, and the music is dense, sharp, and difficult to absorb in a single sitting. Yet some of the charm of the second piece is found in Transmission (1996-1999), where the pairing of Daryl Buckley's electric guitar and Barrett's live electronics is quite attractive, and their repartee seems more or less like a futuristic free jazz jam. Because this CD is a mixed bag, listeners are advised to sample a few tracks first before snapping up this highly challenging collection. NMC's sound is fine in the tracks with acoustic instruments, but the volume is red hot in the final piece.
© TiVo
Informationen zu dem Album
- 1 Disc(s) - 6 Track(s)
- Gesamte Laufzeit: 01:03:07
- 1 digitales Booklet
- Künstler: Richard Barrett
- Komponist: Richard Barrett
- Label: NMC Recordings
- Genre: Klassik
2012 NMC Recordings 2012 (P) NMC Recordings
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.