Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
On his fourth album, Paul Taylor calls upon five different producers: Dino Esposito, Kurt Jackson, Mathew Edralin, Jeff Lorber, and Oji Pierce. The function of these musicians for the most part is to create largely synthesized backgrounds for the soprano saxophonist to solo over in his familiar, melodic manner. Esposito handles the title song and "Flight 808," the first two tracks; Jackson does "PT Cruiser" (with Edralin) and "Sunshine" (on which he sings some bland romantic lyrics); Lorber is responsible for "Tuesday Afternoon," "Pendulum," "Come Over," "Free Fall," and "Palisades"; and Pierce is behind the board for "Dream State" and "Summer Park." Real guitars and percussion are included in the mix here and there, but the sound of the background music remains relatively anonymous, its purpose to provide a rhythmic underpinning and a little color. What matters is the saxophone, or rather the sax harmonies and sax arrangements for which Taylor credits himself on each track, which means that he frequently overdubs saxophone parts to create unison effects. His style is virtually indistinguishable from that of Kenny G, George Howard, or other less-well-known soprano sax practitioners, and the compositions, which usually fade out after four-plus minutes without reaching any climaxes or coming to any real conclusions, are just settings for his melodic musings. It's all pleasant enough, and any track will fit unobtrusively into a smooth jazz radio format, but there's nothing memorable here.
© William Ruhlmann /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Paul Taylor, MainArtist, ComposerLyricist
℗ 2001 Peak Records, Inc.
Paul Taylor, MainArtist, ComposerLyricist - Dino Esposito, ComposerLyricist
℗ 2001 Peak Records, Inc.
Paul Taylor, MainArtist, ComposerLyricist - Mathew Edralin, ComposerLyricist
℗ 2001 Peak Records, Inc.
Paul Taylor, MainArtist, ComposerLyricist - JEFF LORBER, ComposerLyricist
℗ 2001 Peak Records, Inc.
Oji Pierce, ComposerLyricist - Paul Taylor, MainArtist, ComposerLyricist
℗ 2001 Peak Records, Inc.
Paul Taylor, MainArtist - Kurt Jackson, ComposerLyricist
℗ 2001 Peak Records, Inc.
Paul Taylor, MainArtist, ComposerLyricist - JEFF LORBER, ComposerLyricist
℗ 2001 Peak Records, Inc.
Paul Taylor, MainArtist, ComposerLyricist - JEFF LORBER, ComposerLyricist
℗ 2001 Peak Records, Inc.
Oji Pierce, ComposerLyricist - Paul Taylor, MainArtist, ComposerLyricist
℗ 2001 Peak Records, Inc.
Paul Taylor, MainArtist, ComposerLyricist - JEFF LORBER, ComposerLyricist
℗ 2001 Peak Records, Inc.
Paul Taylor, MainArtist, ComposerLyricist - JEFF LORBER, ComposerLyricist
℗ 2001 Peak Records, Inc.
Albumbeschreibung
On his fourth album, Paul Taylor calls upon five different producers: Dino Esposito, Kurt Jackson, Mathew Edralin, Jeff Lorber, and Oji Pierce. The function of these musicians for the most part is to create largely synthesized backgrounds for the soprano saxophonist to solo over in his familiar, melodic manner. Esposito handles the title song and "Flight 808," the first two tracks; Jackson does "PT Cruiser" (with Edralin) and "Sunshine" (on which he sings some bland romantic lyrics); Lorber is responsible for "Tuesday Afternoon," "Pendulum," "Come Over," "Free Fall," and "Palisades"; and Pierce is behind the board for "Dream State" and "Summer Park." Real guitars and percussion are included in the mix here and there, but the sound of the background music remains relatively anonymous, its purpose to provide a rhythmic underpinning and a little color. What matters is the saxophone, or rather the sax harmonies and sax arrangements for which Taylor credits himself on each track, which means that he frequently overdubs saxophone parts to create unison effects. His style is virtually indistinguishable from that of Kenny G, George Howard, or other less-well-known soprano sax practitioners, and the compositions, which usually fade out after four-plus minutes without reaching any climaxes or coming to any real conclusions, are just settings for his melodic musings. It's all pleasant enough, and any track will fit unobtrusively into a smooth jazz radio format, but there's nothing memorable here.
© William Ruhlmann /TiVo
Informationen zu dem Album
- 1 Disc(s) - 11 Track(s)
- Gesamte Laufzeit: 00:50:12
- Künstler: Paul Taylor
- Komponist: Various Composers
- Label: Peak Records
- Genre: Jazz
© 2001 Peak Records, Inc. ℗ 2001 Peak Records, Inc.
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.