Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Sonderangebot -40%Antonio Salieri remains best known for the image of him promoted by the play and film Amadeus, both based on a story that went back almost to the time of Mozart's death: even Alexander Pushkin, writing in Russia in the 1820s, could assume the audience for his short play Mozart and Salieri was familiar with the idea that Salieri killed Mozart out of what might be called professional jealousy. Modern historians believe that it's all a load of tosh, and in fact the pendulum is swinging to the other extreme with suggestions that Mozart might have written his three final symphonies for a private orchestra Salieri maintained. Performers are starting to resurrect Salieri's works, which are competent, splendid (as Joseph II's court composer he had resources at his command that were hard for Mozart to muster), and almost always square and conventional. Even the fact that he apparently wrote this Requiem in C minor for his own funeral (it was performed there) did not stimulate much of a personal response to the text, which is mostly given to the choir. For Amadeus fans, the work does not betray any anxiety of influence from Mozart and really sounds very little like Mozart's Requiem in D minor, K. 626, at all. The news on the performance front is all good, and if you want to try out one of Salieri's large-scale works this makes a fine place to start. The venerable Chorus of the Gulbenkian Foundation of Lisbon under Lawrence Foster still has a smoother sound than just about any all-adult choir around, and the super audio sound is superb. A final attraction is the presence of two short works, the only occasionally heard late Beethoven cantatas Meeresstille und glückliche Fahrt, Op. 112 (Calm Sea and Prosperous Voyage), and the still rarer and unaccountably neglected Intende voci in B flat major for tenor, chorus, and orchestra, D. 963, dating from the last few months of Franz Schubert's life. This 10-minute work distills the large-scale harmonic thinking of Schubert's late masses down to a modest size and receives a fine performance here. Booklet notes are in English, French, and German.
© TiVo
Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen
Downloaden Sie die Qobuz App
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Requiem in C Minor (Antonio Salieri)
Lawrence Foster, Conductor, MainArtist - Antonio Salieri, Composer - Luis Rodrigues, MainArtist, BaritoneVocals - Adam Zdunikowski, MainArtist, TenorSolo - Orquestra Gulbenkian, Orchestra, MainArtist - Coro Gulbenkian, Choir, MainArtist
2010 Pentatone Music B.V. 2010 Pentatone Music B.V.
Lawrence Foster, Conductor, MainArtist - Antonio Salieri, Composer - Luis Rodrigues, MainArtist, BaritoneVocals - Adam Zdunikowski, MainArtist, TenorSolo - Orquestra Gulbenkian, Orchestra, MainArtist - Coro Gulbenkian, Choir, MainArtist
2010 Pentatone Music B.V. 2010 Pentatone Music B.V.
Lawrence Foster, Conductor, MainArtist - Antonio Salieri, Composer - Luis Rodrigues, MainArtist, BaritoneVocals - Adam Zdunikowski, MainArtist, TenorSolo - Orquestra Gulbenkian, Orchestra, MainArtist - Coro Gulbenkian, Choir, MainArtist
2010 Pentatone Music B.V. 2010 Pentatone Music B.V.
Lawrence Foster, Conductor, MainArtist - Antonio Salieri, Composer - Luis Rodrigues, MainArtist, BaritoneVocals - Adam Zdunikowski, MainArtist, TenorSolo - Orquestra Gulbenkian, Orchestra, MainArtist - Coro Gulbenkian, Choir, MainArtist
2010 Pentatone Music B.V. 2010 Pentatone Music B.V.
Lawrence Foster, Conductor, MainArtist - Antonio Salieri, Composer - Luis Rodrigues, MainArtist, BaritoneVocals - Adam Zdunikowski, MainArtist, TenorSolo - Orquestra Gulbenkian, Orchestra, MainArtist - Coro Gulbenkian, Choir, MainArtist
2010 Pentatone Music B.V. 2010 Pentatone Music B.V.
Lawrence Foster, Conductor, MainArtist - Antonio Salieri, Composer - Luis Rodrigues, MainArtist, BaritoneVocals - Adam Zdunikowski, MainArtist, TenorSolo - Orquestra Gulbenkian, Orchestra, MainArtist - Coro Gulbenkian, Choir, MainArtist
2010 Pentatone Music B.V. 2010 Pentatone Music B.V.
Lawrence Foster, Conductor, MainArtist - Antonio Salieri, Composer - Luis Rodrigues, MainArtist, BaritoneVocals - Adam Zdunikowski, MainArtist, TenorSolo - Orquestra Gulbenkian, Orchestra, MainArtist - Coro Gulbenkian, Choir, MainArtist
2010 Pentatone Music B.V. 2010 Pentatone Music B.V.
Meeresstille und Glückliche Fahrt, Op. 112 (Ludwig van Beethoven)
Ludwig van Beethoven, Composer - Lawrence Foster, Conductor, MainArtist - Orquestra Gulbenkian, Orchestra, MainArtist - Coro Gulbenkian, Choir, MainArtist
2010 Pentatone Music B.V. 2010 Pentatone Music B.V.
Ludwig van Beethoven, Composer - Lawrence Foster, Conductor, MainArtist - Orquestra Gulbenkian, Orchestra, MainArtist - Coro Gulbenkian, Choir, MainArtist
2010 Pentatone Music B.V. 2010 Pentatone Music B.V.
Franz Schubert, Composer - Lawrence Foster, Conductor, MainArtist - Marius Brenciu, MainArtist, TenorSolo - Orquestra Gulbenkian, Orchestra, MainArtist - Coro Gulbenkian, Choir, MainArtist
2010 Pentatone Music B.V. 2010 Pentatone Music B.V.
Albumbeschreibung
Antonio Salieri remains best known for the image of him promoted by the play and film Amadeus, both based on a story that went back almost to the time of Mozart's death: even Alexander Pushkin, writing in Russia in the 1820s, could assume the audience for his short play Mozart and Salieri was familiar with the idea that Salieri killed Mozart out of what might be called professional jealousy. Modern historians believe that it's all a load of tosh, and in fact the pendulum is swinging to the other extreme with suggestions that Mozart might have written his three final symphonies for a private orchestra Salieri maintained. Performers are starting to resurrect Salieri's works, which are competent, splendid (as Joseph II's court composer he had resources at his command that were hard for Mozart to muster), and almost always square and conventional. Even the fact that he apparently wrote this Requiem in C minor for his own funeral (it was performed there) did not stimulate much of a personal response to the text, which is mostly given to the choir. For Amadeus fans, the work does not betray any anxiety of influence from Mozart and really sounds very little like Mozart's Requiem in D minor, K. 626, at all. The news on the performance front is all good, and if you want to try out one of Salieri's large-scale works this makes a fine place to start. The venerable Chorus of the Gulbenkian Foundation of Lisbon under Lawrence Foster still has a smoother sound than just about any all-adult choir around, and the super audio sound is superb. A final attraction is the presence of two short works, the only occasionally heard late Beethoven cantatas Meeresstille und glückliche Fahrt, Op. 112 (Calm Sea and Prosperous Voyage), and the still rarer and unaccountably neglected Intende voci in B flat major for tenor, chorus, and orchestra, D. 963, dating from the last few months of Franz Schubert's life. This 10-minute work distills the large-scale harmonic thinking of Schubert's late masses down to a modest size and receives a fine performance here. Booklet notes are in English, French, and German.
© TiVo
Informationen zu dem Album
- 1 Disc(s) - 10 Track(s)
- Gesamte Laufzeit: 00:56:12
- Künstler: Lawrence Foster Orquestra Gulbenkian Coro Gulbenkian
- Komponist: Various Composers
- Label: Pentatone
- Genre: Klassik Geistliche Vokalmusik
2010 Pentatone Music B.V. 2010 Pentatone Music B.V.
Verbesserung der Albuminformationen
Warum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.
