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Oscar Peterson|The Very Tall Band: Live At The Blue Note (Live At The Blue Note, New York City, NY / November 24-26, 1998)

The Very Tall Band: Live At The Blue Note (Live At The Blue Note, New York City, NY / November 24-26, 1998)

Oscar Peterson, RAY BROWN, Milt Jackson

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This is one of the best post-stroke Oscar Peterson sessions in the catalog, thanks in great part to the distinguished company he keeps (Ray Brown and Milt Jackson) and the stimulating atmosphere of the live setting (New York's Blue Note club). Right from the first track, "Ja-Da," you can tell that this is going to be a fun session, as the slippery, swinging, totally interlocked, totally assured way in which these vets react to each other kicks in immediately. Peterson's right hand is fleet, feathery in touch, and bluesy in feel; the left providing just enough punctuation, and at 75, Jackson's bluesy eloquence had not diminished in the least. Ray Brown's time and placement of notes is, as usual, impeccable, and the very talented drummer in his group at the time, Karriem Riggins, provides a swinging kick for the quartet. In the spirit of democracy, each star gets a solo number -- Peterson plays his ballad "When Summer Comes," Jackson pours out a doleful "Nature Boy," and Brown's stream-of-consciousness medley eventually attracts the funky brushes of Riggins. But it's always better to hear them together.
© Richard S. Ginell /TiVo

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The Very Tall Band: Live At The Blue Note (Live At The Blue Note, New York City, NY / November 24-26, 1998)

Oscar Peterson

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1
Ja-Da (Live At The Blue Note, New York City, NY / November 24-26, 1998)
00:07:30

Karriem Riggins, Drums, AssociatedPerformer - RAY BROWN, Upright Bass, MainArtist, AssociatedPerformer - Bob Carlton, ComposerLyricist - Milt Jackson, Vibraphone, MainArtist, AssociatedPerformer - Oscar Peterson, Piano, MainArtist, AssociatedPerformer - Chaz Clifton, Mix Engineer, StudioPersonnel - Robert Friedrich, Asst. Recording Engineer, StudioPersonnel - Esther Luna, Editor, StudioPersonnel - Elaine Martone, Producer, Recording Producer, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel - Amit Peleg, Mix Engineer, StudioPersonnel

℗ 1999 Telarc International Corp.

2
SKJ (Live At The Blue Note, New York City, NY / November 24-26, 1998)
00:08:10

Karriem Riggins, Drums, AssociatedPerformer - RAY BROWN, Upright Bass, MainArtist, AssociatedPerformer - Milt Jackson, Vibraphone, MainArtist, AssociatedPerformer, ComposerLyricist - Oscar Peterson, Piano, MainArtist, AssociatedPerformer - Chaz Clifton, Mix Engineer, StudioPersonnel - Robert Friedrich, Asst. Recording Engineer, StudioPersonnel - Esther Luna, Editor, StudioPersonnel - Elaine Martone, Producer, Recording Producer, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel - Amit Peleg, Mix Engineer, StudioPersonnel

℗ 1999 Telarc International Corp.

3
I Remember Clifford (Live At The Blue Note, New York City, NY / November 24-26, 1998)
00:08:13

Karriem Riggins, Drums, AssociatedPerformer - RAY BROWN, Upright Bass, MainArtist, AssociatedPerformer - Benny Golson, ComposerLyricist - Milt Jackson, Vibraphone, MainArtist, AssociatedPerformer - Oscar Peterson, Piano, MainArtist, AssociatedPerformer - Chaz Clifton, Mix Engineer, StudioPersonnel - Robert Friedrich, Asst. Recording Engineer, StudioPersonnel - Esther Luna, Editor, StudioPersonnel - Elaine Martone, Producer, Recording Producer, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel - Amit Peleg, Mix Engineer, StudioPersonnel

℗ 1999 Telarc International Corp.

4
When Summer Comes (Live At The Blue Note, New York City, NY / November 24-26, 1998)
00:04:23

Karriem Riggins, Drums, AssociatedPerformer - RAY BROWN, Upright Bass, MainArtist, AssociatedPerformer - Milt Jackson, Vibraphone, MainArtist, AssociatedPerformer - Rick Wilkins, ComposerLyricist - Oscar Peterson, Piano, MainArtist, AssociatedPerformer, ComposerLyricist - Chaz Clifton, Mix Engineer, StudioPersonnel - Robert Friedrich, Asst. Recording Engineer, StudioPersonnel - Esther Luna, Editor, StudioPersonnel - Elaine Martone, Producer, Recording Producer, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel - Amit Peleg, Mix Engineer, StudioPersonnel

℗ 1999 Telarc International Corp.

5
Blues For JR (Live At The Blue Note, New York City, NY / November 24-26, 1998)
00:11:00

Karriem Riggins, Drums, AssociatedPerformer - RAY BROWN, Upright Bass, MainArtist, AssociatedPerformer, ComposerLyricist - Milt Jackson, Vibraphone, MainArtist, AssociatedPerformer - Oscar Peterson, Piano, MainArtist, AssociatedPerformer - Chaz Clifton, Mix Engineer, StudioPersonnel - Robert Friedrich, Asst. Recording Engineer, StudioPersonnel - Esther Luna, Editor, StudioPersonnel - Elaine Martone, Producer, Recording Producer, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel - Amit Peleg, Mix Engineer, StudioPersonnel

℗ 1999 Telarc International Corp.

6
Nature Boy (Live At The Blue Note, New York City, NY / November 24-26, 1998)
00:05:44

Karriem Riggins, Drums, AssociatedPerformer - RAY BROWN, Upright Bass, MainArtist, AssociatedPerformer - Milt Jackson, Vibraphone, MainArtist, AssociatedPerformer - EDEN AHBEZ, ComposerLyricist - Oscar Peterson, Piano, MainArtist, AssociatedPerformer - Chaz Clifton, Mix Engineer, StudioPersonnel - Robert Friedrich, Asst. Recording Engineer, StudioPersonnel - Esther Luna, Editor, StudioPersonnel - Elaine Martone, Producer, Recording Producer, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel - Amit Peleg, Mix Engineer, StudioPersonnel

℗ 1999 Telarc International Corp.

7
Sometimes I'm Happy (Live At The Blue Note, New York City, NY / November 24-26, 1998)
00:08:43

Karriem Riggins, Drums, AssociatedPerformer - Vincent Youmans, ComposerLyricist - Irving Caesar, ComposerLyricist - RAY BROWN, Upright Bass, MainArtist, AssociatedPerformer - Milt Jackson, Vibraphone, MainArtist, AssociatedPerformer - Clifford Grey, ComposerLyricist - Oscar Peterson, Piano, MainArtist, AssociatedPerformer - Chaz Clifton, Mix Engineer, StudioPersonnel - Robert Friedrich, Asst. Recording Engineer, StudioPersonnel - Esther Luna, Editor, StudioPersonnel - Elaine Martone, Producer, Recording Producer, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel - Amit Peleg, Mix Engineer, StudioPersonnel

℗ 1999 Telarc International Corp.

8
Bass Solo Medley: Full Moon And Empty Arms / The Very Thought Of You / The Work Song (Live At The Blue Note, New York City, NY / November 24-26, 1998)
00:07:32

Ted Mossman, ComposerLyricist - Karriem Riggins, Drums, AssociatedPerformer - RAY BROWN, Upright Bass, MainArtist, AssociatedPerformer - Milt Jackson, Vibraphone, MainArtist, AssociatedPerformer - Buddy Kaye, ComposerLyricist - Oscar Peterson, Piano, MainArtist, AssociatedPerformer - Chaz Clifton, Mix Engineer, StudioPersonnel - Robert Friedrich, Asst. Recording Engineer, StudioPersonnel - Esther Luna, Editor, StudioPersonnel - Elaine Martone, Producer, Recording Producer, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel - Amit Peleg, Mix Engineer, StudioPersonnel

℗ 1999 Telarc International Corp.

9
Caravan (Live At The Blue Note, New York City, NY / November 24-26, 1998)
00:09:13

Karriem Riggins, Drums, AssociatedPerformer - RAY BROWN, Upright Bass, MainArtist, AssociatedPerformer - Milt Jackson, Vibraphone, MainArtist, AssociatedPerformer - Juan Tizol, ComposerLyricist - Edward Kennedy Ellington, ComposerLyricist - Oscar Peterson, Piano, MainArtist, AssociatedPerformer - Chaz Clifton, Mix Engineer, StudioPersonnel - Robert Friedrich, Asst. Recording Engineer, StudioPersonnel - Esther Luna, Editor, StudioPersonnel - Elaine Martone, Producer, Recording Producer, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel - Amit Peleg, Mix Engineer, StudioPersonnel

℗ 1999 Telarc International Corp.

Albumbeschreibung

This is one of the best post-stroke Oscar Peterson sessions in the catalog, thanks in great part to the distinguished company he keeps (Ray Brown and Milt Jackson) and the stimulating atmosphere of the live setting (New York's Blue Note club). Right from the first track, "Ja-Da," you can tell that this is going to be a fun session, as the slippery, swinging, totally interlocked, totally assured way in which these vets react to each other kicks in immediately. Peterson's right hand is fleet, feathery in touch, and bluesy in feel; the left providing just enough punctuation, and at 75, Jackson's bluesy eloquence had not diminished in the least. Ray Brown's time and placement of notes is, as usual, impeccable, and the very talented drummer in his group at the time, Karriem Riggins, provides a swinging kick for the quartet. In the spirit of democracy, each star gets a solo number -- Peterson plays his ballad "When Summer Comes," Jackson pours out a doleful "Nature Boy," and Brown's stream-of-consciousness medley eventually attracts the funky brushes of Riggins. But it's always better to hear them together.
© Richard S. Ginell /TiVo

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