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John Hicks|Duality

Duality

John Hicks, Peter Leitch

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Peter Leitch and John Hicks joined forces for a third studio date on Reservoir, though this time out, it is just the two of them. Leitch, a lyrical player in the style of Jim Hall, is beautifully complemented by Hicks' piano technique. While standards are a part of the date (and well played, too), the originals by each of the two men and the lesser known jazz compositions they chose are the standout tracks. A friend of Hicks contributed the lovely waltz "Pas de Trois," while bassist George Mraz penned "For B.C.," a touching remembrance of the popular night club operator Bradley Cunningham, who operated Bradley's among many other clubs during his career. Leitch switches to acoustic guitar for his tasty blues "H&L." Hicks' brooding "After the Morning" is one of the pianist's most impressive works; it takes on a new dimension with the intimacy of piano and guitar without a rhythm section. Neither man has achieved the critical acclaim that he has earned, though with John Hicks' untimely passing in 2006, he may belatedly achieve wider recognition. Highly recommended.

© Ken Dryden /TiVo

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Duality

John Hicks

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1
Pas De Trois
00:07:13

John Hicks, Composer, MainArtist - Peter Leitch, Composer, MainArtist

1994 Reservoir Music 1994 Reservoir Music

2
Epistrophy
00:06:25

John Hicks, Composer, MainArtist - Peter Leitch, Composer, MainArtist

1994 Reservoir Music 1994 Reservoir Music

3
For B.C.
00:06:48

John Hicks, Composer, MainArtist - Peter Leitch, Composer, MainArtist

1994 Reservoir Music 1994 Reservoir Music

4
H&L
00:07:15

John Hicks, Composer, MainArtist - Peter Leitch, Composer, MainArtist

1994 Reservoir Music 1994 Reservoir Music

5
Ogrand Amour
00:09:01

John Hicks, Composer, MainArtist - Peter Leitch, Composer, MainArtist

1994 Reservoir Music 1994 Reservoir Music

6
Dancing in the Dark
00:05:23

John Hicks, Composer, MainArtist - Peter Leitch, Composer, MainArtist

1994 Reservoir Music 1994 Reservoir Music

7
Last When We Were Young
00:05:03

John Hicks, Composer, MainArtist - Peter Leitch, Composer, MainArtist

1994 Reservoir Music 1994 Reservoir Music

8
Duality
00:06:34

John Hicks, Composer, MainArtist - Peter Leitch, Composer, MainArtist

1994 Reservoir Music 1994 Reservoir Music

9
After the Morning
00:06:54

John Hicks, Composer, MainArtist - Peter Leitch, Composer, MainArtist

1994 Reservoir Music 1994 Reservoir Music

10
Chelsea Bridge
00:04:51

John Hicks, Composer, MainArtist - Peter Leitch, Composer, MainArtist

1994 Reservoir Music 1994 Reservoir Music

11
I Hear a Rhapsody
00:05:58

John Hicks, Composer, MainArtist - Peter Leitch, Composer, MainArtist

1994 Reservoir Music 1994 Reservoir Music

Albumbeschreibung

Peter Leitch and John Hicks joined forces for a third studio date on Reservoir, though this time out, it is just the two of them. Leitch, a lyrical player in the style of Jim Hall, is beautifully complemented by Hicks' piano technique. While standards are a part of the date (and well played, too), the originals by each of the two men and the lesser known jazz compositions they chose are the standout tracks. A friend of Hicks contributed the lovely waltz "Pas de Trois," while bassist George Mraz penned "For B.C.," a touching remembrance of the popular night club operator Bradley Cunningham, who operated Bradley's among many other clubs during his career. Leitch switches to acoustic guitar for his tasty blues "H&L." Hicks' brooding "After the Morning" is one of the pianist's most impressive works; it takes on a new dimension with the intimacy of piano and guitar without a rhythm section. Neither man has achieved the critical acclaim that he has earned, though with John Hicks' untimely passing in 2006, he may belatedly achieve wider recognition. Highly recommended.

© Ken Dryden /TiVo

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