Qobuz Store wallpaper
Categorías:
Carrito 0

Su carrito está vacío

Marianne Crebassa - Secrets

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Secrets

Marianne Crebassa

Libreto digital

Disponible en
16-Bit CD Quality 44.1 kHz - Stereo

Streaming ilimitado

Escuche este álbum ahora en alta calidad en nuestras apps

Comenzar mi periodo de prueba gratis y escuchar este álbum

Disfrute de este álbum en las apps Qobuz con sususcripción

Suscribir

Disfrute de este álbum en las apps Qobuz con sususcripción

Descarga digital

Seleccionar la calidad de audio

Para poder comprar a este precio, suscripción a Sublime+

Idioma disponible: inglés

The "secrets" denoted by the title of this release on the increasingly productive Erato/Warner Classics are not repertory items, but the inner thoughts inspired by the music for mezzo-soprano Marianne Crebassa; the pieces on the are mostly well-known French mélodies. The exception is the final piece, composed by accompanist Fazil Say (who elsewhere has a remarkable quiet edge) and depicting the suppression of protests in Istanbul's Gezi Park, which is a bit out of place; perhaps it was felt that the program would be too conventional otherwise. No matter. The star of the show here is Crebassa's voice: a classic French song instrument, rounded, with abundant, yet precisely deployed vibrato on the longer notes, with the uvular "r" that French singers grow up with, but others struggle to replicate. Then, something's added: a hint of smoke that brings the songs out of the salon and into the wider world. It's a quality that singers develop over time (sometimes, in France especially, with actual cigarette smoke), but to hear it birthed full-grown is a rare and delicious experience. This is not to say that Crebassa is a vocal machine insensitive to text. Sample Henri Duparc's Au pays ou se fait la guerre, with its war-is-hell-on-the-home-front text by Théophile Gautier, and you hear a sensitive reading that brings out the underlying seriousness Crebassa is going for. The venue is not French, but Austrian: the Großer Saal at the Mozarteum in Salzburg. But this too supports the expressive goals of a French song recording in which everything comes together.
© TiVo

Más información

Secrets

Marianne Crebassa

launch qobuz app Ya he descargado Qobuz para Windows / MacOS Abrir

download qobuz app Todavía no he descargado Qobuz para Windows / MacOS Descargar la app Qobuz

Copie el enlace siguiente para compartirlo

Está escuchando muestras.

Escuche más de 60 millones de pistas con un plan de streaming ilimitado.

Escuche este álbum y más de 60 millones de pistas con los planes de streaming ilimitado.

1
3 chansons de Bilitis, L. 90: I. La Flûte de Pan
00:02:26

Claude Debussy, Composer - Fazil Say, Piano - Marianne Crebassa, Mezzo-soprano Vocals, MainArtist

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company    

2
3 chansons de Bilitis, L. 90: II. La Chevelure
00:03:07

Claude Debussy, Composer - Fazil Say, Piano - Marianne Crebassa, Mezzo-soprano Vocals, MainArtist

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company    

3
3 chansons de Bilitis, L. 90: III. Le Tombeau des naïades
00:02:54

Claude Debussy, Composer - Fazil Say, Piano - Marianne Crebassa, Mezzo-soprano Vocals, MainArtist

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company    

4
Shéhérazade, M. 17: I. Asie
00:08:43

Maurice Ravel, Composer - Fazil Say, Piano - Tristan Klingsor, Poet - Marianne Crebassa, Mezzo-soprano Vocals, MainArtist

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company    

5
Shéhérazade, M. 17: II. La Flûte enchantée
00:02:59

Maurice Ravel, Composer - Fazil Say, Piano - Tristan Klingsor, Poet - Marianne Crebassa, Mezzo-soprano Vocals, MainArtist - Bernhard Krabatsch, Flute, FeaturedArtist

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company    

6
Shéhérazade, M. 17: III. L'Indifférent
00:03:15

Maurice Ravel, Composer - Fazil Say, Piano - Tristan Klingsor, Poet - Marianne Crebassa, Mezzo-soprano Vocals, MainArtist

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company    

7
3 Mélodies de Verlaine, L. 81: I. La mer est plus belle que les cathédrales
00:02:11

Claude Debussy, Composer - Fazil Say, Piano - Marianne Crebassa, Mezzo-soprano Vocals, MainArtist

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company    

8
3 Mélodies de Verlaine, L. 81: II. Le son du cor s'afflige vers les bois
00:02:48

Claude Debussy, Composer - Fazil Say, Piano - Marianne Crebassa, Mezzo-soprano Vocals, MainArtist

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company    

9
3 Mélodies de Verlaine, L. 81: III. L'échelonnement des haies moutonne à l'infini
00:01:31

Claude Debussy, Composer - Fazil Say, Piano - Marianne Crebassa, Mezzo-soprano Vocals, MainArtist

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company    

10
Vocalise-étude en forme de Habanera, M. 51
00:02:54

Maurice Ravel, Composer - Fazil Say, Piano - Marianne Crebassa, Mezzo-soprano Vocals, MainArtist

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company    

11
Mirages, Op. 113: I. Cygne sur l'eau
00:03:23

Gabriel Fauré, Composer - Fazil Say, Piano - Marianne Crebassa, Mezzo-soprano Vocals, MainArtist - Renee de Brimont, Poet

© 2017 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato release, ℗ 2017 Parlophone Records Limited

12
Mirages, Op. 113: II. Reflets dans l'eau
00:04:16

Gabriel Fauré, Composer - Fazil Say, Piano - Marianne Crebassa, Mezzo-soprano Vocals, MainArtist - Renee de Brimont, Poet

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company    

13
Mirages, Op. 113: III. Jardin nocturne
00:02:46

Gabriel Fauré, Composer - Fazil Say, Piano - Marianne Crebassa, Mezzo-soprano Vocals, MainArtist - Renee de Brimont, Poet

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company    

14
Mirages, Op. 113: IV. Danseuse
00:02:12

Gabriel Fauré, Composer - Fazil Say, Piano - Marianne Crebassa, Mezzo-soprano Vocals, MainArtist - Renee de Brimont, Poet

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company    

15
Mélodies: XIII. Au pays où se fait la guerre
00:05:04

Henri Duparc, Composer - Fazil Say, Piano - Marianne Crebassa, Mezzo-soprano Vocals, MainArtist

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company    

16
Mélodies: VII. Lamento
00:03:16

Henri Duparc, Composer - Fazil Say, Piano - Marianne Crebassa, Mezzo-soprano Vocals, MainArtist

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company    

17
Mélodies: X. Elegie
00:02:56

Henri Duparc, Composer - Fazil Say, Piano - Marianne Crebassa, Mezzo-soprano Vocals, MainArtist

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company    

18
Mélodies: IX. Chanson triste
00:03:05

Henri Duparc, Composer - Fazil Say, Piano - Marianne Crebassa, Mezzo-soprano Vocals, MainArtist

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company    

19
Gezi Park 3
00:09:24

Fazil Say, Composer, Piano - Marianne Crebassa, Mezzo-soprano Vocals, MainArtist

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company    

Descripción del álbum

The "secrets" denoted by the title of this release on the increasingly productive Erato/Warner Classics are not repertory items, but the inner thoughts inspired by the music for mezzo-soprano Marianne Crebassa; the pieces on the are mostly well-known French mélodies. The exception is the final piece, composed by accompanist Fazil Say (who elsewhere has a remarkable quiet edge) and depicting the suppression of protests in Istanbul's Gezi Park, which is a bit out of place; perhaps it was felt that the program would be too conventional otherwise. No matter. The star of the show here is Crebassa's voice: a classic French song instrument, rounded, with abundant, yet precisely deployed vibrato on the longer notes, with the uvular "r" that French singers grow up with, but others struggle to replicate. Then, something's added: a hint of smoke that brings the songs out of the salon and into the wider world. It's a quality that singers develop over time (sometimes, in France especially, with actual cigarette smoke), but to hear it birthed full-grown is a rare and delicious experience. This is not to say that Crebassa is a vocal machine insensitive to text. Sample Henri Duparc's Au pays ou se fait la guerre, with its war-is-hell-on-the-home-front text by Théophile Gautier, and you hear a sensitive reading that brings out the underlying seriousness Crebassa is going for. The venue is not French, but Austrian: the Großer Saal at the Mozarteum in Salzburg. But this too supports the expressive goals of a French song recording in which everything comes together.
© TiVo

Acerca del álbum

Mejorar esta página

Qobuz logo Por qué comprar en Qobuz...

De oferta actualmente...
Más en Qobuz
Por Marianne Crebassa

Playlists

Quizás también le guste...
Los Grandes Angulares...
La paradoja del estudio de Esa-Pekka Salonen

De paso por Francia este verano de 2018 para dirigir la Orquesta Sinfónica de La Grange au Lac en los Encuentros Musicales de Evian, el finlandés Esa-Pekka Salonen, director de orquesta aclamado y prolífico compositor con más de 60 discos, evoca su manera de abordar el trabajo en estudio, tan específico de la música clásica.

Steve Reich, animal minimal

Es uno de los pioneros de la música minimalista. Pero también uno de los compositores contemporáneos más asiduamente interpretados. A los 80 años, Steve Reich ha alcanzado estatus de gurú incontestable con enorme influencia en varias hornadas de músicos, incluidos los de la esfera techno. Su evolución personal, su relación con el jazz o con las músicas étnicas, pero también la transmisión de su legado de una generación a la siguiente: el neoyorquino se expresa sin pelos en la lengua.

El peregrinaje de Gardiner a través de las cantatas de Bach

John Eliot Gardiner creció bajo uno de los dos auténticos retratos de Johann Sebastian Bach que sus padres habían guardado celosamente, escondiéndolo en su granja en Dorset durante la Segunda Guerra Mundial. Convertido en uno de los «popes» de la música barroca, la total devoción de Gardiner por Bach ha concebido un emocionante libro, La música en el castillo del cielo, publicada en francés por Flammarion y en español por Acantilado. «¿Cómo pudo crear una obra tan sublime un hombre tan común y opaco?», se pregunta Gardiner en un libro lleno de ternura y de una rara erudición, que no es una nueva biografía del compositor alemán, sino la suma de su propia experiencia como intérprete, que le va dictando diversas consideraciones estéticas, y la de un análisis sensible de los fundamentos armónicos, contrapuntísticos y polifónicos de su obra. Un exitoso intento de descubrir al hombre a través de su música.

De actualidad...