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Hélène Schmitt|Marco Uccelini: Œuvres pour violon

Marco Uccelini: Œuvres pour violon

Hélène Schmitt

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This is a performance of Palestrina's Missa Papae Marcelli unlike any previously recorded. For one thing, it is performed as part of a sequence of plainchants and motets approximating the shape in which it might have been heard at festival papal services in Rome during the 1560s, thereby imaginatively returning the work to the form it had at its initial performance. For another thing, following contemporary Roman performance practice, it is sung a fourth lower than it has heretofore been recorded, thereby aurally returning the work to the color it had at its initial performance. The sum effect is that the Missa Papae Marcelli sounds entirely fresh and thoroughly new. As performed by Ensemble Officium under the direction of Wilfried Rombach, the music seems richer and warmer and rounder and fuller than ever before, but, better yet, it sounds deeper and purer and higher and more spiritual than ever before, too. As captured in Christophorus' reverberant but still detailed recording, this disc will be welcomed by anyone who loves a cappella sacred music.

© TiVo

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Marco Uccelini: Œuvres pour violon

Hélène Schmitt

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1
Toccata
Hélène Schmitt
00:07:07

Helene Schmitt, baroque violin - Karl-Ernst Schroder, theorbo - Arno Jochem, violone - Markus Markl, harpsichord

2
Sonata No. 2
Markus Märkl
00:03:38

Helene Schmitt, baroque violin - Karl-Ernst Schroder, theorbo - Markus Markl, harpsichord

3
Correnti decima settima
Karl-Ernst Schröder
00:01:24

Helene Schmitt, baroque violin - Karl-Ernst Schroder, theorbo - Arno Jochem, violone - Markus Markl, harpsichord

4
Sonata No. 11
Karl-Ernst Schröder
00:03:23

Helene Schmitt, baroque violin - Karl-Ernst Schroder, theorbo - Arno Jochem, violone - Markus Markl, harpsichord

5
Toccata quinta
Markus Märkl
00:05:42

Helene Schmitt, baroque violin - Markus Markl, harpsichord

6
Aria seconda - Correnta decima - Aria terza
Hélène Schmitt
00:05:27

Helene Schmitt, baroque violin - Markus Markl, harpsichord

7
Sonata No. 12
Markus Märkl
00:04:19

Helene Schmitt, baroque violin - Arno Jochem, violone - Markus Markl, organ

8
Sonata No. 1, Book 3
Hélène Schmitt
00:03:39

Helene Schmitt, baroque violin - Karl-Ernst Schroder, theorbo - Markus Markl, organ

9
Sonata No. 1
Markus Märkl
00:07:16

Helene Schmitt, baroque violin - Markus Markl, harpsichord

10
Sonata No. 4
Hélène Schmitt
00:05:33

Helene Schmitt, baroque violin

11
Sonata No. 14
Hélène Schmitt
00:05:11

Helene Schmitt, baroque violin - Markus Markl, harpsichord

12
Aria decima - Corrente quinta - Corrente sesta
Markus Märkl
00:05:31

Helene Schmitt, baroque violin - Karl-Ernst Schroder, guitar - Markus Markl, harpsichord

13
Sonata No. 3
Hélène Schmitt
00:10:20

Helene Schmitt, baroque violin - Karl-Ernst Schroder, guitar - Markus Markl, harpsichord

14
Corrente vigesima
Markus Märkl
00:01:13

Helene Schmitt, baroque violin - Karl-Ernst Schroder, guitar - Markus Markl, harpsichord

15
Sonata No. 11
Hélène Schmitt
00:06:27

Helene Schmitt, baroque violin - Karl-Ernst Schroder, theorbo - Markus Markl, harpsichord

Albumbeschreibung

This is a performance of Palestrina's Missa Papae Marcelli unlike any previously recorded. For one thing, it is performed as part of a sequence of plainchants and motets approximating the shape in which it might have been heard at festival papal services in Rome during the 1560s, thereby imaginatively returning the work to the form it had at its initial performance. For another thing, following contemporary Roman performance practice, it is sung a fourth lower than it has heretofore been recorded, thereby aurally returning the work to the color it had at its initial performance. The sum effect is that the Missa Papae Marcelli sounds entirely fresh and thoroughly new. As performed by Ensemble Officium under the direction of Wilfried Rombach, the music seems richer and warmer and rounder and fuller than ever before, but, better yet, it sounds deeper and purer and higher and more spiritual than ever before, too. As captured in Christophorus' reverberant but still detailed recording, this disc will be welcomed by anyone who loves a cappella sacred music.

© TiVo

Informationen zur Originalaufnahme : 76:19 - DDD - Enregistré en février 1999 - Notes en français, anglais et allemand

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