Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download nicht verfügbar
Text in englischer Sprache verfügbar
The glittering electoral court city of Dresden suffered heavy damage during the Seven Years' War and was displaced from the forefront of musical developments. But the city was still home to a host of talented musicians, and Germany's CPO label and Südwestfunk radio network deserve credit for unearthing the work of one of them, violinist and composer Johann Georg Neruda. The four trio sonatas recorded here date from the mid-1760s, and there is an undated bassoon concerto that seems contemporary with those. Viewed in light of Viennese developments, or even those of Hamburg, the trio sonata was a somewhat old-fashioned genre by then, and Neruda tends to rely too much on chains of sentimental suspensions. But he throws a lot of things at the wall, and some of them stick. The four trio sonatas are anything but formulaic. One of them (and the bassoon concerto, as well) ends with a very tight little minuet movement. Some of the allegros have traces of sonata form. Many passages in the Trio Sonata No. 2 flirt with quartet-like textures. The bassoon concerto is not in a class with Vivaldi's, but the central movement is unexpectedly serious. The historical-instrument group Parnassi Musici plays with a sympathetic ear to the diversity of styles in the music, but the sound is too live and tends to emphasize its tendency to apply a brittle crescendo to the middle of each phrase. Though these pieces aren't lost masterpieces, they're fine case studies in the way styles percolated across Europe in the middle of the eighteenth century, and any scholar or lover of the period may enjoy them.
© TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Trio Sonata No. 4 in C major (Johann Baptist Georg Neruda)
Parnassi musici, Ensemble
2008 CPO 2008 CPO
Parnassi musici, Ensemble
2008 CPO 2008 CPO
Parnassi musici, Ensemble
2008 CPO 2008 CPO
Trio Sonata No. 5 in D minor (Johann Baptist Georg Neruda)
Parnassi musici, Ensemble
2008 CPO 2008 CPO
Parnassi musici, Ensemble
2008 CPO 2008 CPO
Parnassi musici, Ensemble
2008 CPO 2008 CPO
Bassoon Concerto (Johann Baptist Georg Neruda)
Parnassi musici, Ensemble - Parnassi musici, Ensemble
2008 CPO 2008 CPO
Parnassi musici, Ensemble - Parnassi musici, Ensemble
2008 CPO 2008 CPO
Parnassi musici, Ensemble - Parnassi musici, Ensemble
2008 CPO 2008 CPO
Trio Sonata No. 6 in D major (Johann Baptist Georg Neruda)
Parnassi musici, Ensemble
2008 CPO 2008 CPO
Parnassi musici, Ensemble
2008 CPO 2008 CPO
Parnassi musici, Ensemble
2008 CPO 2008 CPO
Trio Sonata No. 2 in C minor (Johann Baptist Georg Neruda)
Parnassi musici, Ensemble
2008 CPO 2008 CPO
Parnassi musici, Ensemble
2008 CPO 2008 CPO
Parnassi musici, Ensemble
2008 CPO 2008 CPO
Albumbeschreibung
The glittering electoral court city of Dresden suffered heavy damage during the Seven Years' War and was displaced from the forefront of musical developments. But the city was still home to a host of talented musicians, and Germany's CPO label and Südwestfunk radio network deserve credit for unearthing the work of one of them, violinist and composer Johann Georg Neruda. The four trio sonatas recorded here date from the mid-1760s, and there is an undated bassoon concerto that seems contemporary with those. Viewed in light of Viennese developments, or even those of Hamburg, the trio sonata was a somewhat old-fashioned genre by then, and Neruda tends to rely too much on chains of sentimental suspensions. But he throws a lot of things at the wall, and some of them stick. The four trio sonatas are anything but formulaic. One of them (and the bassoon concerto, as well) ends with a very tight little minuet movement. Some of the allegros have traces of sonata form. Many passages in the Trio Sonata No. 2 flirt with quartet-like textures. The bassoon concerto is not in a class with Vivaldi's, but the central movement is unexpectedly serious. The historical-instrument group Parnassi Musici plays with a sympathetic ear to the diversity of styles in the music, but the sound is too live and tends to emphasize its tendency to apply a brittle crescendo to the middle of each phrase. Though these pieces aren't lost masterpieces, they're fine case studies in the way styles percolated across Europe in the middle of the eighteenth century, and any scholar or lover of the period may enjoy them.
© TiVo
Informationen zu dem Album
- 1 Disc(s) - 15 Track(s)
- Gesamte Laufzeit: 01:04:40
- Künstler: Parnassi Musici
- Komponist: Johann Baptist Georg Neruda
- Label: CPO
- Genre: Klassik Instrumentalmusik
2008 CPO 2008 CPO
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.