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Monica Huggett|Maria - Madre di Dio (Antonio Vivaldi -  Anonymous - George Frideric Handel)

Maria - Madre di Dio (Antonio Vivaldi - Anonymous - George Frideric Handel)

Antonio Vivaldi - Anonymous - George Frideric Handel

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Indefatigable early music specialist and virtuoso Monica Huggett serves as both guest conductor and concertmaster of the Canadian ensemble Arion in this recording of Baroque vocal music in honor of Mary. Huggett's exquisite sense of phrasing and musical drama brings these late Baroque Italian works, three of which are fairly obscure, to throbbing life. Vivaldi's Stabat Mater for alto, strings, and continuo is one of his most popular vocal works, and rightly so; it's graceful, inventive, and melodious. Male alto Matthew White doesn't have the bright, shiny voice that characterizes many countertenors, but his more velvety tone is well suited to this somber subject and Vivaldi's treatment of it. His ornamentation is all the more effective for being applied with discretion and restraint. He's equally effective in Scarlatti's Salva Regina, in which he's joined by soprano Agnès Mellon. Their voices are beautifully matched and their intonation is pure and piercing. Mellon is the soloist in two cantatas, one by Handel, Ah! Che troppo ineguali, and one, Il pianto di Maria "Giunta l'ora fatal," by Giovanni Battista Ferrandini, which had long been wrongly attributed to Handel. Ferrandini's lament, which is largely set as recitative, describes Mary's emotions during the crucifixion, and is particularly anguished. Mellon gives an appropriately wrenching, emotionally transparent performance. The sensitivity and consistently high quality of the singing and ensemble playing make this an album that should be of strong interest to fans of the Baroque.

© TiVo

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Maria - Madre di Dio (Antonio Vivaldi - Anonymous - George Frideric Handel)

Monica Huggett

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1
Stabat Mater dolorosa
Matthew White
00:02:19

Monica Huggett, Conductor - Matthew White, counter-tenor - Monica Huggett, Conductor - Arion Trio, Ensemble

2
Cujus animam gementem
Matthew White
00:01:25

Monica Huggett, Conductor - Monica Huggett, Conductor - Arion Trio, Ensemble - Matthew White, counter-tenor

3
O quam tristis
Matthew White
00:01:23

Monica Huggett, Conductor - Monica Huggett, Conductor - Matthew White, counter-tenor - Arion Trio, Ensemble

4
Quis est homo
Matthew White
00:02:24

Monica Huggett, Conductor - Matthew White, counter-tenor - Monica Huggett, Conductor - Arion Trio, Ensemble

5
Quis non posset
Matthew White
00:01:30

Monica Huggett, Conductor - Matthew White, counter-tenor - Arion Trio, Ensemble - Monica Huggett, Conductor

6
Pro peccatis suae gentis
Matthew White
00:01:21

Monica Huggett, Conductor - Matthew White, counter-tenor - Monica Huggett, Conductor - Arion Trio, Ensemble

7
Eja mater, fons amoris
Matthew White
00:02:35

Monica Huggett, Conductor - Matthew White, counter-tenor - Arion Trio, Ensemble - Monica Huggett, Conductor

8
Fac ut ardeat
Matthew White
00:01:20

Monica Huggett, Conductor - Matthew White, counter-tenor - Monica Huggett, Conductor - Arion Trio, Ensemble

9
Amen
Matthew White
00:00:56

Monica Huggett, Conductor - Matthew White, counter-tenor - Arion Trio, Ensemble - Monica Huggett, Conductor

10
Ah, che troppo ineguali, HWV 230: Recitative
Matthew White
00:00:49

Monica Huggett, Conductor - Monica Huggett, Conductor - Arion Trio, Ensemble - Matthew White, counter-tenor

11
Aria: O del Ciel Maria Regina
Matthew White
00:08:26

Monica Huggett, Conductor - Matthew White, counter-tenor - Monica Huggett, Conductor - Arion Trio, Ensemble

12
Salve regina
Matthew White
00:03:53

Monica Huggett, Conductor - Matthew White, counter-tenor - Monica Huggett, Conductor - Arion Trio, Ensemble

13
Ad te clamamus
Matthew White
00:02:12

Monica Huggett, Conductor - Monica Huggett, Conductor - Matthew White, counter-tenor - Arion Trio, Ensemble

14
Ad te suspiramus
Matthew White
00:01:12

Monica Huggett, Conductor - Arion Trio, Ensemble - Monica Huggett, Conductor - Matthew White, counter-tenor

15
Eja ergo
Matthew White
00:01:38

Monica Huggett, Conductor - Monica Huggett, Conductor - Matthew White, counter-tenor - Arion Trio, Ensemble

16
Et Jesum benedictum
Matthew White
00:01:58

Monica Huggett, Conductor - Matthew White, counter-tenor - Monica Huggett, Conductor - Arion Trio, Ensemble

17
O clemens
Matthew White
00:02:10

Monica Huggett, Conductor - Arion Trio, Ensemble - Matthew White, counter-tenor - Monica Huggett, Conductor

18
Recitativo: Giunta l'ora fatal dal ciel prescritta
Matthew White
00:01:51

Monica Huggett, Conductor - Matthew White, counter-tenor - Arion Trio, Ensemble - Monica Huggett, Conductor

19
Cavatina: Se d'un Dio fui fatta Madre
Matthew White
00:02:08

Monica Huggett, Conductor - Matthew White, counter-tenor - Arion Trio, Ensemble - Monica Huggett, Conductor

20
Recitativo accompagnato: Ah me infelice!
Matthew White
00:02:23

Monica Huggett, Conductor - Monica Huggett, Conductor - Matthew White, counter-tenor - Arion Trio, Ensemble

21
Cavatina da capo
Matthew White
00:02:19

Monica Huggett, Conductor - Matthew White, counter-tenor - Arion Trio, Ensemble - Monica Huggett, Conductor

22
Recitativo: Ahime ch'Egli gia esclama ad alta voce
Matthew White
00:01:09

Monica Huggett, Conductor - Monica Huggett, Conductor - Arion Trio, Ensemble - Matthew White, counter-tenor

23
Aria: Sventurati miei sospiri
Matthew White
00:06:40

Monica Huggett, Conductor - Monica Huggett, Conductor - Matthew White, counter-tenor - Arion Trio, Ensemble

24
Recitativo accompagnato: Si disse la gran Madre
Matthew White
00:02:11

Monica Huggett, Conductor - Monica Huggett, Conductor - Matthew White, counter-tenor - Arion Trio, Ensemble

25
Aria: Pari all'amor immenso
Matthew White
00:06:48

Monica Huggett, Conductor - Matthew White, counter-tenor - Arion Trio, Ensemble - Monica Huggett, Conductor

26
Recitativo accompagnato: Or se per grande orror tremo la terra
Matthew White
00:00:50

Monica Huggett, Conductor - Arion Trio, Ensemble - Matthew White, counter-tenor - Monica Huggett, Conductor

Albumbeschreibung

Indefatigable early music specialist and virtuoso Monica Huggett serves as both guest conductor and concertmaster of the Canadian ensemble Arion in this recording of Baroque vocal music in honor of Mary. Huggett's exquisite sense of phrasing and musical drama brings these late Baroque Italian works, three of which are fairly obscure, to throbbing life. Vivaldi's Stabat Mater for alto, strings, and continuo is one of his most popular vocal works, and rightly so; it's graceful, inventive, and melodious. Male alto Matthew White doesn't have the bright, shiny voice that characterizes many countertenors, but his more velvety tone is well suited to this somber subject and Vivaldi's treatment of it. His ornamentation is all the more effective for being applied with discretion and restraint. He's equally effective in Scarlatti's Salva Regina, in which he's joined by soprano Agnès Mellon. Their voices are beautifully matched and their intonation is pure and piercing. Mellon is the soloist in two cantatas, one by Handel, Ah! Che troppo ineguali, and one, Il pianto di Maria "Giunta l'ora fatal," by Giovanni Battista Ferrandini, which had long been wrongly attributed to Handel. Ferrandini's lament, which is largely set as recitative, describes Mary's emotions during the crucifixion, and is particularly anguished. Mellon gives an appropriately wrenching, emotionally transparent performance. The sensitivity and consistently high quality of the singing and ensemble playing make this an album that should be of strong interest to fans of the Baroque.

© TiVo

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