Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
Thee Headcoats -- who put out their first album in 1989 -- have recorded raw, primordial romps that seem inspired by American Delta blues musicians like Sonny Boy Williamson or the Southern swamp rock of Hasil Adkins, while maintaining a decidedly English sound. They've recorded under a slew of monikers, and issued an amazing discography of full-lengths, EPs, 7"s, and what-have-you for virtually every cool indie label since they formed (including U.S.-based labels like SubPop, Get Hip, Sympathy for the Record Industry, and K, among others). Whether he's covering songs with a Bo Diddley beat, garage rock chug, or playing one of his angry young man/dysfunctional family rantings ("The Day I Beat My Father Up," for example), Billy Childish has built up a solid and somewhat rabid fanbase by releasing songs that you wouldn't normally think would attract a huge audience to begin with. However, I Am the Object of Your Desire has the distinction of being the last album by this band, as their prolific leader Billy Childish moved on to a new band; they're called the Buff Medways, which is apparently an ancient and now extinct breed of chicken which had feathered legs. It's also the name of the U.K. imprint this record was released on. This collection kicks right off with the album-titled track reveling in pure Headcoats fashion: that warm, fuzzy vibrato guitar with Childish's fuzzy, electronically distorted voice (an effect repeated throughout the album); Johnny Johnson's soft, flowing bassline; and Bruce Brand's primeval drums. The group keeps this sort of mid-tempo riffage going for the next couple of tracks. Johnson plays a mean harp on "Hurt Me (Slight Return)," but things don't really take off until "In a Dead Man's Suit" and the swaggering, Texas blues "Chatham Town Welcomes Desperate Men." The band's punk roots show up in songs like "An Image of You" and "Your Crying Means Nothing to Me" while "Come Into My Mind" has a definite Kinks influence. All in all, an excellent album from this soon to be sadly missed band.
© Bryan Thomas /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Billy Childish, Composer, Lyricist, Artist, MusicPublisher - Thee Headcoats, Artist - Thee Headcoats feat. Billy Childish, MainArtist
2011 Damaged Goods Records 2011 Damaged Goods Records
Billy Childish, Composer, Lyricist, Artist, MusicPublisher - Thee Headcoats, Artist - Thee Headcoats feat. Billy Childish, MainArtist
2011 Damaged Goods Records 2011 Damaged Goods Records
Billy Childish, Composer, Lyricist, Artist, MusicPublisher - Thee Headcoats, Artist - Thee Headcoats feat. Billy Childish, MainArtist
2011 Damaged Goods Records 2011 Damaged Goods Records
Billy Childish, Composer, Lyricist, Artist, MusicPublisher - Thee Headcoats, Artist - Thee Headcoats feat. Billy Childish, MainArtist
2011 Damaged Goods Records 2011 Damaged Goods Records
Billy Childish, Composer, Lyricist, Artist, MusicPublisher - Thee Headcoats, Artist - Thee Headcoats feat. Billy Childish, MainArtist
2011 Damaged Goods Records 2011 Damaged Goods Records
Billy Childish, Composer, Lyricist, Artist, MusicPublisher - Thee Headcoats, Artist - Thee Headcoats feat. Billy Childish, MainArtist
2011 Damaged Goods Records 2011 Damaged Goods Records
Billy Childish, Composer, Lyricist, Artist, MusicPublisher - Thee Headcoats, Artist - Thee Headcoats feat. Billy Childish, MainArtist
2011 Damaged Goods Records 2011 Damaged Goods Records
E. McDaniel, Composer, Lyricist - Billy Childish, Artist - Thee Headcoats, Artist - Thee Headcoats feat. Billy Childish, MainArtist
2011 Damaged Goods Records 2011 Damaged Goods Records
Billy Childish, Composer, Lyricist, Artist, MusicPublisher - Thee Headcoats, Artist - Thee Headcoats feat. Billy Childish, MainArtist - Malcolm Pound, Composer, Lyricist, MusicPublisher
2011 Damaged Goods Records 2011 Damaged Goods Records
Billy Childish, Composer, Lyricist, Artist, MusicPublisher - Thee Headcoats, Artist - Thee Headcoats feat. Billy Childish, MainArtist
2011 Damaged Goods Records 2011 Damaged Goods Records
Billy Childish, Composer, Lyricist, Artist, MusicPublisher - Thee Headcoats, Artist - Thee Headcoats feat. Billy Childish, MainArtist
2011 Damaged Goods Records 2011 Damaged Goods Records
Billy Childish, Composer, Lyricist, Artist, MusicPublisher - Thee Headcoats, Artist - Thee Headcoats feat. Billy Childish, MainArtist
2011 Damaged Goods Records 2011 Damaged Goods Records
Albumbeschreibung
Thee Headcoats -- who put out their first album in 1989 -- have recorded raw, primordial romps that seem inspired by American Delta blues musicians like Sonny Boy Williamson or the Southern swamp rock of Hasil Adkins, while maintaining a decidedly English sound. They've recorded under a slew of monikers, and issued an amazing discography of full-lengths, EPs, 7"s, and what-have-you for virtually every cool indie label since they formed (including U.S.-based labels like SubPop, Get Hip, Sympathy for the Record Industry, and K, among others). Whether he's covering songs with a Bo Diddley beat, garage rock chug, or playing one of his angry young man/dysfunctional family rantings ("The Day I Beat My Father Up," for example), Billy Childish has built up a solid and somewhat rabid fanbase by releasing songs that you wouldn't normally think would attract a huge audience to begin with. However, I Am the Object of Your Desire has the distinction of being the last album by this band, as their prolific leader Billy Childish moved on to a new band; they're called the Buff Medways, which is apparently an ancient and now extinct breed of chicken which had feathered legs. It's also the name of the U.K. imprint this record was released on. This collection kicks right off with the album-titled track reveling in pure Headcoats fashion: that warm, fuzzy vibrato guitar with Childish's fuzzy, electronically distorted voice (an effect repeated throughout the album); Johnny Johnson's soft, flowing bassline; and Bruce Brand's primeval drums. The group keeps this sort of mid-tempo riffage going for the next couple of tracks. Johnson plays a mean harp on "Hurt Me (Slight Return)," but things don't really take off until "In a Dead Man's Suit" and the swaggering, Texas blues "Chatham Town Welcomes Desperate Men." The band's punk roots show up in songs like "An Image of You" and "Your Crying Means Nothing to Me" while "Come Into My Mind" has a definite Kinks influence. All in all, an excellent album from this soon to be sadly missed band.
© Bryan Thomas /TiVo
Informationen zu dem Album
- 1 Disc(s) - 12 Track(s)
- Gesamte Laufzeit: 00:33:48
- Künstler: Thee Headcoats feat. Billy Childish
- Komponist: Various Composers
- Label: Damaged Goods
- Genre: Blues/Country/Folk Blues
2011 Damaged Goods Records 2011 Damaged Goods Records
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.