Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
Originally recorded in 1998 for the MusicMasters label, this Beethoven disc was reissued in 2010 on Nimbus, complete with Mount Everest on the cover and pianist Vladimir Feltsman's own notes, quite elegant, that refer to "a feeling of brutality" in the gigantic yet exacting fugal finale of the Piano Sonata No. 29 in B flat major, Op. 106, "Hammerklavier." It's a good phrase for the entire work, whose chilly monumentality sets it apart even from the rest of Beethoven's late output. Yet what's a bit odd, although not in the least troubling, is that the work is anything but brutal in Feltsman's hands. The "Hammerklavier" is allied with the Symphony No. 9 in D minor, Op. 125, the Grosse Fuge for string quartet, Op. 133, and perhaps a few other works in making extreme demands on the performer, in fact, in existing at the very boundaries of performability. Yet, despite brisk tempos (especially in the slow movement) that bring the work in well below average in terms of duration, Feltsman doesn't sweat in the least. This is a precise, clear, almost placid "Hammerklavier" if indeed there can be such a thing, and it clarifies details of the counterpoint in the finale that seemed forever lost in the tradition of performances following Artur Schnabel's gate-storming performances. The slow movement perhaps loses some weight in this version, and you have to take it on faith that it wasn't meant to have the scope of the Ninth Symphony's outer movements. But Feltsman deserves full credit for performances that are both original and technically remarkable, both in the "Hammerklavier" and in the gentler Piano Sonata No. 28 in A major, Op. 101, where he rightly tones down his approach a good deal. Well worth hearing, as with Feltsman's other recordings of this period.
© TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Ludwig van Beethoven, Composer - Vladimir Feltsman, MainArtist
(C) 1998 MusicMasters (P) 1993 MusicMasters, Inc.
Ludwig van Beethoven, Composer - Vladimir Feltsman, MainArtist
(C) 1998 MusicMasters (P) 1993 MusicMasters, Inc.
Ludwig van Beethoven, Composer - Vladimir Feltsman, MainArtist
(C) 1998 MusicMasters (P) 1993 MusicMasters, Inc.
Ludwig van Beethoven, Composer - Vladimir Feltsman, MainArtist
(C) 1998 MusicMasters (P) 1993 MusicMasters, Inc.
Ludwig van Beethoven, Composer - Vladimir Feltsman, MainArtist
(C) 1998 MusicMasters (P) 1993 MusicMasters, Inc.
Ludwig van Beethoven, Composer - Vladimir Feltsman, MainArtist
(C) 1998 MusicMasters (P) 1993 MusicMasters, Inc.
Ludwig van Beethoven, Composer - Vladimir Feltsman, MainArtist
(C) 1998 MusicMasters (P) 1993 MusicMasters, Inc.
Ludwig van Beethoven, Composer - Vladimir Feltsman, MainArtist
(C) 1998 MusicMasters (P) 1993 MusicMasters, Inc.
Albumbeschreibung
Originally recorded in 1998 for the MusicMasters label, this Beethoven disc was reissued in 2010 on Nimbus, complete with Mount Everest on the cover and pianist Vladimir Feltsman's own notes, quite elegant, that refer to "a feeling of brutality" in the gigantic yet exacting fugal finale of the Piano Sonata No. 29 in B flat major, Op. 106, "Hammerklavier." It's a good phrase for the entire work, whose chilly monumentality sets it apart even from the rest of Beethoven's late output. Yet what's a bit odd, although not in the least troubling, is that the work is anything but brutal in Feltsman's hands. The "Hammerklavier" is allied with the Symphony No. 9 in D minor, Op. 125, the Grosse Fuge for string quartet, Op. 133, and perhaps a few other works in making extreme demands on the performer, in fact, in existing at the very boundaries of performability. Yet, despite brisk tempos (especially in the slow movement) that bring the work in well below average in terms of duration, Feltsman doesn't sweat in the least. This is a precise, clear, almost placid "Hammerklavier" if indeed there can be such a thing, and it clarifies details of the counterpoint in the finale that seemed forever lost in the tradition of performances following Artur Schnabel's gate-storming performances. The slow movement perhaps loses some weight in this version, and you have to take it on faith that it wasn't meant to have the scope of the Ninth Symphony's outer movements. But Feltsman deserves full credit for performances that are both original and technically remarkable, both in the "Hammerklavier" and in the gentler Piano Sonata No. 28 in A major, Op. 101, where he rightly tones down his approach a good deal. Well worth hearing, as with Feltsman's other recordings of this period.
© TiVo
Informationen zu dem Album
- 1 Disc(s) - 8 Track(s)
- Gesamte Laufzeit: 01:04:29
- Künstler: Vladimir Feltsman
- Komponist: Ludwig van Beethoven
- Label: Musical Heritage Society
- Genre: Klassik
(C) 1998 MusicMasters (P) 1993 MusicMasters, Inc.
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.