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The Afghan Whigs|Up In It

Up In It

Afghan Whigs

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Though the Afghan Whigs were still about a year away from hitting the peak of their powers in the studio, their second album, 1990's Up in It, was a major improvement over their self-released debut, and it was their first recording to suggest that they would mature into one of the best American rock bands of the 1990s. As a songwriter, Greg Dulli was starting to really get in touch with his self-loathing, and "Retarded," "White Trash Party," and "I Know Your Little Secret" offer a powerful and sometimes disturbing look into one man's obsessions. Just as importantly, the band had finally learned to make the most of their musical muscle; Greg Dulli's nicotine-laced growl merged "heavy-alternative" bellow with a soul man's sense of phrasing, while the guitars of Dulli and Rick McCollum and the rhythm section of John Curley and Steve Earle managed to combine bruising power with a remarkable sense of drama and dynamics. While lots of bands riding the "grunge"/"alternative" bandwagon at the time owed an obvious debt to Led Zeppelin, the Afghan Whigs were one of the few that fully grasped not just their pomp and heaviness, but their precision, their timing, and their understanding of R&B. While it pales in comparison to what the Whigs would achieve on Congregation and Gentlemen, Up in It made it clear the Afghan Whigs had truly arrived, and would not be ignored.

© Mark Deming /TiVo

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Up In It

The Afghan Whigs

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1
Retarded
00:03:25

Afghan Whigs, MainArtist

© 1990 Ultrasuede Music & Terminal Sells Music ℗ 1990 Sub Pop Records

2
White Trash Party
00:03:04

Afghan Whigs, MainArtist

© 1990 Ultrasuede Music & Terminal Sells Music ℗ 1990 Sub Pop Records

3
Hated
00:03:36

Afghan Whigs, MainArtist

© 1990 Ultrasuede Music & Terminal Sells Music ℗ 1990 Sub Pop Records

4
Southpaw
00:03:20

Afghan Whigs, MainArtist

© 1990 Ultrasuede Music & Terminal Sells Music ℗ 1990 Sub Pop Records

5
Amphetamines And Coffee
00:01:54

Afghan Whigs, MainArtist

© 1990 Ultrasuede Music & Terminal Sells Music ℗ 1990 Sub Pop Records

6
Hey Cuz
00:03:49

Afghan Whigs, MainArtist

© 1990 Ultrasuede Music & Terminal Sells Music ℗ 1990 Sub Pop Records

7
You My Flower
00:03:48

Afghan Whigs, MainArtist

© 1990 Ultrasuede Music & Terminal Sells Music ℗ 1990 Sub Pop Records

8
Son Of The South
00:04:11

Afghan Whigs, MainArtist

© 1990 Ultrasuede Music & Terminal Sells Music ℗ 1990 Sub Pop Records

9
I Know Your Little Secret
00:04:22

Afghan Whigs, MainArtist

© 1990 Ultrasuede Music & Terminal Sells Music ℗ 1990 Sub Pop Records

10
Big Top Halloween (Album)
00:03:31

Afghan Whigs, MainArtist

© 1990 Ultrasuede Music & Terminal Sells Music ℗ 1990 Sub Pop Records

11
Sammy (Album)
00:03:15

Afghan Whigs, MainArtist

© 1990 Ultrasuede Music & Terminal Sells Music ℗ 1990 Sub Pop Records

12
In My Town (Album)
00:02:58

Afghan Whigs, MainArtist

© 1990 Ultrasuede Music & Terminal Sells Music ℗ 1990 Sub Pop Records

13
I Am The Sticks
00:04:19

Afghan Whigs, MainArtist

© 1990 Ultrasuede Music & Terminal Sells Music ℗ 1990 Sub Pop Records

Albumbeschreibung

Though the Afghan Whigs were still about a year away from hitting the peak of their powers in the studio, their second album, 1990's Up in It, was a major improvement over their self-released debut, and it was their first recording to suggest that they would mature into one of the best American rock bands of the 1990s. As a songwriter, Greg Dulli was starting to really get in touch with his self-loathing, and "Retarded," "White Trash Party," and "I Know Your Little Secret" offer a powerful and sometimes disturbing look into one man's obsessions. Just as importantly, the band had finally learned to make the most of their musical muscle; Greg Dulli's nicotine-laced growl merged "heavy-alternative" bellow with a soul man's sense of phrasing, while the guitars of Dulli and Rick McCollum and the rhythm section of John Curley and Steve Earle managed to combine bruising power with a remarkable sense of drama and dynamics. While lots of bands riding the "grunge"/"alternative" bandwagon at the time owed an obvious debt to Led Zeppelin, the Afghan Whigs were one of the few that fully grasped not just their pomp and heaviness, but their precision, their timing, and their understanding of R&B. While it pales in comparison to what the Whigs would achieve on Congregation and Gentlemen, Up in It made it clear the Afghan Whigs had truly arrived, and would not be ignored.

© Mark Deming /TiVo

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