Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Lal Waterson|Once in a Blue Moon

Once in a Blue Moon

Lal Waterson and Oliver Knight

Verfügbar in
16-Bit/44.1 kHz Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

While little flashes of Lal Waterson's songwriting prowess had been revealed over the years, this debut showed just how advanced her talent was. To be fair, much of the credit goes to writing partner/son/guitarist Oliver Knight, whose six-string backdrops create the moods, from giddily exuberant ("Stumbling On") to enigmatically scary ("Phoebe"). As a pair, they seem to understand each other perfectly, one talent complementing the other. The songs themselves aren't easy beasts by any means, either. Those who want background listening don't need to be here; Waterson's lyrics alone demand attention to decipher at times. But she can take something simple, like "Altisidora," about a child's painting, and make it into a microcosm of life. Inevitably, the influence of her past in traditional music creeps in, especially on the closing "Some Old Salty," an a cappella piece where a chorus of voices comes across almost as English gospel. The record's stripped down, but then it doesn't need more than voices, two or three layers of Knight's guitar, and occasional reed contributions from Jo Freya. More would be overkill and would take away from the main attractions, which are the gemlike songs themselves and Waterson's performance of them, her voice always tender but seemingly offhand, as if singing them was just a part of life. Which it was. And anything that can get her brother-in-law, Martin Carthy, to sit in for a few minutes not on his usual acoustic but instead on electric guitar -- as he does on "How Can I Leave" -- offers an extra joy.

© Chris Nickson /TiVo

Weitere Informationen

Once in a Blue Moon

Lal Waterson

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements

Ab 12,49€/Monat

1
At First She Starts
00:04:04

Lal Waterson, Composer, Lyricist, MainArtist - Copyright Control, MusicPublisher - Oliver Knight, MainArtist

2006 Topic 2006 Topic

2
Flight of the Pelican
00:03:47

Lal Waterson, MainArtist - Traditional, Composer, Lyricist - Copyright Control, MusicPublisher - Oliver Knight, MainArtist

2006 Topic 2006 Topic

3
Stumbling On
00:04:08

Lal Waterson, MainArtist - Copyright Control, MusicPublisher - Oliver Knight, MainArtist - Waterson Lal, Composer, Lyricist - Knight Oliver, Composer, Lyricist

2006 Topic 2006 Topic

4
How Can I Leave
00:02:48

Lal Waterson, MainArtist - Copyright Control, MusicPublisher - Oliver Knight, MainArtist - Waterson Lal, Composer, Lyricist - Knight Oliver, Composer, Lyricist

2006 Topic 2006 Topic

5
Altisdora
00:03:01

Lal Waterson, MainArtist - Traditional, Composer, Lyricist - Copyright Control, MusicPublisher - Oliver Knight, MainArtist

2006 Topic 2006 Topic

6
Dazed
00:03:58

Lal Waterson, Composer, Lyricist, MainArtist - Copyright Control, MusicPublisher - Oliver Knight, Composer, Lyricist, MainArtist

2006 Topic 2006 Topic

7
Phoebe
00:03:11

Lal Waterson, MainArtist - Copyright Control, MusicPublisher - Oliver Knight, MainArtist - Waterson Lal, Composer, Lyricist - Knight Oliver, Composer, Lyricist

2006 Topic 2006 Topic

8
Cornfield
00:02:22

Lal Waterson, Composer, Lyricist, MainArtist - Copyright Control, MusicPublisher - Oliver Knight, Composer, Lyricist, MainArtist

2006 Topic 2006 Topic

9
Midnight Feast
00:03:38

Lal Waterson, MainArtist - Copyright Control, MusicPublisher - Oliver Knight, MainArtist - Waterson Lal, Composer, Lyricist

2006 Topic 2006 Topic

10
So Strange Is Man
00:02:54

Lal Waterson, MainArtist - Copyright Control, MusicPublisher - Oliver Knight, MainArtist - Waterson Lal, Composer, Lyricist - Knight Oliver, Composer, Lyricist

2006 Topic 2006 Topic

11
Wilsons Arms
00:03:21

Lal Waterson, MainArtist - Traditional, Composer, Lyricist - Copyright Control, MusicPublisher - Oliver Knight, MainArtist

2006 Topic 2006 Topic

12
Her White Gown
00:02:49

Lal Waterson, MainArtist - Traditional, Composer, Lyricist - Copyright Control, MusicPublisher - Oliver Knight, MainArtist

2006 Topic 2006 Topic

13
Some Old Salty
00:02:47

Lal Waterson, Composer, Lyricist, MainArtist - Topic Records ltd, MusicPublisher - Oliver Knight, MainArtist

2006 Topic 2006 Topic

Albumbeschreibung

While little flashes of Lal Waterson's songwriting prowess had been revealed over the years, this debut showed just how advanced her talent was. To be fair, much of the credit goes to writing partner/son/guitarist Oliver Knight, whose six-string backdrops create the moods, from giddily exuberant ("Stumbling On") to enigmatically scary ("Phoebe"). As a pair, they seem to understand each other perfectly, one talent complementing the other. The songs themselves aren't easy beasts by any means, either. Those who want background listening don't need to be here; Waterson's lyrics alone demand attention to decipher at times. But she can take something simple, like "Altisidora," about a child's painting, and make it into a microcosm of life. Inevitably, the influence of her past in traditional music creeps in, especially on the closing "Some Old Salty," an a cappella piece where a chorus of voices comes across almost as English gospel. The record's stripped down, but then it doesn't need more than voices, two or three layers of Knight's guitar, and occasional reed contributions from Jo Freya. More would be overkill and would take away from the main attractions, which are the gemlike songs themselves and Waterson's performance of them, her voice always tender but seemingly offhand, as if singing them was just a part of life. Which it was. And anything that can get her brother-in-law, Martin Carthy, to sit in for a few minutes not on his usual acoustic but instead on electric guitar -- as he does on "How Can I Leave" -- offers an extra joy.

© Chris Nickson /TiVo

Informationen zu dem Album

Verbesserung der Albuminformationen

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

The Studio Albums 2009 – 2018

Mark Knopfler

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

Brothers In Arms

Dire Straits

Brothers In Arms Dire Straits

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
Mehr auf Qobuz
Von Lal Waterson

A True Hearted Girl

Lal Waterson

A True Hearted Girl Lal Waterson

A Bed of Roses

Lal Waterson

A Bed of Roses Lal Waterson

Playlists

Das könnte Ihnen auch gefallen...

You're the One

Rhiannon Giddens

You're the One Rhiannon Giddens

Tracy Chapman

Tracy Chapman

Tracy Chapman Tracy Chapman

Cat Power Sings Dylan: The 1966 Royal Albert Hall Concert

Cat Power

Mind, Man, Medicine

The Secret Sisters

Mind, Man, Medicine The Secret Sisters

Sounds Of Silence

Simon & Garfunkel

Sounds Of Silence Simon & Garfunkel