Karen Dalton
A cult singer, 12-string guitarist, and banjo player of the New York 1960s folk revival, Karen Dalton still remains known to very few, despite counting the likes of Bob Dylan and Fred Neil among her acquaintances. This was partly because she seldom recorded, only making one album in the 1960s -- and that didn't come out until 1969, although she had been known on the Greenwich Village circuit since the beginning of the decade. It was also partly because, unlike other folksingers of the era, she was an interpreter who did not record original material. And it was also because her voice -- often compared to Billie Holiday, but with a rural twang -- was too strange and inaccessible to pop audiences. Nik Venet, producer of her debut album, went as far as to remark in Goldmine, "She was very much like Billie Holiday. Let me say this, she wasn't Billie Holiday but she had that phrasing Holiday had and she was a remarkable one-of-a-kind type of thing.... Unfortunately, it's an acquired taste, you really have to look for the music."
Dalton grew up in Oklahoma, moving to New York around 1960. Peter Stampfel of the Holy Modal Rounders, who was in her backup band in the early '70s, points out in his liner notes to the CD reissue of her first album that "she was the only folk singer I ever met with an authentic 'folk' background. She came to the folk music scene under her own steam, as opposed to being 'discovered' and introduced to it by people already involved in it." There is a photograph from February 1961 (now printed on the back cover of the It's So Hard to Tell Who's Going to Love You the Best reissue) of Dalton singing and playing with Fred Neil and Bob Dylan, the latter of whom was barely known at the time. Unlike her friends she was unable to even capture a recording contract, spending much of the next few years roaming around North America.
Dalton was not comfortable in the studio, and her Capitol album It's So Hard to Tell Who's Going to Love You the Best came about when Nik Venet, who had tried unsuccessfully to record her several times, invited her to a Fred Neil session. He asked her to cut a Neil composition, "Little Bit of Rain," as a personal favor so he could have it in his private collection; that led to an entire album, recorded in one session, most of the tracks done in one take. Dalton recorded one more album in the early '70s, produced by Harvey Brooks (who had played on some '60s Dylan sessions). Done in Bearsville Studios in Woodstock, it, like her debut, had an eclectic assortment of traditional folk tunes, blues, covers of soul hits ("When a Man Loves a Woman," "How Sweet It Is"), and contemporary numbers by singer/songwriters (Dino Valente, the Band's Richard Manuel). The Band's "Katie's Been Gone," included on The Basement Tapes, is rumored to be about Dalton.
© Richie Unterberger /TiVo
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Discografía
14 álbum(es) • Ordenado por Mejores ventas
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In My Own Time (50th Anniversary Edition)
Pop - Editado por Light In The Attic Records el 25 mar. 2022
24-Bit 96.0 kHz - Stereo -
It's So Hard To Tell You Who's Going To Love You The Best
Pop - Editado por EMI Catalogue el 1 ene. 1969
Discoteca Ideal Qobuz16-Bit CD Quality 44.1 kHz - Stereo -
1966
Rock - Editado por Delmore Recording Society el 31 ene. 2012
16-Bit CD Quality 44.1 kHz - Stereo -
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Something on Your Mind
Pop - Editado por Light In The Attic Records el 13 ene. 2022
24-Bit 96.0 kHz - Stereo -
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Cotton Eyed Joe (Live in Boulder 1962)
Folk - Editado por Mégaphone el 9 oct. 2007
16-Bit CD Quality 44.1 kHz - Stereo -
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Something on Your Mind (Alternate Take)
Pop - Editado por Light In The Attic Records el 9 nov. 2021
24-Bit 96.0 kHz - Stereo -
God Bless the Child
Country - Editado por Mégaphone el 20 dic. 2019
16-Bit CD Quality 44.1 kHz - Stereo -
Katie Cruel (Remastered)
Folk - Editado por RevOla el 14 dic. 2018
16-Bit CD Quality 44.1 kHz - Stereo -
Light In The Attic 10 Year Anniversary: Karen Dalton "Same Old Man"
Folk - Editado por Light In The Attic Records el 30 oct. 2012
16-Bit CD Quality 44.1 kHz - Stereo -
Are You Leaving for the Country - Live at the Montreux Golden Rose Pop Festival, May 1, 1971
Pop - Editado por Light In The Attic Records el 2 feb. 2022
24-Bit 96.0 kHz - Stereo -
One Night of Love - Live at Beat Club, Germany, April 21, 1971
Pop - Editado por Light In The Attic Records el 3 mar. 2022
24-Bit 96.0 kHz - Stereo