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Pop - Publicado el 26 de octubre de 2021 | Light In The Attic

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Trip Hop - Publicado el 23 de julio de 2021 | Light In The Attic

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Trip Hop - Publicado el 26 de mayo de 2021 | Light In The Attic

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Rock - Publicado el 15 de noviembre de 2019 | Light In The Attic

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Country - Publicado el 25 de octubre de 2019 | Light In The Attic

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Alternatif et Indé - Publicado el 13 de septiembre de 2019 | Light In The Attic

It's no secret that Lee Hazlewood worked hard for his success, toiling away as a DJ, songwriter, and producer before striking gold with Duane Eddy and Nancy Sinatra. The narrative may be well-known, but Light in the Attic's 2019 compilation, 400 Miles from L.A. 1955-56, sheds light on a period that's been otherwise undocumented: Hazlewood's earliest years, when he was finding his way as a songwriter, heading from his hometown of Phoenix, Arizona to Los Angeles with a fistful of demos, hoping to convince a label to record his original material. Hazlewood didn't have success in Los Angeles, not back in the mid-'50s, but his determination eventually earned him a career in the music business. The songs on 400 Miles from L.A. are at the foundation of that career. Lost since their original recording, Light in the Attic discovered the material many decades later, then polished up the demos for a release where they're paired with his first collection of demos for the material that would become Trouble Is a Lonesome Town in 1963. The half of 400 Miles from L.A. devoted to Trouble Is a Lonesome Town undoubtedly contains the best songs, but in a way, the first half is a bit more fascinating. These 14 songs were recorded by Hazlewood alone with a guitar as he was learning how to write. Johnny Cash is certainly an influence -- "Five More Miles to Folsom" is an answer to "Folsom Prison Blues" -- but from the start, Hazlewood is a distinctive, peculiar songwriter. He doesn't hesitate to write a song about the dangers of debt ("Buying on Time"), he hums a kazoo on "The Country Bus Tune," and displays a cutting wit on "It's an Actuality." While those songs may be surrounded by some pedestrian love and folk tunes, it's the idiosyncratic flashes that make this collection more than an historical footnote. © Stephen Thomas Erlewine /TiVo
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Country - Publicado el 25 de octubre de 2019 | Light In The Attic

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Ambient - Publicado el 15 de febrero de 2019 | Light In The Attic

Premios Best New Reissue
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Rock - Publicado el 11 de enero de 2019 | Light In The Attic

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Alternatif et Indé - Publicado el 31 de diciembre de 2018 | Light In The Attic

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Alternatif et Indé - Publicado el 20 de octubre de 2017 | Light In The Attic

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Alternatif et Indé - Publicado el 20 de octubre de 2017 | Light In The Attic

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Alternatif et Indé - Publicado el 20 de octubre de 2017 | Light In The Attic

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Rock - Publicado el 15 de septiembre de 2017 | Light In The Attic

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Pop - Publicado el 9 de junio de 2017 | Light In The Attic

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Country - Publicado el 25 de mayo de 2017 | Light In The Attic

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Blues - Publicado el 17 de febrero de 2017 | Light In The Attic

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Country - Publicado el 17 de enero de 2017 | Light In The Attic

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Pop - Publicado el 9 de diciembre de 2016 | Light In The Attic

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Bandes originales de films - Publicado el 25 de noviembre de 2016 | Light In The Attic