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Dolores Keane|There Was A Maid

There Was A Maid

Dolores Keane

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Dolores Keane was already something of a household name in Celtic music circles when this, her solo debut, was originally released in 1978. By that point she had won several All-Ireland awards as a singer and served time as a member of De Danaan, in addition to her work with other world-class ensembles such as Planxty and the Chieftains. There Was a Maid finds her supported by a band called the Reel Union (whose members are not listed anywhere in the liner notes). On standout tunes like "The Bantry Girl's Lament" and "Johnny and Molly," that group's tastefully low-key accompaniment does a good job of keeping the spotlight on Keane's simple and lovely voice. Some of the finest performances on this album, though, are the unaccompanied songs, of which "There Was a Maid in Her Father's Garden" and "The Generous Lover" are especially noteworthy. The Reel Union breaks things up with an instrumental or two during the program, and while the theory behind that approach is sound, it's an unnecessary measure in this case; Keane's singing is not something from which most Celtic music lovers will feel that they need a break.

© Rick Anderson /TiVo

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There Was A Maid

Dolores Keane

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1
The Generous Lover
00:04:27

Paddy Moloney, Producer - Traditional, ComposerLyricist - John Wood, Engineer, StudioPersonnel - Dolores Keane, Vocals, MainArtist, AssociatedPerformer - John Faulkner, Arranger, Work Arranger

℗ 1978 Claddagh Records

2
The Bantry Girl's Lament
00:04:29

Paddy Moloney, Producer - Traditional, ComposerLyricist - John Wood, Engineer, StudioPersonnel - Dolores Keane, Vocals, MainArtist, AssociatedPerformer - John Faulkner, Arranger, Work Arranger - Peadar Mercier, Percussion, Drum, AssociatedPerformer - The Reel Union, Flute, Tin Whistle, Vocals, AssociatedPerformer - Máirtín Byrnes, Fiddle, AssociatedPerformer

℗ 1978 Claddagh Records

3
Tá Mo Chleamhneas Déanta
00:02:12

Paddy Moloney, Producer - Traditional, ComposerLyricist - John Wood, Engineer, StudioPersonnel - Dolores Keane, Vocals, MainArtist, AssociatedPerformer - John Faulkner, Arranger, Work Arranger

℗ 1978 Claddagh Records

4
Lord Gordon's Reel / The Laurel Bush
00:03:00

Paddy Moloney, Producer - Traditional, ComposerLyricist - John Wood, Engineer, StudioPersonnel - Dolores Keane, MainArtist - John Faulkner, Arranger, Work Arranger - Peadar Mercier, Percussion, Drum, AssociatedPerformer - The Reel Union, Flute, Tin Whistle, Vocals, AssociatedPerformer - Máirtín Byrnes, Fiddle, AssociatedPerformer

℗ 1978 Claddagh Records

5
Johnny And Molly
00:03:27

Paddy Moloney, Producer - Traditional, ComposerLyricist - John Wood, Engineer, StudioPersonnel - Dolores Keane, Vocals, MainArtist, AssociatedPerformer - John Faulkner, Arranger, Work Arranger - Peadar Mercier, Percussion, Drum, AssociatedPerformer - The Reel Union, Flute, Tin Whistle, Vocals, AssociatedPerformer - Máirtín Byrnes, Fiddle, AssociatedPerformer

℗ 1978 Claddagh Records

6
The Shaskeen Reel
00:02:30

Paddy Moloney, Producer - Traditional, ComposerLyricist - John Wood, Engineer, StudioPersonnel - Dolores Keane, MainArtist - John Faulkner, Arranger, Work Arranger - Peadar Mercier, Percussion, Drum, AssociatedPerformer - The Reel Union, Flute, Tin Whistle, Vocals, AssociatedPerformer - Máirtín Byrnes, Fiddle, AssociatedPerformer

℗ 1978 Claddagh Records

7
Lament For Owen Roe O'Neill
00:02:40

Paddy Moloney, Producer - Traditional, ComposerLyricist - John Wood, Engineer, StudioPersonnel - Dolores Keane, MainArtist - John Faulkner, Arranger, Work Arranger - Peadar Mercier, Percussion, Drum, AssociatedPerformer - The Reel Union, Flute, Tin Whistle, Vocals, AssociatedPerformer - Máirtín Byrnes, Fiddle, AssociatedPerformer

℗ 1978 Claddagh Records

8
Seven Yellow Gypsies
00:02:55

Paddy Moloney, Producer - Traditional, ComposerLyricist - John Wood, Engineer, StudioPersonnel - Dolores Keane, Vocals, MainArtist, AssociatedPerformer - John Faulkner, Arranger, Work Arranger - Peadar Mercier, Percussion, Drum, AssociatedPerformer - The Reel Union, Flute, Tin Whistle, Vocals, AssociatedPerformer - Máirtín Byrnes, Fiddle, AssociatedPerformer

℗ 1978 Claddagh Records

9
Tommy Coen's Reel
00:02:47

Paddy Moloney, Producer - Traditional, ComposerLyricist - John Wood, Engineer, StudioPersonnel - Dolores Keane, MainArtist - John Faulkner, Arranger, Work Arranger - Peadar Mercier, Percussion, Drum, AssociatedPerformer - The Reel Union, Flute, Tin Whistle, Vocals, AssociatedPerformer - Máirtín Byrnes, Fiddle, AssociatedPerformer

℗ 1978 Claddagh Records

10
There Was A Maid In Her Father's Garden
00:05:02

Paddy Moloney, Producer - Traditional, ComposerLyricist - John Wood, Engineer, StudioPersonnel - Dolores Keane, Vocals, MainArtist, AssociatedPerformer - John Faulkner, Arranger, Work Arranger

℗ 1978 Claddagh Records

11
The Carraroe Jig / Whelan's Jig
00:03:01

Paddy Moloney, Producer - Traditional, ComposerLyricist - John Wood, Engineer, StudioPersonnel - Dolores Keane, Vocals, MainArtist, AssociatedPerformer - John Faulkner, Arranger, Work Arranger - Peadar Mercier, Percussion, Drum, AssociatedPerformer - The Reel Union, Flute, Tin Whistle, Vocals, AssociatedPerformer - Máirtín Byrnes, Fiddle, AssociatedPerformer

℗ 1978 Claddagh Records

12
The Bonnie Bunch Of Roses O
00:06:37

Paddy Moloney, Producer - Traditional, ComposerLyricist - John Wood, Engineer, StudioPersonnel - Dolores Keane, Vocals, MainArtist, AssociatedPerformer - John Faulkner, Arranger, Work Arranger

℗ 1978 Claddagh Records

Albumbeschreibung

Dolores Keane was already something of a household name in Celtic music circles when this, her solo debut, was originally released in 1978. By that point she had won several All-Ireland awards as a singer and served time as a member of De Danaan, in addition to her work with other world-class ensembles such as Planxty and the Chieftains. There Was a Maid finds her supported by a band called the Reel Union (whose members are not listed anywhere in the liner notes). On standout tunes like "The Bantry Girl's Lament" and "Johnny and Molly," that group's tastefully low-key accompaniment does a good job of keeping the spotlight on Keane's simple and lovely voice. Some of the finest performances on this album, though, are the unaccompanied songs, of which "There Was a Maid in Her Father's Garden" and "The Generous Lover" are especially noteworthy. The Reel Union breaks things up with an instrumental or two during the program, and while the theory behind that approach is sound, it's an unnecessary measure in this case; Keane's singing is not something from which most Celtic music lovers will feel that they need a break.

© Rick Anderson /TiVo

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