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Nancy Wilson|Nancy Wilson - Cannonball Adderley

Nancy Wilson - Cannonball Adderley

Nancy Wilson & Cannonball Adderley

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An excellent collaboration of Nancy Wilson's voice with Cannonball Adderley's alto sax from the early '60s. While this 1961 recording was the first time Wilson was with Adderley in the studio, it was not the first time they had worked together. After singing with Rusty Bryant's band, Wilson had worked with Adderley in Columbus, Ohio. (It was there that Adderley encouraged her to go to N.Y.C. to do some recording, eventually leading to this session.) Not entirely a vocal album, five of the 12 cuts are instrumentals. A highlight is the gentle cornet playing of Nat Adderley behind Wilson, especially on "Save Your Love for Me" and "The Old Country." Cannonball Adderley's swinging, boppish sax is heard to excellent effect throughout. Joe Zawinul's work behind Wilson on "The Masquerade Is Over" demonstrates that he is a talented, sensitive accompanist. On the instrumental side, "Teaneck" and "One Man's Dream" are especially good group blowing sessions. On the other end of the spectrum, Adderley's alto offers a lovely slow tempo treatment of the Vernon Duke-Ira Gershwin masterpiece "I Can't Get Started." To keep the listeners on their musical toes, the first couple of bars of "Save Your Love for Me" are quotes from "So What" from the Miles Davis Sextet's seminal Kind of Blue session. Given the play list and the outstanding artists performing it, why any serious jazz collection would be without this classic album is difficult to comprehend.

© Dave Nathan /TiVo

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Nancy Wilson - Cannonball Adderley

Nancy Wilson

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1
Save Your Love for Me
00:02:44

Nancy Wilson, Main Artist - Cannonball Adderley, Main Artist - Copyright Control

(C) 2013 SantaJazzClause (P) 2013 SantaJazzClause

2
Never Will I Marry
00:02:19

Nancy Wilson, Main Artist - Cannonball Adderley, Main Artist - Copyright Control

(C) 2013 SantaJazzClause (P) 2013 SantaJazzClause

3
The Old Country
00:03:01

Nancy Wilson, Main Artist - Cannonball Adderley, Main Artist - Copyright Control

(C) 2013 SantaJazzClause (P) 2013 SantaJazzClause

4
Happy Talk
00:02:25

Nancy Wilson, Main Artist - Cannonball Adderley, Main Artist - Copyright Control

(C) 2013 SantaJazzClause (P) 2013 SantaJazzClause

5
The Masquerade Is Over
00:04:18

Nancy Wilson, Main Artist - Cannonball Adderley, Main Artist - Copyright Control

(C) 2013 SantaJazzClause (P) 2013 SantaJazzClause

6
A Sleepin' Bee
00:02:34

Nancy Wilson, Main Artist - Cannonball Adderley, Main Artist - Copyright Control

(C) 2013 SantaJazzClause (P) 2013 SantaJazzClause

7
Little Unhappy Boy
00:02:15

Nancy Wilson, Main Artist - Cannonball Adderley, Main Artist - Copyright Control

(C) 2013 SantaJazzClause (P) 2013 SantaJazzClause

8
Teaneck
00:04:31

Nancy Wilson, Main Artist - Cannonball Adderley, Main Artist - Copyright Control

(C) 2013 SantaJazzClause (P) 2013 SantaJazzClause

9
I Can't Get Started
00:04:57

Nancy Wilson, Main Artist - Cannonball Adderley, Main Artist - Copyright Control

(C) 2013 SantaJazzClause (P) 2013 SantaJazzClause

10
One Man's Dream
00:05:11

Nancy Wilson, Main Artist - Cannonball Adderley, Main Artist - Copyright Control

(C) 2013 SantaJazzClause (P) 2013 SantaJazzClause

11
Never Say Yes
00:03:59

Nancy Wilson, Main Artist - Cannonball Adderley, Main Artist - Copyright Control

(C) 2013 SantaJazzClause (P) 2013 SantaJazzClause

12
Unit 7
00:06:05

Nancy Wilson, Main Artist - Cannonball Adderley, Main Artist - Copyright Control

(C) 2013 SantaJazzClause (P) 2013 SantaJazzClause

Albumbeschreibung

An excellent collaboration of Nancy Wilson's voice with Cannonball Adderley's alto sax from the early '60s. While this 1961 recording was the first time Wilson was with Adderley in the studio, it was not the first time they had worked together. After singing with Rusty Bryant's band, Wilson had worked with Adderley in Columbus, Ohio. (It was there that Adderley encouraged her to go to N.Y.C. to do some recording, eventually leading to this session.) Not entirely a vocal album, five of the 12 cuts are instrumentals. A highlight is the gentle cornet playing of Nat Adderley behind Wilson, especially on "Save Your Love for Me" and "The Old Country." Cannonball Adderley's swinging, boppish sax is heard to excellent effect throughout. Joe Zawinul's work behind Wilson on "The Masquerade Is Over" demonstrates that he is a talented, sensitive accompanist. On the instrumental side, "Teaneck" and "One Man's Dream" are especially good group blowing sessions. On the other end of the spectrum, Adderley's alto offers a lovely slow tempo treatment of the Vernon Duke-Ira Gershwin masterpiece "I Can't Get Started." To keep the listeners on their musical toes, the first couple of bars of "Save Your Love for Me" are quotes from "So What" from the Miles Davis Sextet's seminal Kind of Blue session. Given the play list and the outstanding artists performing it, why any serious jazz collection would be without this classic album is difficult to comprehend.

© Dave Nathan /TiVo

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