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Lalo Schifrin|The Dissection And Reconstruction Of Music From The Past As Performed By The Inmates Of Lalo Schifrin's Demented Ensemble As A Tribute To The Memory Of The Marquis De Sade

The Dissection And Reconstruction Of Music From The Past As Performed By The Inmates Of Lalo Schifrin's Demented Ensemble As A Tribute To The Memory Of The Marquis De Sade

Lalo Schifrin

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Come again? This crackpot title -- probably the longest ever concocted for a jazz album -- actually is a front for a not-so-dangerous, hard-swinging album in which Schifrin invents or borrows 18th-century classical themes and sets them into big band or small-combo contexts. Such is Schifrin's chameleonic mastery that his own inventions are a match for the themes of the period, and he is tasteful enough not to overload the window dressing and keep the rhythm section loosely swinging nearly all the time. Once, Lalo tries something wacky; on "Beneath a Weeping Window Shade," he has singer Rose Marie Jun intoning a madrigal-like Francis Hopkinson song against some avant-garde multiphonic flute from Jerome Richardson, ministrations from a string quintet, and Schifrin's own comments on harpsichord. There is also a stimulating pastiche "Aria" that sounds like Schifrin arguing with Heitor Villa-Lobos and Henry Purcell in 9/8 time. With the cream of New York's jazz session men of the '60s on board -- including the inimitable Grady Tate on drums, Richardson on flute and tenor, Gene Bertoncini on guitar, and J.J. Johnson and Kai Winding on trombones -- and Creed Taylor's production dictating the distinctive timbres, jazz buffs will have a fine time with this collision of the centuries, which leans heavily to the jazz side. The album was reissued on CD as part of Verve's limited Elite Editions series.

© Richard S. Ginell /TiVo

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The Dissection And Reconstruction Of Music From The Past As Performed By The Inmates Of Lalo Schifrin's Demented Ensemble As A Tribute To The Memory Of The Marquis De Sade

Lalo Schifrin

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1
Old Laces
00:04:23

Lalo Schifrin, Composer, Recording Arranger, MainArtist, AssociatedPerformer - Creed Taylor, Producer

℗ 1964 Verve Label Group, a Division of UMG Recordings, Inc.

2
The Wig
00:02:44

Lalo Schifrin, Composer, Recording Arranger, MainArtist, AssociatedPerformer - Creed Taylor, Producer

℗ 1966 Verve Label Group, a Division of UMG Recordings, Inc.

3
The Blues For Johann Sebastian
00:03:36

Lalo Schifrin, Composer, Recording Arranger, MainArtist, AssociatedPerformer - Creed Taylor, Producer

℗ 1966 Verve Label Group, a Division of UMG Recordings, Inc.

4
Renaissance
00:03:27

Lalo Schifrin, Composer, Recording Arranger, MainArtist, AssociatedPerformer - Rose Marie Jun, Vocalist, AssociatedPerformer - Creed Taylor, Producer

℗ 1966 Verve Label Group, a Division of UMG Recordings, Inc.

5
Beneath A Weeping Willow Shade
00:02:32

Lalo Schifrin, Composer, Recording Arranger, MainArtist, AssociatedPerformer - Rose Marie Jun, Vocalist, AssociatedPerformer - Creed Taylor, Producer

℗ 1966 Verve Label Group, a Division of UMG Recordings, Inc.

6
Versailles Promenade
00:04:03

Lalo Schifrin, Composer, Recording Arranger, MainArtist, AssociatedPerformer - Creed Taylor, Producer

℗ 1966 Verve Label Group, a Division of UMG Recordings, Inc.

7
Troubadour
00:03:05

Lalo Schifrin, Composer, Recording Arranger, MainArtist, AssociatedPerformer - Creed Taylor, Producer

℗ 1966 Verve Label Group, a Division of UMG Recordings, Inc.

8
Marquis De Sade
00:02:50

Lalo Schifrin, Composer, MainArtist - Creed Taylor, Producer, Recording Arranger, AssociatedPerformer

℗ 1966 Verve Label Group, a Division of UMG Recordings, Inc.

9
Aria
00:02:34

Lalo Schifrin, Composer, Recording Arranger, MainArtist, AssociatedPerformer - Rose Marie Jun, Vocalist, AssociatedPerformer - Creed Taylor, Producer, Recording Arranger, AssociatedPerformer

℗ 1966 Verve Label Group, a Division of UMG Recordings, Inc.

10
Bossa Antique
00:03:32

Lalo Schifrin, Composer, MainArtist - Creed Taylor, Producer, Recording Arranger, AssociatedPerformer

℗ 1966 The Verve Music Group, a Division of UMG Recordings, Inc.

Albumbeschreibung

Come again? This crackpot title -- probably the longest ever concocted for a jazz album -- actually is a front for a not-so-dangerous, hard-swinging album in which Schifrin invents or borrows 18th-century classical themes and sets them into big band or small-combo contexts. Such is Schifrin's chameleonic mastery that his own inventions are a match for the themes of the period, and he is tasteful enough not to overload the window dressing and keep the rhythm section loosely swinging nearly all the time. Once, Lalo tries something wacky; on "Beneath a Weeping Window Shade," he has singer Rose Marie Jun intoning a madrigal-like Francis Hopkinson song against some avant-garde multiphonic flute from Jerome Richardson, ministrations from a string quintet, and Schifrin's own comments on harpsichord. There is also a stimulating pastiche "Aria" that sounds like Schifrin arguing with Heitor Villa-Lobos and Henry Purcell in 9/8 time. With the cream of New York's jazz session men of the '60s on board -- including the inimitable Grady Tate on drums, Richardson on flute and tenor, Gene Bertoncini on guitar, and J.J. Johnson and Kai Winding on trombones -- and Creed Taylor's production dictating the distinctive timbres, jazz buffs will have a fine time with this collision of the centuries, which leans heavily to the jazz side. The album was reissued on CD as part of Verve's limited Elite Editions series.

© Richard S. Ginell /TiVo

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