Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
The person most clearly invoked on Lalo Schifrin's Invocations: Jazz Meets the Symphony #7 is his old boss Dizzy Gillespie, who claims composition credit on "Groovin' High" (with Charlie Parker) and "Here ‘Tis." The Schifrin "Jazz Meets the Symphony" series finds the veteran film composer and jazz pianist assembling a small jazz band to interact with a symphony orchestra on his compositions and arrangements; here, he, horn player James Morrison, bassist Pierre Boussaguet, and drummer Tom Gordon joined the Czech National Symphony Orchestra in Prague in July 2010. The problem in mixing jazz music and musicians with an orchestra, the conventional wisdom would have it, is that an improvisatory form and its practitioners have to rub shoulders with people accustomed to reading and playing notes as written. Schifrin gets around this problem, however, much in the way swing bandleaders did in the 1930s and ‘40s. He has the orchestra play set sections, sometimes dropping out entirely, and he has his soloists fit their solos into specific spots at specific tempos. Those tempos vary from piece to piece, with the languid "Invocations" succeeded by the playfully Renaissance-like "Summer Dance" and then the much calmer "Reverie." Another way of getting the musicians to work well together is to vary their level of participation. Generally, the more improvisatory the music, the less the orchestra is to be heard. In "Etude in Rhythm," its participation is much reduced, and for "Here ‘Tis," it lays out completely. Still, this album and the series of which it is a part, must be considered one of the more successful experiments in combining jazz and classical elements into a hybrid, which is not surprising, given that Schifrin has devoted much of his career to doing exactly that.
© William Ruhlmann /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Lalo Schifrin, Composer, Lyricist, MainArtist - Aleph Records, MusicPublisher
2010 Aleph Records 2010 Aleph Records
Lalo Schifrin, Composer, Lyricist, MainArtist - Aleph Records, MusicPublisher
2010 Aleph Records 2010 Aleph Records
Lalo Schifrin, Composer, Lyricist, MainArtist - Aleph Records, MusicPublisher
2010 Aleph Records 2010 Aleph Records
Lalo Schifrin, Composer, Lyricist, MainArtist - Aleph Records, MusicPublisher
2010 Aleph Records 2010 Aleph Records
Lalo Schifrin, Composer, Lyricist, MainArtist - Aleph Records, MusicPublisher
2010 Aleph Records 2010 Aleph Records
Lalo Schifrin, Composer, Lyricist, MainArtist - Aleph Records, MusicPublisher
2010 Aleph Records 2010 Aleph Records
Lalo Schifrin, Composer, Lyricist, MainArtist - Aleph Records, MusicPublisher
2010 Aleph Records 2010 Aleph Records
Albumbeschreibung
The person most clearly invoked on Lalo Schifrin's Invocations: Jazz Meets the Symphony #7 is his old boss Dizzy Gillespie, who claims composition credit on "Groovin' High" (with Charlie Parker) and "Here ‘Tis." The Schifrin "Jazz Meets the Symphony" series finds the veteran film composer and jazz pianist assembling a small jazz band to interact with a symphony orchestra on his compositions and arrangements; here, he, horn player James Morrison, bassist Pierre Boussaguet, and drummer Tom Gordon joined the Czech National Symphony Orchestra in Prague in July 2010. The problem in mixing jazz music and musicians with an orchestra, the conventional wisdom would have it, is that an improvisatory form and its practitioners have to rub shoulders with people accustomed to reading and playing notes as written. Schifrin gets around this problem, however, much in the way swing bandleaders did in the 1930s and ‘40s. He has the orchestra play set sections, sometimes dropping out entirely, and he has his soloists fit their solos into specific spots at specific tempos. Those tempos vary from piece to piece, with the languid "Invocations" succeeded by the playfully Renaissance-like "Summer Dance" and then the much calmer "Reverie." Another way of getting the musicians to work well together is to vary their level of participation. Generally, the more improvisatory the music, the less the orchestra is to be heard. In "Etude in Rhythm," its participation is much reduced, and for "Here ‘Tis," it lays out completely. Still, this album and the series of which it is a part, must be considered one of the more successful experiments in combining jazz and classical elements into a hybrid, which is not surprising, given that Schifrin has devoted much of his career to doing exactly that.
© William Ruhlmann /TiVo
Informationen zu dem Album
- 1 Disc(s) - 7 Track(s)
- Gesamte Laufzeit: 01:07:17
- Künstler: Lalo Schifrin
- Komponist: Lalo Schifrin
- Label: Aleph Records
- Genre: Jazz
2010 Aleph Records 2010 Aleph Records
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.