Blank
Blank got their start playing all-ages punk shows in various basements and fire halls in the Annapolis, MD, area in 1992. The group had a very explosive raw sound that incorporated the sincerity and pop hooks of East Bay pop-punk bands Samiam and Jawbreaker with the edgier more disjointed sounds of their Washington D.C. neighbors Jawbox and Nation of Ulysses. Blank's songs were both chaotic and extremely catchy at the same time. It was as if their super-infectious melodies were just dying to break through the chaotic noise. The group started as a five-piece with Ryan Shelkett on vocals, the dual guitar attack of Kerry Silanskis and Noah Chace, Shannon Mitchell on bass, and John Welch on drums.
The group eventually made their way up to Baltimore's small yet fertile indie rock scene where they stood out as one of the few Baltimore underground bands to concentrate on a more melodic sound. During this period the group released its first full-length CD, The Tab Street Affair, on Vermin Scum and 2% Muscle Records. The group at the same time began to build up a small but loyal following throughout the Annapolis-D.C.-Baltimore region. 1996 saw Blank slim down to a four-piece, with Shelkett picking up second guitar duties and a new rhythm section featuring Tom Kerner on bass and Leroy Blades III on drums.
The new lineup combined with Shelkett's matured songwriting made for less noise and more melody, which gained the group an even wider audience. Blank then recorded The Race EP for the local Baltimore punk label Reptilian Records and toured the U.S. to support it. A year later the group toured again extensively throughout America. In 1997 they recorded Anywhere but Here, which would be their final album before calling it quits. Throughout the group's five-year career they appeared on several compilations and were extremely prolific in releasing singles for various independent labels.
After the group split, Shellkett went on to form the emo rock quartet Cross My Heart, who released three albums on New York independent label Deep Elm.
© Rick Kutner /TiVo
Ähnliche Künstler
-
Poetic Abuse
Hip-Hop/Rap - Erschienen bei Militant Records am 01.12.2020
16-Bit CD Quality 44.1 kHz - Stereo -
Anywhere But Here
Alternativ und Indie - Erschienen bei Reptilian Records am 30.10.2021
16-Bit CD Quality 44.1 kHz - Stereo -
Thick Black Line
Dance - Erschienen bei Mechanoid corp. am 01.04.2022
16-Bit CD Quality 44.1 kHz - Stereo -
-
-
-
Only Built for Northern Lights
Hip-Hop/Rap - Erschienen bei Grind records am 09.03.2015
16-Bit CD Quality 44.1 kHz - Stereo -
Uturn 3: The Darkside Of The Beat
Progressive Rock - Erschienen bei Artoffact Records am 08.08.2004
16-Bit CD Quality 44.1 kHz - Stereo -
felici a metà
Alternativ und Indie - Erschienen bei UMA Records am 12.03.2021
16-Bit CD Quality 44.1 kHz - Stereo -
Xylomorphosis (a Theatre Play Soundtrack)
Soundtracks - Erschienen bei Mechanoid corp. am 29.12.2022
16-Bit CD Quality 44.1 kHz - Stereo -
L'invendable Blank
Punk – New Wave - Erschienen bei French Fries Records am 15.12.2018
16-Bit CD Quality 44.1 kHz - Stereo -
El Gato Loco EP
Drum & Bass - Erschienen bei Hard Step Faction Recordings am 25.06.2019
16-Bit CD Quality 44.1 kHz - Stereo -
Soul Too Drive Too
Hip-Hop/Rap - Erschienen bei Hard Step Faction Recordings am 25.06.2022
16-Bit CD Quality 44.1 kHz - Stereo -
-
Illusions
Hip-Hop/Rap - Erschienen bei Blank Productions am 04.02.2022
16-Bit CD Quality 44.1 kHz - Stereo -
The Basement
House - Erschienen bei Hard Step Faction Recordings am 01.01.2020
16-Bit CD Quality 44.1 kHz - Stereo -
-
-
-
SWS
Dance - Erschienen bei Hard Step Faction Recordings am 24.11.2023
16-Bit CD Quality 44.1 kHz - Stereo -
Overcooked Chips
Electronic - Erschienen bei blankrdm am 24.01.2024
16-Bit CD Quality 44.1 kHz - Stereo