Nat Adderley
Nat Adderley's cornet (which in its early days was strongly influenced by Miles Davis) was always a complementary voice to his brother Cannonball in their popular quintet. His career ran parallel to his older brother for quite some time. Nat took up trumpet in 1946, switched to cornet in 1950, and spent time in the military, playing in an Army band during 1951-1953. After a period with Lionel Hampton (1954-1955), Nat made his recording debut in 1955, joined Cannonball's unsuccessful quintet of 1956-1957, and then spent periods with the groups of J.J. Johnson and Woody Herman before hooking up with Cannonball again in October 1959. This time the group became a major success and Nat remained in the quintet until Cannonball's death in 1975, contributing such originals as "Work Song," "Jive Samba," and "The Old Country" along with many exciting hard bop solos. Nat Adderley, who was at the peak of his powers in the early to mid-'60s and became adept at playing solos that dipped into the subtone register of his horn, led his own quintets after Cannonball's death; his most notable sidemen were altoists Sonny Fortune (in the early '80s) and Vincent Herring. Although his own playing declined somewhat -- Adderley's chops no longer had the endurance of his earlier days -- Nat continued recording worthwhile sessions in the years prior to his death on January 2, 2000. Many but not all of his recordings through the years are currently available (for such labels as Savoy, EmArcy, Riverside, Jazzland, Atlantic, Milestone, A&M, Capitol, Prestige, SteepleChase, Galaxy, Theresa, In & Out, Landmark, Evidence, Enja, Timeless, Jazz Challenge, and Chiaroscuro).
© Scott Yanow /TiVo
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Don't Look Back
Jazz - Erschienen bei SteepleChase am 01.01.1987
16-Bit CD Quality 44.1 kHz - Stereo -
Four Classic Albums (That's Nat / Introducing Nat Adderley / To the Ivy League / Much Brass) [Remastered]
Jazz - Erschienen bei Avid Entertainment am 15.07.2012
16-Bit CD Quality 44.1 kHz - Stereo -
What Is This Thing Called Soul? (Album Version)
Cannonball Adderley, Nat Adderley
Jazz - Erschienen bei Original Jazz Classics am 01.01.1984
16-Bit CD Quality 44.1 kHz - Stereo -
Sayin' Somethin'
Bebop - Erschienen bei Rhino Atlantic am 16.02.1966
16-Bit CD Quality 44.1 kHz - Stereo -
A Little New York Midtown Music (Instrumental)
Jazz - Erschienen bei Original Jazz Classics am 01.01.1978
16-Bit CD Quality 44.1 kHz - Stereo -
Swingin' in Seattle - Live at the Penthouse (1966-1967)
Jim Wilke, Cannonball Adderley, Nat Adderley, Victor Gaskin, Joe Zawinul, Roy McCurdy
Modern Jazz - Erschienen bei Real To Reel Recordings am 18.01.2019
24-Bit 96.0 kHz - Stereo -
Autobiography
Bebop - Erschienen bei Rhino Atlantic am 01.01.1965
16-Bit CD Quality 44.1 kHz - Stereo -
Calling Out Loud
Jazz - Erschienen bei Verve Reissues am 01.01.1968
16-Bit CD Quality 44.1 kHz - Stereo -
Introducing Nat Adderley
Jazz - Erschienen bei Verve Reissues am 18.03.2022
16-Bit CD Quality 44.1 kHz - Stereo -
Naturally!
Jazz - Erschienen bei Original Jazz Classics am 16.04.2013
16-Bit CD Quality 44.1 kHz - Stereo -
That's Right!
Nat Adderley, The Big Sax Section
Jazz - Erschienen bei Original Jazz Classics am 14.11.2018
16-Bit CD Quality 44.1 kHz - Stereo -
To The Ivy League From Nat Adderley
Pop - Erschienen bei Verve Reissues am 01.01.1956
16-Bit CD Quality 44.1 kHz - Stereo -
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Moanin' (Radio version)
Arkadia Jazz All-Stars, Benny Golson, Nat Adderley
Jazz - Erschienen bei Arkadia Records am 03.03.2023
16-Bit CD Quality 44.1 kHz - Stereo -
Soul Of The Bible
Jazz - Erschienen bei Blue Note Records am 16.02.1972
16-Bit CD Quality 44.1 kHz - Stereo -
The New Scene of King Curtis & Soul Meeting
Jazz - Erschienen bei Fresh Sound Records am 03.04.2013
16-Bit CD Quality 44.1 kHz - Stereo -
Live At Memory Lane (Live Version)
Bebop - Erschienen bei Rhino Atlantic am 30.10.1966
16-Bit CD Quality 44.1 kHz - Stereo -
Yokohama Concert (Live At Kanagawa Kenritsu Ongakudo, Yokohama, JP / April 20, 1977)
Jazz - Erschienen bei Pablo am 20.04.1977
16-Bit CD Quality 44.1 kHz - Stereo