Idioma disponible: inglésIn the late '70s, when the fortunes of Motown Records seemed to be flagging, Rick James came along and rescued the company, providing funky hits that updated the label's style and saw it through into the mid-'80s. Actually, James had been with Motown earlier, though nothing had come of it. After growing up in Buffalo and running away to join the Naval Reserves, he ran away from the Navy to Toronto, where he was in a band with future Buffalo Springfield members Neil Young and Bruce Palmer, and with Goldy McJohn, later of Steppenwolf. As the Mynah Birds, they signed to Motown and recorded, though no record was ever released. James had a journeyman's career playing bass in various groups before signing again to Motown as an artist, songwriter, and producer. His first single, "You and I" (May 1978), topped the R&B charts and reached the pop Top 40. "Mary Jane" (September 1978) was another hit. Both were on James' debut album, Come Get It! (June 1978), which went gold. Subsequent efforts were not as successful, though Bustin' Out of L Seven (January 1979) featured the R&B hit "Bustin' Out" (April 1979). James returned to form with the number one R&B hit "Give It to Me Baby" (March 1981), featured on the million-selling Street Songs (April 1981), which also featured the hit "Super Freak." James turned his production attention to resuscitating the career of the Temptations, recently returned to Motown, and "Standing on the Top" (April 1982), credited to the Temptations featuring Rick James, was an R&B Top Ten. (He also produced recordings by Teena Marie and the Mary Jane Girls.) James' follow-up to Street Songs was the gold-selling Throwin' Down (May 1982), which featured the hit "Dance Wit' Me." The title song of Cold Blooded (August 1983) became James' third R&B number one, and the album also featured his hit duet with Smokey Robinson, "Ebony Eyes." James' greatest-hits album Reflections (August 1984) featured the new track "17" (June 1984), which also became a hit. Glow (April 1985) contained Top Ten R&B singles in the title track and "Can't Stop," which was featured in the summer movie blockbuster Beverly Hills Cop. The Flag (June 1986) featured the hit "Sweet and Sexy Thing" (May 1986). James left Motown for the Reprise division of Warner Bros. Records as of the album Wonderful (July 1988), which featured his number one R&B hit "Loosey's Rap," on which he was accompanied by rapper Roxanne Shante. Nevertheless, his "punk funk" didn't seem to rest comfortably with the trend toward rap/hip-hop. In 1989, James charted briefly with a medley of the Drifters hits "This Magic Moment" and "Dance With Me." In 1990, MC Hammer scored a massive hit with "U Can't Touch This," which consisted of his rap over the instrumental track of "Super Freak." That should have made for a career rebirth, but James was plagued by drug and legal problems that found him more frequently in court and in jail rather than in the recording studio. The majority of his legal woes behind him, James returned in 1997 with Urban Rapsody, which didn't yield any hits but was well accepted by critics. Rick James died of a heart attack on August 6, 2004, at his Los Angeles home. ~ William Ruhlmann
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Funk - Publicado el 1 de enero de 2002 | Motown
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Casi cuarenta años después, la portada de Street Songs te hace sonreír: Rick James, ese proto-macho embutido en un traje de cuero negro y botas mosqueteras de charol rojo fluorescente robadas al Gato con botas, apoyado en una farola de una calle oscura de Nueva York, con su Rickenbacker blanco colgado en bandolera... Una cumbre del kitsch de la exuberancia plástica de los años 80. Pero sobre todo, la versión 81 de las tablas de la ley del funk de Sly Stone, George Clinton y James Brown. Una rítmica inestable que gira hacia sonoridades new wave, las guitarras rozando los límites del metal, ¡Street Songs es la anti-Celebration de Kool & The Gang y de Fantasy de Earth, Wind & Fire! Nuevo funk, naked funk, punk funk, se le podrían poner todas las etiquetas. Para Motown, Street Songs es sobre todo un regalo (financiero) del cielo. Letras, música, producción, arreglos, ¡Rick James es el artista completo! Calle, droga, violencia policial, gueto y sexo, todos los temas que aborda serán los que alimentarán la música negra en Estados Unidos durante los próximos años, con el gangsta rap a la cabeza. Habiendo llegado a la cima con este quinto álbum de estudio y el exitoso Super Freak (que MC Hammer sampleará nueve años más tarde en su famoso U Can't Touch This), el funkster destroy pudo comenzar su descenso a los infiernos que terminó el 6 de agosto de 2004 en su casa de Los Ángeles, arrastrado por una sobredosis a los 56 años. © Marc Zisman/Qobuz
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