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Joni Mitchell - Clouds

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Clouds

Joni Mitchell

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Clouds is a stark stunner, a great leap forward for Joni Mitchell. Vocals here are more forthright and assured than on her debut and exhibit a remarkable level of subtle expressiveness. Guitar alone is used in accompaniment, and the variety of playing approaches and sounds gotten here is most impressive. "The Fiddle and the Drum," a protest song that imaginatively compares the Vietnam-era warmongering U.S. government to a bitter friend, dispenses with instrumental accompaniment altogether. The sketches presented of lovers by turns depressive ("Tin Angel"), roguish ("That Song About the Midway"), and faithless ("The Gallery") are vividly memorable. Forthright lyrics about the unsureness of new love ("I Don't Know Where I Stand"), misuse of the occult ("Roses Blue"), and mental illness ("I Think I Understand") are very striking. Mitchell's classic singer/songwriter standards "Chelsea Morning" and "Both Sides Now" respectively receive energetically vibrant and warmly thoughtful performances. Imaginatively unusual and subtle harmonies abound here, never more so in her body of work than on the remarkable "Songs to Aging Children Come," which sets floridly impressionistic lyrics to a lovely tune that is supported by perhaps the most remarkably sophisticated chord sequence in all of pop music. Mitchell's riveting self-portrait on the album's cover is a further asset. This essential release is a must-listen. ~ David Cleary

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Clouds

Joni Mitchell

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1
Tin Angel (LP Version) 00:04:09

LEE HERSCHBERG, Masterer - Henry Lewy, Engineer - Joni Mitchell, Arranger, Guitar, Vocals, Writer, MainArtist - Paul Rothchild, Producer

1969 Warner Records Inc. 1969 Warner Records Inc.

2
Chelsea Morning (LP Version) 00:02:31

LEE HERSCHBERG, Masterer - Henry Lewy, Engineer - Joni Mitchell, Arranger, Guitar, Vocals, Writer, MainArtist

1969 Warner Records Inc. 1969 Warner Records Inc.

3
I Don't Know Where I Stand (LP Version) 00:03:13

LEE HERSCHBERG, Masterer - Henry Lewy, Engineer - Joni Mitchell, Arranger, Guitar, Vocals, Writer, MainArtist

1969 Warner Records Inc. 1969 Warner Records Inc.

5
Roses Blue (LP Version) 00:03:52

LEE HERSCHBERG, Masterer - Henry Lewy, Engineer - Joni Mitchell, Arranger, Guitar, Vocals, Writer, MainArtist

1969 Warner Records Inc. 1969 Warner Records Inc.

6
The Gallery (LP Version) 00:04:12

LEE HERSCHBERG, Masterer - Henry Lewy, Engineer - Joni Mitchell, Arranger, Guitar, Vocals, Writer, MainArtist

1969 Warner Records Inc. 1969 Warner Records Inc.

7
I Think I Understand (LP Version) 00:04:27

LEE HERSCHBERG, Masterer - Henry Lewy, Engineer - Joni Mitchell, Arranger, Guitar, Vocals, Writer, MainArtist

1969 Warner Records Inc. 1969 Warner Records Inc.

8
Songs to Aging Children Come (LP Version) 00:03:10

LEE HERSCHBERG, Masterer - Henry Lewy, Engineer - Joni Mitchell, Arranger, Guitar, Vocals, Writer, MainArtist

1969 Warner Records Inc. 1969 Warner Records Inc.

10
Both Sides Now (LP Version) 00:04:34

LEE HERSCHBERG, Masterer - Henry Lewy, Engineer - Joni Mitchell, Composer, Guitar, Vocals, Writer, MainArtist

1969 Warner Records Inc. 1969 Warner Records Inc.

Albumbeschreibung

Clouds is a stark stunner, a great leap forward for Joni Mitchell. Vocals here are more forthright and assured than on her debut and exhibit a remarkable level of subtle expressiveness. Guitar alone is used in accompaniment, and the variety of playing approaches and sounds gotten here is most impressive. "The Fiddle and the Drum," a protest song that imaginatively compares the Vietnam-era warmongering U.S. government to a bitter friend, dispenses with instrumental accompaniment altogether. The sketches presented of lovers by turns depressive ("Tin Angel"), roguish ("That Song About the Midway"), and faithless ("The Gallery") are vividly memorable. Forthright lyrics about the unsureness of new love ("I Don't Know Where I Stand"), misuse of the occult ("Roses Blue"), and mental illness ("I Think I Understand") are very striking. Mitchell's classic singer/songwriter standards "Chelsea Morning" and "Both Sides Now" respectively receive energetically vibrant and warmly thoughtful performances. Imaginatively unusual and subtle harmonies abound here, never more so in her body of work than on the remarkable "Songs to Aging Children Come," which sets floridly impressionistic lyrics to a lovely tune that is supported by perhaps the most remarkably sophisticated chord sequence in all of pop music. Mitchell's riveting self-portrait on the album's cover is a further asset. This essential release is a must-listen. ~ David Cleary

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