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Erik Friedlander|The Watchman

The Watchman

Erik Friedlander

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Incorporating elements of free jazz and East European traditional music, avant garde cellist Erik Friedlander, with his ensemble Chimera, have issued a second album, The Watchman. Clarinet and cello, not surprisingly, provide the core around which the other musicians orbit. Despite its sources, this is not another klez-jazz album, rather it sounds alternately like mournful, solid jazz or the music of the village run through a rhythmic blender. Friedlander has made a name for himself in the past by playing jazz cello with a style that does more than just mimic the high registers of a standup bass, and on this album he is freed even more from the expectations of the jazz tradition to create beautiful music with spiritual depth and a warm, sensual tone. The album's thematic exploration of emotion, memory, and mourning only add depth to the compositions.

© TiVo

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The Watchman

Erik Friedlander

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1
The Watchman
00:01:35

Erik Friedlander, Composer, MainArtist

1996 Tzadik 1996 Tzadik

2
Elisha
00:12:24

Erik Friedlander, Composer, MainArtist

1996 Tzadik 1996 Tzadik

3
The Silver Bracelet, Theme
00:01:23

Erik Friedlander, Composer, MainArtist

1996 Tzadik 1996 Tzadik

4
Najime
00:09:07

Erik Friedlander, Composer, MainArtist

1996 Tzadik 1996 Tzadik

5
The Silver Bracelet
00:11:58

Erik Friedlander, Composer, MainArtist

1996 Tzadik 1996 Tzadik

6
Variations On The Watchman
00:03:00

Erik Friedlander, Composer, MainArtist

1996 Tzadik 1996 Tzadik

7
Silver Like Dust
00:04:41

Erik Friedlander, Composer, MainArtist

1996 Tzadik 1996 Tzadik

8
The Watchman (Sleeps)
00:01:42

Erik Friedlander, Composer, MainArtist

1996 Tzadik 1996 Tzadik

Albumbeschreibung

Incorporating elements of free jazz and East European traditional music, avant garde cellist Erik Friedlander, with his ensemble Chimera, have issued a second album, The Watchman. Clarinet and cello, not surprisingly, provide the core around which the other musicians orbit. Despite its sources, this is not another klez-jazz album, rather it sounds alternately like mournful, solid jazz or the music of the village run through a rhythmic blender. Friedlander has made a name for himself in the past by playing jazz cello with a style that does more than just mimic the high registers of a standup bass, and on this album he is freed even more from the expectations of the jazz tradition to create beautiful music with spiritual depth and a warm, sensual tone. The album's thematic exploration of emotion, memory, and mourning only add depth to the compositions.

© TiVo

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